This recording was selected for a guest spot on Dublab Radio, that aired on Saturday, January 29th, 2022 and was accompanied with a brief interview that was lead by Lottie, which is posted here below. 

What has been the biggest challenge and more positive outcome you’ve experienced through extended time at home?

Being alone with my record collection and contemplating how different I am feeling, and considering which slabs of vinyl that I want to spend more time with. Rekindling relationships with certain sonic objects that are saturated with memories and have the power to transport me to a different space.

Thank you for the recording this mix for dublab – I know its been a while since you put a mix into the ether – can you speak about your process?

I closed my eyes, took a deep breath, and wandered blindly into the void. This recording is a document of a moment in time, while smothered in an atmosphere that is as beautiful as it is ugly. The outcome is a true sonic image that is unmolested, unedited, and honest. An automatic drawing where one action responds to the next without any shadow of a doubt, and then preserved in its total form.

How did you approach the mix, did you have an idea in your mind of how it was going to go – or did you just trust your instinct?

Every time it is like traveling on autopilot with an empty mind that is prepared to accept the laws of chance while powered by an engine of chaos. I am a beacon rupturing from my life experiences. One light turns out, while another one flickers on. It is a very vehement ritual activity that depends on the action of call and response, while embracing the limitations that I set for myself by the tools that I choose to use. There is nothing but blind trust.

A lot of your art focuses on magic, ritual practice – but I would also say storytelling, a lot of the music in this mix, seems to spell some hidden meanings, can you go into any of those?

One of the strongest qualities of music, and all art in general is its subjective nature. Meanings can change continually through an endless scope of variables. The original intent of the artist can be transformed completely by the one that is digesting it. An important character of a successful work of art is its power to present open narratives shrouded in unlimited possibilities. And the closer and harder you look, the more questions will arise.

Wandering Blindfolded Within The Liminal Spaces Where Light Meets Dark

Justin Aulis Long is a sonic sorcerer, urban Homeric poet, and cosmic wanderer that exists within the liminal spaces where light meets dark. Long is the offspring of a gorgon, conceived within a brick and mortar labyrinth while surrounded by the supernatural electronic voices of angelic forces.

While engaging in themes of the uncanny and erotic, Long opens thresholds which lead to psychedelic realms during communal dance gatherings. Applications of sonic alchemy during ritual action generate vibrant forces created through collective effervescence, causing a bubbling over of ecstatic energy leading to rapture. During the rite, incantations are expressed through fusing a swarm of aural fragments composed from diverse temperaments by way of a personal and singular technique.Sacred objects (records), selector’s tools (turntables and mixer), body, spirit, harmonic and discordant voices unify and become one - The Soft Machine. 

During a ritual performance, phonic collages are created intuitively on sight, sigils are aurally  direct with specific intent, and offerings are bestowed before an alter, all charged by an engine of chaos. Time and space unravels while normality ruptures and disintegrates as foundational structures of the status quo are dismantled through intensive executions, founded in the practices surrounding musical selection.  

Currently, Long is resident at Smart Bar, the Chicago dance institution, and has become an organ in the body of that space. Recording for L.I.E.S. as one half of the Circling Vultures, Long continues to tell tales of rave gatherings past, while divining the the future.

Gravitron on the net.  Jamie Schott on the dancefloor.

DJIING. FILM & PHOTO. 

IG @WESTARTEDHOUSE, @TRAEFOTO, @TRAEFOTOIMAGING, @westartedhouse_nyc
Clarified Via https://www.musicorigins.org/item/the-warehouse-the-place-where-house-music-got-its-name/ ,Asking if My hometown, Chicago is in-fact  the birthplace of house music?
What I found and somewhat already knew,  ...of where HOUSE MUSIC STARTED & How it had gotten its name.  
As Per the above source;
The Warehouse (or the “House”) was a nightclub established in Chicago, Illinois in 1977 under the direction of Robert Williams. It is today most famous for being what many consider to be the birthplace “house music” under its first musical director,The Legendary  DJ Frankie Knuckles.

     But the Re-Birth of House Music includes all of US, those who craft and create their own individual experiences and form their own identity and lane (genre) in the evolution of House Music. For these visionaries I am grateful..Chicago, New York, Berlin, London, Ibiza, Tulum, South Africa & BEYOND, our global community who have come to heed the Call of the Drums ....We came for the Drums, but in them We found house +music+ LOVE

A Techno head from Newcastle who also loves Jungle