Embre is a vibrant and close-knit community that was founded in late 2020. Despite the recent creation, the community has come a long way and is prided upon the diverse and experienced range of producers, selectors and curators that are present within the group. 

Embre aims to showcase an array of unique and colourful sounds from talented and up-and-coming members from within our community, recently made a reality via our brand new Embre Series and weekly ''Sunday16'' producing challenge.

If our community appeals to you, join/contact us here:



Discord group: https://discord.gg/VHEX397kp8
Now over 2,300 members strong.


Admins:

Sam Perrin: https://soundcloud.com/samperrin27
Mario Tavares: https://soundcloud.com/djmariotavares
Blayr: https://soundcloud.com/blayr-k

29/11/25 - EINHUNDERT: 10 JAHRE - OHM, BERLIN

Bookings: m@pluralartistmanagement.com
Inquiries: info@einhundert.net

Growing up in Chicago’s south side in the late 60’s and 70’s, Deeon experienced an era of profound change in America’s cultural and racial landscape which later became the subject-matter for his extensive musical portfolio. At a time when electronic music was new and starting to define itself, he was a pioneer in developing a sound that corresponded to the time and life of the people around him and the surrounding neighborhoods of Chicago’s downtrodden; those in dire need of profound change and liberation. His personal story and musical work is now indistinguishable from that rich tapestry that is America’s contemporary cultural history. 

Deeon started small producing gritty XXX club tracks with call and response chants which Deeon describes as "for the strippers, for the street”. These original masterpieces were created with a 606, 808, and 909 sampler where he made minimal ghetto beat tracks and played them off cassette. This is what provided the spark for Chicago House and Detroit Techno. Soon now-household name DJs and producers would start picking up on this sound, and remixing it and playing it in clubs, radio stations all over the world. It would be defined as “Ghetto House”. 

“it’s just fun music. It’s kind of like a getaway from the reality of life to music. Get freaky with a stranger music. Girls kissin’ girls music. Stress relief music” he would say in an interview for 5Magazine in 2013 regarding his sound. “The best thing [about Ghetto House] is there is almost always a packed dance floor! It moves the crowd. Ain’t that what we came here for?”

In 2002, Deeon’s started his on-going battle with his health problems. Diagnosed with Stage 4 Lymphoma, diabetes and a severe accident which resulted in having his left foot amputated, he has overcome adversity using his sound as a beacon of hope in his own life, to not lose the spark and to keep going strong. 

With a career of collaborations that reads like the who’s who of the history of dance music, remixes done by and for him that have delighted crowds all over the globe and a portfolio stronger than most of the artists in the industry, he’s now getting ready to launch a new stage in his career.

@lowkey-recordings
contact/bookings: contact.lowkeyrecords@gmail.com

Cue the bass…Deep in the heart of the ghetto, on the mean streets of Chicago’s infamous Southside, a music pioneer was born…
From the beginning, Thomas “DJ Slugo” Kendricks was influenced by his cousin, DJ Geno, a member of a local Chicago hot mix group, and other local icons such as the Hot Mix 5 (of Chicago radio). Slugo, with 20+ years in the game, over 20 albums in his pocket and over 50 CDs on the street, began a journey that lead him to become one of the original creators of a style of music commonly known as Ghetto House, more recently regarded as Juke.
Ghetto House, an urban dance sound created by inner-city producers from raw walks of life and derived from Old School House, is steeped with nuances from ghetto-life traditions and descriptions of the hood through rhythm. It moves beyond the just being and dives right into the metaphysical, with its rhythmic, infectious energy exciting the inner spirit and making folk return to their Motherland dance roots.
The magic struck Slugo at a high school dance where he asked the DJ if he could spin a couple of tracks. Although his set only lasted a brief 15 minutes, it ignited a flame that burns brighter than ever today.
From 1984-1987, Slugo honed his skills by observing the skills of his local heroes. Participating in heated DJ battles won him acclaim as a technical expert on the wheels of steel. He released his first truly professional mix tape Ghetto Mix Part III (1992). This tape landed in the hands of Ray Barney, CEO of the Chicago-based Dance Mania, one of the largest dance music labels in the world. Barney and Slugo formalized an agreement resulting in a long stream of releases on the Dance Mania label and affording Slugo the freedom to form his own label, Subterranean Playhouse.
During this same period, friend and fellow producer Paul Johnson introduced Slugo to a southern promoter, which culminated his professional merge into the rave scene. His unheard of Ghetto style of mixing quickly made him a favorite to tens of thousands of partygoers and promoters alike.
The release of the popular Cardboard Booty mix CD, called “the most influential ghetto house CD ever made” by London’s Underbeat Magazine, who also went on to call DJ Slugo, “the Ghetto-father of the American dance floor.” As his fame spread, releases with other national labels, such as Underground Construction, Dance Mania, GTI Records, Serotonin Records, Data Bass, CWAL Mob Recordings, Wide Records and Crosstalk International, Inc., as well as his follow up album, The Ghetto Don, flew off the shelves.
Taking his career to the next level, Slugo signed with the 1 electronic music booking agency in the United States, Teknomafia. With Teknomafia’s 10-year strong foothold on the nationwide rave, club & concert market as well as national distribution for his future releases, the only question that remained was where to begin. Slugo later said that this proved to be one of the best decisions made for his career. After Teknomafia shut their doors and in order to progress into mainstream music, DJ Slugo was the only electronic artist kept on the roster.
2002 saw Slugo returning to his roots with new projects, Where the Rats and Godzilla. Slugo calls these releases without a doubt, some of his best work. They have also without a doubt, exceeded the sales of nearly every other release he has done to this date and which lead to his wildly successful “Godzilla” track becoming a worldwide phenomenon.
After a yearlong respite to rethink his career path, Slugo is back in the game and taking the world by storm. Recent affiliations with England’s Wide Adventure and Crosstalk International, Inc. promise many great things to come.
“Imma keep making Ghetto House music because I love it!”
The saga continues…

For Bookings:

Email: bookdjslugo@gmail.com

Email/promo: djmctavares@gmail.com

Just a middle aged guy who likes to make music. 

https://linktr.ee/Mariotavares

Drop a follow, I'll be releasing more music soon.

If you're a DJ interested in receiving lossless versions of my free songs, just drop me an email.

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