Hailing from Stade, GER , Paradox303 has been DJing and producing music in various genres since the mid 90s .
His musical influences go way back to the early 80s, where it all began for him. Simple Minds, Talk Talk, Cocteau Twins, Ultravox, Coil, Cabaret Voltaire, Chris and Cosey, Anti Group,Teargarden, Clock DVA, Legendary Pink Dots, Skinny Puppy, Severed Heads..just to name a few. And not to forget...
It's all about the way you want to hear your feelings (MC Conrad - Progression Sessions 1998)

30 yers old music maker. and how old are you ?   :)
=Do you want to collaborate , doing something togever ???=

Host / Resident DJ @ KLANG KOMANDO on FNOOB TECHNO RADIO

4 WEEKLY SHOW. Next, Episode 021 on 1st December 10pm - Midnight (uk time) 2017, with CHINASKI_31 + guest "Big Daddy Daz"

LISTEN HERE...>>>>      http://www.fnoobtechno.com

In HD >>>>               http://fnoobtechno.com/radio-hq


CHINASKI_31 currently uses 2 x Technics 1210's, Allen & Heath Xone 92, and on occasion, a Korg Kaoss Pad KP3.

mostly playing Techno, Industrial Techno and EBM.

John CHINASKI Wilson AKA CHINASKI_31 is a DJ from Glasgow, Scotland, and is the host and resident DJ with his 4 weekly show KLANG KOMAND, which airs on FNOOB TECHNO RADIO. Now in it's second year, he's had no shortages of some top DJ's filling in the guest slot. What CHINASKI_31 brings to the show is a darker, heavier more Industrial side to Techno, always making room for some Acid and EBM.

Prior to his own show he was one half of the DJCTX and CHIASKI_31 Techno Sessions show which also had a regular 4 weekly slot on FNOOB TECHNO RADIO. This ran for a year before he had the opportunity to take it further with his own regular slot. CHINASKI has also been a guest on other shows including Kenny Campbell's - Industrial Wasteland, Deviant Behaviour on FNOOB TECHNO RADIO and Pure Radio for the Big Bang Weekender for the last 3 years running.

Growing up on a eclectic diet of Prog Rock/Rock, Synth Pop and a fair mixture of other 70's and 80's artists provided by his parents record collection, CHINASKI has had a no shortage of influences. Inspired by the love of music at an early age, he has always been on a journey to discover new music and styles.

Only when getting his own stereo could he really start to discover what his musical tates were about. Firstly, this lead him to Death, Speed and Heavy metal, being amazed by their intricate styles and melodies paired together with the speed at which it was played. Following on from that he then discovered Hardcore and Gabba, purely through some of the T-shirts some of the bands were waring. The sound being similar in structure he then wanted to discover more electronic music but fusing the two sounds together, and that's when he encountered Industrial Metal and EBM. With influences like Ministry, Nine Inch Nail, Front 242, Godflesh and Skinny Puppy to name a few being his tutors in this new sound, cemented further the path he was to embark on

It wasn't until years later when leaving the Industrial/EBM club scene, that he then discovered late night Techno Clubs and parties through some close friends. After experiencing the pulsing, banging rhythms of Techno music he promptly bought his first 1210's and mixer and began his obsession and love of techno music and vinyl..

Feel free to add CHINASKI on facebook. Link below.

Music for a dark world!
This is Entertainment, This is Fun... (Cabaret Voltaire)

Sonichological experimentation in sub-organical noise transformations

Most recent tracks have been successfully dropped in a Club Environment.

How i got here:

As a kid with older brothers - Iron Maiden, Judas Priest, Black Sabbath, Motley Crue, DEO, Mercyful Fate...among many others.

Middle School - Metallica, Megadeth, Slayer, Sepultura, Anthrax...among many others.

Sophomore in high school - THE DISCOVERY OF HARD INDUSTRIAL MUSIC. Front 242, Chemlab, Ministry, Frontline Assembly, KMFDM...and my favorite band of all time...Godflesh. Now Godflesh is on a completely different level than any other type of music i have ever heard...and i have heard them all. Godflesh was on Earache records out of Britain...and i basically pledged allegiance to Earache. I was not disappointed. Bolt Thrower, Carcass, and Scorn were some of the heaviest and most influential music known to man (in my twisted opinion)...all coming out of England.

My next couple years of high school progressed into a passion for more pure electronic music as i attempted to follow what was hot coming out of Britain. It was TECHNO. Back then there was no trance, no house, no subcategories. it was all labeled as techno. I couldn't get enough of it, and i loved the hard stuff. Always have. There was no internet, no MP3s, no relatively easy way to keep up. There was a lot of hand letters and phone calls to record companies and radio stations to hunt for new music. 

After high school I went to college and graduated. It did nothing for me. I started rolling with a new group of friends that were all local DJs at the clubs in Milwaukee and i loved the scene. Huge parties, VIP at clubs, and a free pass to all sorts of you things you can imagine. I dabbled at spinning records myself, but didn't really take the time to practice enough...so that never came to fruition. By this time jungle breaks had evolved and that was primarily the scene with myself and my crew. Instead of being behind the turntables, i started MCing their sets at the clubs. It was an amazing time. Then came HARDSTEP...then TECHSTEP...

The Metalheadz crew was a group of uber talented D'n'B producers from England. Doc Scott, Dillinja, Adam F, Grooverider, Photek, Johnny L...among many others. Then Doc Scott released SHADOWBOXING under his Nasty Habits moniker, and it turned the world upside down. Shadowboxing is the single most important and influential electronic music production in my life. It is quite rudimentary, but brilliant at the same time.

In the late 90's and early 2000's i played around with putting tracks together using Sound Forge and music samples from other tracks, and recorded sounds from every day life. I still have them...maybe i will dig them up and post them.

Many years passed as i focused on my career. I no longer kept up with the scene. I did, however, continue to listen and enjoy the classics that molded me and also the new styles that were evolving. There was a brief period in which two-step was born from drum'n'bass and and pure breakbeat.  Over the years two-step progressed into what everyone familiarizes with what is now called Dubstep. I love Dubstep. Good Dubstep. the early productions of Datsik and Excision are what wanted me to come back to making my own tracks. 

Oh, and let's not forget about hip-hop. i began to understand and enjoy hip-hop and rap at a much later age. I still love it, and some of my favorite artists write and produce hip-hop music. YG, Tyga, G-Eazy, AD, Rae Sremmurd, E-40, A$AP Ferg...among many others.

I am tired of typing. Cheers to all of you and good luck on your path to stardom. Let's all support each other ;)

Some of my new music and some of my old music. I am very influenced by early dark synth electro and industrial music. Front 242, Frontline Assembly, Skinny Puppy and Nitzer Ebb to name but a few.

Home to the following........

Extreme Is Everything Records
Extreme Is Everything Show (Toxic Sickness Radio)
Industrial Hate Podcast (outerrim.tv)
Machinist


Machinist Released on:
BRITISH ELECTRONIC INSTITUTION (eng)
NOISJ (nl)
TRAUMATIC (be)
H.P.G DETONATOR (rus)
LEGS AKIMBO (uk)
EXTREME IS EVERYTHING (uk)
DEMONIC WAVES (uk)
REHAB RECORDS (uk)


For bookings / info
machinistextremeiseverything@gmail.com

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