alguém sabe o nome da primeira música? e show é das antigas, mais não sei o nome. alguém pode me informa 

Bunny Riggs❤️🙏🔥 back with our creator

Coca cola

Various tunes by #GregoryIsaacs, #DennisBrown & #FreddieMcGregor

Gregory Isaacs, Dennis Brown & Freddie Mc Gregor Mixtape

 Selector Jah Rich is proud to drop his latest mix CD titled, “Peter Tosh Tribute – 33 Shots – Strictly 45s.”  This 100% live all vinyl mix presents a range of Tosh’s music, all in a vintage format – original 45 records (and all from Jah Rich’s vinyl collection).  This well thought out mix CD does not drop a thousand songs each played for 30 seconds, but instead presents 33 meaningful tunes showcasing Tosh’s lyrical skills, unrelenting message, and overall musical talent.  From vintage Rock Steady tunes like the popular “Treat Me Good” and “I Am the Toughest,” a Tosh anthem, to 1970s classics such as “Can’t Blame the Youth” and the essential “Stepping Razor,” all the way to gems of the early 80s like “Buckingham Palace” and “Peace Treaty,” this mix CD has it covered!  Of course, the mix also features rarities such as “Don’t Look Back” on the renowned Coxsone label and the groundbreaking “Rasta Shook Them Up” from 1966.  Peter Tosh Tribute also presents several dub tracks or “versions” which highlight the many outstanding musicians (including the versatile Tosh) that played alongside the Bushdoctor.  

Tosh fanatics, Wailers fans, reggae addicts, this mix CD is something special, so get your hardcopy mix CD for the whip or download the mix online!  Massive, in the famous words of Tosh manager Copland Forbes (who often introduced Tosh at concerts in this very way), “Extinguish your cigarette and light up your spliff…you are about to take off…”  Respect!  

FOR PROMOTIONAL USE ONLY.

CD Insert Artwork:  Brave Prince
CD Graphics:  Budegreen 

www.jahrich.com
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Reggaeville: Jah Rich
dubplatesteel@gmail.com


Peter Tosh Tribute MIX CD by Jah Rich

[APWW #524] (Originally aired in 2007]
The prestigious annual WOMEX award for excellence this year goes to Andy Palacio and his producer, Ivan Duran. Andy Palacio is the leading international exponent of the culture of the Garifuna people, a primarily Afro-Caribbean community that stretches along the coasts of Honduras, Belize, Guatamala, Panama, and Nicaragua. Former punta rock star Palacio is from Belize and he now leads the multi-generational Garifuna Collective which recently made their New York City debut. The charismatic 78 year old singer Paul Nabor did a guest spot and brought down the house. We'll hear highlights from that concert and listen to Andy Palacio tell the fascinating story of the Garifuna. Andy tells us about the songs on his debut international release, "Watina." We'll also hear other surprising, unreleased music from around Belize.

Andy Palacio

FOR PROMOTIONAL USE ONLY

In tribute to the great Robert Nesta Marley aka Berhane Selassie who has inspired and strengthened various ones world wide. Black Sabbath Sound mixed this mix in 2011 and is now being uploaded to the outer-net for everyones fulljoyment. Heart ah Love. 

TRACKED OUT DOWNLOAD:
http://www.mediafire.com/download/47hrngkdpwx493x/Black+Sabbath+Sound+-+Bob+Marley+Tribute.zip

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#7739432348

Black Sabbath Sound: Tribute To Bob Marley [2011] #BobMarley70

Burning Spear
Winston Rodney OD (born 1 March 1945), better known by the stage name Burning Spear, is a Jamaican roots reggae singer and musician. Burning Spear is a Rastafarian and one of the most influential and long-standing roots artists to emerge from the 1970s.
Winston Rodney was born in Saint Ann's Bay, Saint Ann, Jamaica. As a young man he listened to the R&B, Soul and Jazz music transmitted by the US radio stations whose broadcasts reached Jamaica. Curtis Mayfield is cited by Rodney as a major US musical influence along with James Brown.[3] Rodney was deeply influenced as a young man by the views of the political activist Marcus Garvey especially with regard to the exploration of the themes of Pan-Africanism and self-determination.[3] In 1969, Bob Marley, who was also from Saint Ann, advised Rodney to approach Coxsone Dodd's Studio One label after Rodney sought his advice during a casual conversation.[4][4][5][6]

Career[edit]
Burning Spear was originally Rodney's group, named after a military award given by Jomo Kenyatta, the first President of an independent Kenya,[7] and including bass singer Rupert Willington. The duo auditioned for Dodd in 1969 which led to the release of their debut single "Door Peep" (the session also included Cedric Brooks on saxophone).[4][8] They were then joined by tenor Delroy Hinds. The trio recorded several more singles for Dodd, and two albums, before they moved on to work with Jack Ruby in 1975.[4] Their first recording with Ruby, "Marcus Garvey", was intended as an exclusive track for Ruby's Ocho Rios–based Hi-Power sound system, but was released as a single, giving them an immediate hit, and was followed by "Slavery Days".[4] These recordings featured the backing band The Black Disciples, which included Earl "Chinna" Smith, Valentine Chin, Robbie Shakespeare and Leroy Wallace.[4] The group worked with Ruby on their third album, Marcus Garvey (1975), which was immediately successful and led to a deal with Island Records to give the album a wider release.[4] Island remixed and altered the speed of some of the tracks, much to the annoyance of fans and the group,[9] leading Rodney to set up his own Burning Music[10] label for future releases where he would have full control, although further releases followed on Island including Garvey's Ghost, a dub album, and the Man in the Hills album.[4] In late 1976, Rodney split from both Ruby and group members Willington and Hinds, and from that point on used the name Burning Spear for himself alone. Dry and Heavy followed in 1977, self-produced but still on Island, and with a sizeable following by now in the United Kingdom,[9] he performed in London that year with members of Aswad acting as his backing band for a sold-out show at the Rainbow Theatre, which was recorded and released as Live!.[4] Aswad also provided backing on his next studio album, Social Living (1978), which also featured Sly Dunbar and Rico Rodriguez.[4] A dub version of the album, Living Dub (1979), was mixed by Sylvan Morris.[4] His profile was raised further by an appearance in the film Rockers, performing "Jah no Dead".[9]



Burning Spear - Best of Burning Spear - Justice Sound.

Super Cat - Best Of Super Cat & JR Cat - Justice Sound.
Super Cat (born William Anthony Maragh in Kingston, Jamaica, 25 June 1963)[1] is a deejay who achieved widespread popularity during the late 1980s and early 1990s dancehall movement. His nickname, "Wild Apache", was given to him by his mentor Early B.[1] He is the elder brother of reggae artist Junior Cat and is considered one of the greatest deejays within the Jamaican dance-hall scene to date.
Born to a Black mother and Indian father,[2] Super Cat was raised in Kingston's tough Seaview Gardens neighbourhood, then known as Cockburn Pen, home to ground-breaking deejays like Prince Jazzbo and U-Roy.[1] At the age of seven the Soul Imperial sound system allowed him to assist them at a local club called Bamboo Lawn. He auditioned for Joe Gibbs as a singer but was unsuccessful.[3]

He began appearing as a deejay under the name Cat-A-Rock, but soon switched to the name Super Cat.[4] He also appeared as 'Wild Apache'.[4] His first single "Mr. Walker", produced by Winston Riley, was released in 1981 and established his recording career. He went on to record for Jah Thomas ("Walkathon", on which he was billed as 'Super Cat the Indian'),[2] but his career was interrupted by a period of incarceration.[4] After his release he began working with Early B on the Killamanjaro sound system in 1984,[3] and his debut album, Si Boops Deh!, was released in the mid-1980s, and included the hit singles "Boops" (which was based on Steely & Clevie's updated "Feel Like Jumping" rhythm and sparked a craze for songs about sugar daddies),[2] and "Cry Fi De Youth", establishing his style of dancehall with conscious lyrics.[4]

He started his own Wild Apache Productions label and began producing his own recordings, including the 1988 album Sweets for My Sweet.[4] He featured on the album Cabin Stabbin in 1991 along with Nicodemus and Junior Demus.[1] He had been scheduled to perform at the One Love concert in the UK in 1991, but his appearance was cancelled after the shooting death of Nitty Gritty, for which Super Cat was initially suspected but cleared in 1992.[5] Continuing success saw him move to the United States and sign a contract with Columbia Records, releasing one of the first dancehall albums on a major label, Don Dada (1992).[4] The following year, Sony Music issued The Good, the Bad, the Ugly, and the Crazy, teaming Super Cat with Nicodemus, Junior Demus and Junior Cat.[4]

Super Cat had a number of hit singles in the early 1990s, including "Don Dada", "Ghetto Red Hot" and "Dem No Worry We" with Heavy D. In 1992, he was featured on the remix of "Jump" with Kris Kross,[5] and he also collaborated with them in 1993 for their song "It's Alright". These hits made him The Source magazine dance hall artist of the year in 1993.[1] He was also an early collaborator with The Notorious B.I.G., featuring the then unknown artist (along with Mary J. Blige, 3rd Eye and Puff Daddy) on the B-side remix of "Dolly My Baby" in 1993.[citation needed] The title song, "Don Dada" was a reply to many jabs made by Ninjaman.[citation needed]


Super Cat & Jr.Cat - Best Of Super Cat & Jr Cat - Justice Sound (explicit)

Third World are a Jamaican reggae band formed in 1973. Their sound is influenced by soul, funk and disco. Although they have undergone several line-up changes, Stephen "Cat" Coore and Richard Daley have been constant members.
Third World started when keyboard player Michael "Ibo" Cooper and guitarist (and cellist) Stephen "Cat" Coore (son of former Deputy Prime Minister David Coore), who had originally played in The Alley Cats then Inner Circle, subsequently left to form their own band along with Inner Circle singer Milton "Prilly" Hamilton.[1][2] They recruited bassist Richard Daley, formerly of Ken Boothe's band and Tomorrow's Children, and added drummer Carl Barovier and former Inner Circle percussionist Irvin "Carrot" Jarrett before making their live debut in early 1974.[1]
After recording some tracks with Geoffrey Chung which were not released, the band's first single was the self-produced "Railroad Track" (1974).[1] In their early days they played primarily in Kingston's hotels and nightclubs and (along with The Wailers) supported The Jackson Five when they played at the Jamaican National Stadium.[1]
They were soon signed by Island Records and toured Europe with The Wailers.[1] The band's self-titled debut album was released in 1976. The album included a cover of "Satta Massagana", originally performed by The Abyssinians, which became a local hit. Hamilton and Barovier were replaced by singer (and another former Inner Circle member) William "Bunny Rugs" Clarke and drummer Willie Stewart before the recording of their second album, 96° in the Shade (1977), which included several local hits. Notable among its eight tracks were "1865 (96° in the Shade)", a reference to the 1865 Morant Bay rebellion, "Rhythm of Life" and the album's only cover, "Dreamland", written by Bunny Wailer.[1] They played in front of 80,000 people at the Smile Jamaica festival in 1976.[1]
In 1977 the band collaborated with psychiatrist Frederick Hickling on the Explanitations show which was performed at Kingston's Little Theatre early the following year.[3]
Third World's greatest success came in the late 1970s and early 1980s, peaking with their cover version of The O'Jays' "Now That We Found Love" from their third album Journey to Addis, a hit single on both sides of the Atlantic in 1978, reaching the top ten in the UK.[1] Journey to Addis became a top thirty hit album in the UK.[1] They had first met Stevie Wonder in Jamaica in 1976 and the single prompted him to perform with them at the Reggae Sunsplash festival in 1981 in the wake of Bob Marley's death, playing his tribute to Marley, "Master Blaster".[1][4] Third World went on to perform several times at the festival, and they also took part in the 'Reggae Sunsplash USA' tour in 1985.[5] Wonder also wrote, along with Melody A McCully, their 1982 hit "Try Jah Love", which brought them further exposure in North America.[1][6][7] They were also guests during the third season of SCTV.
Amid claims of artistic differences "Carrot" split from the band in the mid-1980s.[1] The resulting five-piece band then went on to record more commercial tunes such as "Sense of Purpose", "Reggae Ambassador", "Forbidden Love" and "Committed".
STEEL PULSE
Steel Pulse are a roots reggae musical band, from the Handsworth area of Birmingham, England, which has a large number of Afro-Caribbean, Indian and other Asian migrants. They originally formed at Handsworth Wood Boys School, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album.






Third World - Steel Pulse - Ini Kamoze  - Justice Sound.

Rebel Roots Rock Reality- burning Spear - Black Uhuru - Steel pulse mixx

Ub40 et Alpha Blondy pour un live planant^^

UB40 & Alpha Blondy - steel pulse chiemse summer festival reggae 2002

Part 2 of Nice Old Skool Reggae Rootz Vybz for Promotional use only  Comment for track names
Instagram @ Djozskilli @Ozskillimusic





Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism,
Promo Use Only!!! Support The Artist!!!

Best Of The Best 70s Rootz Rock Reggae Vol 2(Jacob Miller,Third World,Gregory Isaacs,Etc)Dj Ozskilli

Peter Tosh Hommage Mix 2011

mix : Ton
eq : reg

thanks to :
Dubwise and Hechicero for their help

Peter Tosh Hommage Mix 2011

 Israel Vibration Spotlight Edited Mix 2012

Mix, Idea  : Ton
Eq : r3g

Israel Vibration Spotlight  Mix 2012

Give A Little Love - Strictly Roots Reggae Mix
#Tracklist
#TheMaytals - Treat me bad
#TheHeptones - I'm your man
#JohnnyLover & #PeterTosh - Heathen's rage
#EricDolnadson - The Price
#KingTubby & #AugustusPablo - The Specialist In Dub
#DonCarlos - Live in harmony
#FreddyMcKay - Running over
#AlCampbell - Unfaithful children
#LeroySmart - Don't trust them
#JohnnyOsbourne - Give a little love
#TwinklwBrothers - Battlefield
#TheViceroys - Can't stop us now
#YamiBolo - Jah Word Order
#MartinCampbell - Talkin' taken over
#BlackSymbol - Mother Of Creation
#PrinceAlla - Pillar of Salt
#PrinceAlla - Pillar of Dub (Version)


DISCLAIMER: I do not own any rights or part of the music that i play on this channel. i just do it because of the love of music . If you are an artist or you own any of the performances and are unhappy, then contact me asap. and i will delete it.

Give A Little Love - Strictly Roots Reggae Mix

JUST ADD PIFF (REGGAE CULTCHA MIX)

Audio recorded from an all vinyl tribute to Bunny Wailer on his 73rd birthday, 4/10/20, broadcast from Austin, Texas on Facebook live. This is the first 80 minutes of a 105 minute session.

100% vinyl Bunny Wailer and The Wailers 73rd Birthday Tribute Mix Down (4/10/20/Facebook live) pt. 1

Justice Sound - Justice Di President 
(((Music For The People)))

Third World - Steel Pulse - Ini Kamoze - Justice Sound.

Justice Sound

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