Where you get loud, or get drowned out

Official Music Video: www.youtube.com/watch?v=ntCVghMGVb0

Follow along at
Twitter & Insta: @thlanding
Official: www.whatisthelanding.com
Facebook: www.facebook.com/whatisthelanding

Anxieties

Petrol Station Music Video: https://www.youtube.com/watch?v=XS9s_Ia_iCI


Produced by @bailemusic 
Recorded by Gian Stone 
Mixed by Gian Stone and Harper James
Mastered by Anthony Scott DePerto 
Artwork by Shane Gormley


Lyrics:

We stayed up late to watch a movie
April fools I think a Tuesday
Spring had just arrived
And so our clothes were hanging loosely

We stepped outside
To the old petrol station
Out of nowhere started raining
Kinda suited the occasion
Reminded me of when we spent our whole summer vacation
Two thousand eleven
Sleeping in my basement
Looking back I think that we just spent those 2 weeks wasted
Some side of love we tasted
You find your love you chase it

If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news
If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news

By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt
By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt

We stayed up late to watch the day arrive
Lucky number 25
Take a minute 
Just to live it
And that's when you'll realize
Every now and then 
The worst week makes the best weekend
And everything is better
Because I'm with all my friends
Some suburban kids just getting drunk out in the garden
Sitting by a swimming pool
With the best dressed kid from Harlem
Grass stains on my shoes
My rib cage is bruised
But that side of love we tasted 
You find that stuff you chase it

If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news

If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news

By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt
By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt

I'm not holding out For anything better
Can we just stay here forever? Can we just stay here forever?
I'm not holding out For anything better
Can we just stay here forever? Can we just stay here forever?
I'm not holding out For anything better
Can we just stay here forever? Can we just stay here forever?
I'm not holding out For anything better
Can we just stay here forever? Can we just stay here
Cause I should have told you

By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt
By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt

Sorcha Richardson - Petrol Station

US Tour dates & tickets available now: jamesvmcmorrow.com/tourdates

Wasted moments. We had a lot of them. Even though I believe I’ve done the right thing at the time, when I look back I realize I actually made my life a lot more difficult. Not an uncommon tale. I rarely learn anything from the mistakes, in fact if I went back I’d probably do the same stuff all over again.

But I am trying. I’m trying to be better, and more honest. I was thinking about those wasted moments one night while I was working on my next record. I started writing this song, finished it in front of my drum kit the next day. I already had all my songs for the new record, this felt like something different, born out of the same ideas but for different reasons. 

I recorded it with tempo because life to me is tempo, it’s rarely slow. This song is the connect from where I was, to where I’m going to be very soon.

---
Lyrics

Never learn
Never learn from before
Still return
I return expecting more
That’s how I waste the moment 
Everybody says
Living with this violence 
Littered with regret
I’ve been wasting moments
Strip them till they’re clean
Buried under silence 
Hidden in the leaves

Two degrees
Two degrees is not that for
Still you & me

(Bridge)

I always thought that I’d be alone
A million hearts, still wrapped around my throat
I hear them beat
I see them all, in front of me 
Where they don’t belong
The have no meaning 
Just fingers soft
& hands obscene.
---

Post Tropical out now:
iTunes: smarturl.it/PostTropicalDeluxe
Amazon: smarturl.it/PostTropicalAmz
Store: smarturl.it/jvmstore

How To Waste A Moment

Music by Samuel Aaron Bennett
Produced by Gianluca Buccellati

Falling

respect the pull.mp3

All Lost is taken from Jack Grace's debut EP coming out in October 28th 2016. 

facebook.com/jackgraceofficial
twitter.com/jackgrace_legit
instagram.com/jackgracejackgrace/

Written and produced by Jack Grace
Mixed by Spirit Faces (soundcloud.com/spiritfaces)

All Lost

Na Na Na

Hard To Find by Strong Asian Mothers
Old Money, Land Money records ©

Hear more on Spotify
https://open.spotify.com/artist/4w0ZOWckwNCzNtbxu5niaB

Buy on iTunes
http://apple.co/2y8UVif

www.facebook.com/StrongAsianMothers
www.twitter.com/strongasianmums
www.instagram.com/strongasianmothers
www.strongasianmothers.com/

Hard To Find

BOXER - Do You Need It? (w/ Madeleine Mayi)

Available to Stream & Download now - https://risque.lnk.to/Colors 
Premiere via Notion - http://notionmagazine.com/aussie-prodigy-charlz-crafts-twilight-moment-new-single-colors/ 

Light, silvery, yet it fills—and stills—a room, Charlz’ dusky voice comes from a place of deep honesty. In her latest single, ‘Colors’, it takes a leading role. Full of quiet intensity, the song breathes with emotion, a delicate dance of harmonies in which Charlz’ captivating vocals are both principal and corps.

The second release on new Australian imprint Risqué, ‘Colors’ was born from collaboration with ARIA Award-winning producer M-Phazes, best known for his work with Amy Shark, Alison Wonderland and Eminem. “I was paired up with Mark at a songwriting workshop in Melbourne, early on in his career. We spent all day in the Abbotsford Convent, drinking wine and making music.” 

Having returned to her hometown of Melbourne in late 2017 with a freshly signed publishing deal with Kobalt Music, Charlz had spent time in LA working with an international list of collaborators as intriguing as it is impressive. From Deadmau5 protégé ATTLAS, to UK phenom Maths Time Joy and Grammy Award winner Latroit, Charlz’s quiet aura and creative magnetism allowed her to connect with some of electronic music’s most elusive producers.

At the end of last year Charlz debuted her single ‘Feather’ to a 5000-strong Festival Hall crowd in Melbourne, opening for US RNB superstar Khalid. Now armed with a collection of subtle, arty pop hits ready for release, the world is about to see what Charlz is really about. Listen for sleek and understated production, raw grooves and deep thoughts, expressed by a voice which traverses the octaves as lightly as a leaf in the wind.


Follow Charlz:
Facebook: https://www.facebook.com/CallMeCharlz/ 
Instagram: https://www.instagram.com/charlzinsta/

Follow Risque:
Facebook: https://www.facebook.com/risquemusicau/
Instagram: https://www.instagram.com/risque_music/
Youtube: https://www.youtube.com/channel/UC6LptdiV3xxdwURQnH7SeRA

Charlz - Colors

Woman's Hour - To The End / Our Love Has No Rhythm

Single out now on Parlour Records

Vinyl:
www.parlour-records.com

Itunes:
https://itunes.apple.com/gb/album/to-the-end-single/id602072804?uo=4

Download:
http://www.7digital.com/artist/womans-hour-1/release/to-the-end

How To Waste A Moment

James Vincent McMorrow