Name: Wander Steps (2018)for two microtonals accordions by Pascale Criton
Duration: 12 min 2 s
Description: Wander Steps for two microtonals accordions played by the duo XAMP Fanny Vicens and Jean-Etienne Sotty (festival Messiaen au Pays de la Meije, commission 2018)

Quatuor Diotima
Live recording: April 1st, 2022
Genève, Festival Archipel

Diaphane

Snovi

Using the Thunderbird to sculpt the bandwidths. Video of this patch here: https://youtu.be/m1frJJ0VkHk

Spectral Thunderbird

Floating

synthesisers played by Ken Ikeda
trombone & feedback played by Edward Lucas

recording, mix & photographs by E.Lucas
mastered by Rupert Clervaux
design by Earshots

recorded in 2018 at Lock Down Studios in the lost tower hamlet of Ratcliff

EAR014 - Ken Ikeda / Edward Lucas - Lost & Found [sample]

Excerpt from Rebecca Lane & Clara de Asís "Distances Bending", live at Oscillation festival, Brussels (BE), 29 April 2023.

A collaborative composition by Clara de Asís and Rebecca Lane deriving from a series of encounters and explorations throughout different times, spaces and forms.

Distances Bending is an ever-expand­ing pro­cess — a build­ing up, dis­tilling, and mir­ror­ing of mater­i­als par­tic­u­lar to each artist, respond­ing to and inhab­it­ing a space over mul­tiple hours or days. A repeated time struc­ture, a tem­por­al loop that is altered through upwardly evolving ration­ally-tuned fre­quen­cies, vari­ous flutes (whose size, timbre and shape cor­res­pond to these fre­quen­cies), elec­tron­ics, and chan­ging light, the piece cre­ates a subtle space where per­cep­tion is transformed.

Rebecca Lane: flutes, organ pipes, whistles
Clara de Asís: synthesizer

Rebecca Lane & Clara de Asís / Distances Bending (Excerpt) – Live at Oscillation 2023

9h34

Départ ou retard pour la transe. Mais être toujours en avance sans vraiment savoir pourquoi. Appuyer sur le REC et attendre. « Tu jettes pas ta canne quand le poisson passe ! ». 
Autre espace-temps, à Azillanet ça craquèle sous les rires. Certain.es se laissent surprendre par l’expérience, d’autres y plongent les yeux fermés. Se laisser traverser les oreilles ! 

Cueillette sonore et montage par : Chloé Kobuta, Jana Laux, Louise André, Martine Rousseaux, Raphaël Wild, Sébastien Comyn, Sonia Perego, Vania Jaikin Miyazaki sous les grands lobes du bélier sensible Bélix Flume. 
@cordessensibles


Avec la généreuse participation de : Florence, Eloïse, Stéphane, Nico, Martine, Georges, Anne, Suzanne et les habitant.es d’Azillanet.

9h34

Vasilis Liolios: bells, singing bowls, objects, semi - modular analog synth
Yiannis Tsirikoglou: electronics Max/MSP
Aris Giatas: bells, prepared piano
Released on Creative sources (structures | cs279)
http://www.creativesourcesrec.com
Originally released on Another Timbre/Anonymous Zone 

Points of attraction

Moving Parts

Wander Steps for two microtonals accordions played by the duo XAMP Fanny Vicens and Jean-Etienne Sotty (festival Messiaen au Pays de la Meije, commission 2018)

Wander Steps (2018)for two microtonals accordions

Excerpt from forthcoming album with MP Hopkins 'The Divine For Me Is Whatever Is Real', to be released on More Mars, 2021.
Recorded by Alexandra and MP at Tempe Jets, mastered by Renato Grieco.

Wander Steps (2018)for two microtonals accordions

Pascale Criton

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