This tunes naughty. Track I.d pleaase mate? sick mix  by the way. deep.

Jason what can I say I am loving this mix.  More, more more.

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After hours of trawling through the digital musical cyber space I became a little disgruntled with some of the results I found as it was a little hard to pick out decent tracks…..Then I remembered some of the discoveries I came across on record shop visits over the last couple of months or so and decided it was time for another mixtape

Been feeling some of the stuff Funkinevil have been putting across lately, the duos raw analogue sound never seems to fail. Milton Jackson's joint on here which was released on Tsuba records a month or so ago is defo a favourite right now also. Music from the likes of Vakula, Two Armadillos,  Brawther, Desos, Kyle Hall and more 

This offering is riddled with deep bass lines, and rhythmic and percussive textures that will hopefully send you on a journey. 

Enjoy :) 

Drops: Amera Light / Francois K  


Uploaded via JustGo Music
Grow your social audience today - <a href='http://bit.ly/186sjDQ'>www.JustGoMusic.com</a>

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I am very happy to be able to share the recording of my set, live at Club der Visionaere during the Cabinet Records Night (Cabinet Aurora, 10-06-24).
By the way, did you know you can become an EstimuloShow supporting member on Patreon? Not only you can support our regular work with as little as 5 bucks per month but you also gain access to exclusive content, i.e. playlists, exclusive member-only mixes, uncompressed downloads, exclusive edits and the occasional unreleased tracks.
Including access to the complete archive of currently one year.
patreon.com/estimulo

Estimulo @ Club Der Visionaere, Cabinet Records Night (10.06.24)

Live recording at Piña Festival 2024 in San Remo, Italy

Artist: @tako-reyenga

Picture by Claudiu Asmarandei

Tako @ Radio TNP x Piña Festival 2024

We’re kicking off 2025 in style and scoring number 19 of the series, bringing you the one and only Jayson Wynters from Birmingham. This guy’s a selector whose skills are as sharp as his records are deep. This mix is all heart, full of surprises. Hit play, vibe out to these masterclass selections, and get your ears tuned in

LÉMAN MIX 19 - JAYSON WYNTERS

Tornado Wallace B2B Telephones All Night Long. Recorded live at Savage in Hanoi on 01.11.2024. Huge thanks to the Savage and (RE)TREAT Festival crew 😍

Tornado Wallace B2B Telephones All Night Long @ Savage, Hanoi - 01.11.24

SensuCast / 45 / Dan Piu 

Dan Piu is a DJ/Producer that has commanded so much of our attention in recent years. And quite right, too. 

He seems to have an unlimited supply of new material and rediscovered dusty dat tapes. His release of EP’s and Albums has been relentless. Track after track of high quality house music.  

As a DJ you can hear a lifetime of digging experience with each set, often selecting music that would be hard to acquire had you not been active in “the scene” at the time it was made. 

It was a huge treat to receive a mix from Dan. Here he presents an hour of rare sounding music from a dimension left of centre. I cant wait to dig in again and again and discover the labels and producers selected for this mix and go down the rabbit hole. 

Big up Dan. Good music always!


übersetzen

SensuCast / 045 / Dan Piu

One of the truest stylists in DJing.

Although leaving behind only a small repertoire, sadly cut short by an early and unexpected passing, what we have left as evidence of his deep dedication to the pleasures of music is so unique and designed with such charming consistency, that when listened to, can only be Zecky’s selection.


Since the late 2000’s we studied the few mixes we could get our hands on obsessively, to the point where for example: we will never be able to hear Pats and Pat “Tobago” without the expectation of “City Lights” to be mixed in next, courtesy of the 2008 Ebisu Bar Jam recording. To us, Zecky became a sub genre of music — "Zecky style tracks" — something in the realms of what we might consider as Balearic, but still somehow blurring the borders of acceptable Italo-disco, and then coming way out of left field with something contemporary like Simply Red...and somehow it all made perfect sense. A lot of these tracks may seem obvious now, but keep in mind this was mid 2000’s, a lot of these tracks were still not known, discogs was not what it is today: contextually, the calliber of his research was heavy. Imagine living in a time when the idea of what a good DJ should be doing is minimal techno yet you’re a Japanese guy going to Italy to look for completely expired Italo material, one can only imagine the facial expressions and dialogues that might have emerged between Italian record store owners and Zecky throughout his digging travels.


The role that talent plays in the DJ "profession" can sometimes feel fuzzy, especially in the post social media/CDJ era. In our humble opinions however, listening to Zecky’s oeuvre gave this mystery a good amount of inspiring clarity. The aesthetic precision of his selection supported by his simple but flawless mixing created compositions so striking that the mixes became new stories or soundtracks to beautiful movies no one had ever seen before. It really felt like he was making something larger than the music he was using to compose these moments. A common (and disturbing) cliche one often hears when people go about describing a DJ’s work is the idea of being a “story teller”. To us Zecky genuinely put forth this idea on a meaningful level, his stories were some of the nicest of all.

We learned so much from Zecky.


Thank you for the music and happy birthday — Zecky would have been 54 today.


Thank you to Daisuke, his party partner, for making this possible ❤️
_
DJ 界での真のスタイリストの一人。
残念ながら、予期せぬ早すぎる死によって残されたレパートリーはわずかですが、音楽の楽しみに対する彼の深い献身の証拠として残されたものはとてもユニークで、魅力的な一貫性をもってデザインされており、聴くとZeckyのセレクションを感じざるを得ません。
2000 年代後半から私たちは手に入れることができる数少ないミックスを執拗に研究し、例えば、2008 年の恵比寿バージャムのレコーディングのおかげでパットとパットの「Tobago」を聞くと、次に「City Lights」がミックスされることを期待せずにはいられなくなりました。
私たちにとってZecky は音楽のサブジャンル、つまり「Zecky スタイルのトラック」になりました。これは、私たちがバレアリックと考えるものの領域に属しながら、それでも許容できるイタロディスコの境界を曖昧にし、その後 Simply Red のような現代的なものによって予想外の形で登場しました... そしてどういうわけか、すべてが完璧に理にかなったものでした。これらのトラックの多くは今では当たり前に思えるかもしれませんが、これは 2000 年代半ばのことであり、これらのトラックの多くはまだ知られておらず、discogs は今日ほどではありませんでした。文脈上、彼のリサーチの質は高いものでした。優れた DJ が行うべきのことはミニマルテクノであるという考え方がある時代に生きていると想像してください。しかし、あなたは完全に期限切れのイタロの素材を探しにイタリアに行く日本人男性です。彼のレコード探しの旅を通して、イタリアのレコード店のオーナーと Zecky の間に生まれたであろう表情や会話は想像するしかありません。 DJ という「職業」において才能が果たす役割は、特にソーシャル メディアや CDJ の時代以降は、曖昧に感じられることがあります。しかし、私たちのささやかな意見としては、Zecky の作品を聴くとこの謎がかなりはっきりと理解できました。彼の選曲の美的精度と、シンプルでありながら完璧なミキシングが、非常に印象的な作品を生み出し、そのミックスは新しい物語や誰も見たことのない美しい映画のサウンドトラックになりました。彼は、これらの瞬間を作曲するために使用した音楽よりも大きな何かを作っているように感じました。人々が DJ の仕事を説明するときによく耳にする一般的な (そして不快な) 決まり文句は、「ストーリーテラー」であるという考えです。私たちにとって、Zecky はこの考えを本当に意味のあるレベルで提示しており、彼の物語は最も素晴らしいものでした。私たちは Zecky から多くのことを学びました。音楽をありがとう。誕生日おめでとうございます。Zecky は今日 54 歳になっていたはずです。これを実現させてくれたパーティーパートナーの大輔に感謝します❤️

H.A.N.D. MIX 065 : Zecky – Metro 1st

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
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New Massage - Telephones - 05 Feb 2025

Xiaolin's exclusive live mix for RDC 2025 podcast:

The reason I love to do live set is that it’s a completely different approach from DJing - while DJ focuses on adapting to the crowd and the room, liveset is a raw expression from the heart, music that was created in the comfort of home and studio - kind of feels like: “this is all I’ve got, love it or leave it.”  My livesets normally focus on 3 different kinds of energy:  Sun energy, Moon energy and Body (Earth) energy.  This 1-hour liveset was originally designed for Sound Metaphors’ 9-year Anniversary at Panorama Bar, drawing from Sun energy - it is driven by joy, romance, warmth and a shared feeling of “things are gonna be okay… we have each other, let’s go on a fun journey together”.  I used Juno60, Korg Minilogue for sequences, Linn Drum & 909 samples, RD-05 for live melodies and pads, plus Ableton Push, midi keyboard, electric violin and vocal.  There are a few alternate (live set only) versions of released materials, and a few unreleased collab materials, as well as of course the “Moods Of Love” Canto series released on Bless You.  The first Cantonese vocal track in the liveset will be the third vinyl release coming end of this month (BLESSYOU029).  It is a cover version of Tina Lau’s “Half A Dream/半個夢” from 1987, but completely redone from scratch with a different take and original vocal.  There will be a few different versions including a club version and Mogwaa’s Latin-style remix.  I hope you enjoy it!

RDC 083 - Xiaolin (live)

London based producers, visual artists and DJ duo, Good Block have been throwing parties in the capital for nearly 15 years. Hosting the likes of Ramzi, Mogwaa, Jex Opolis, Gabrielle Kwarteng, Jamie Tiller, Zaltan, Bufiman, Jon K, Cosmic Slop, Bradley Zero, Apiento, Bahamian Moor, Trujillo, Jonny Rock and many more. 

In 2018 the duo started a very popular dropbox folder of free edits which slowly continues to expand. With a string of productions and remixes on the likes of Isle Of Jura, Emotional Response, Planet Trip, Heels & Souls and Duca Bianco they also released three EPs - 4 Corners, Aquaculture and Naiad / Dryad on their own imprint.

On 20th March 2025 the duo will debut their full length album ‘Window’ a collection of works recorded between 2017 - 2024 representing hours of musical experimentation and emerging from the many influences that have shaped their sound. The album will be available on limited edition double gatefold vinyl and full digital release, with artwork by the duo. 

https://goodblock.bandcamp.com/album/window

'This mix has been recorded to showcase the wide variety of influences that have inspired us over the years, we hope you enjoy'

Sound Metaphors Mix Series 33 : Good Block

Earthcast Mix Series is a journey through deep and timeless electronic music, curated by passionate selectors from around the globe. Kicking off the series, we welcome Berlin’s own Estimulo, a renowned crate digger and host of the long-running Estimuloshow on mixomat.org. With seamless transitions and a rich narrative, this two-hour mix blends old and new sounds, capturing the essence of quality electronic music.

Estimulo also celebrates his debut EP on Motomusic, alongside Dan Piu—be sure to check it out! Enjoy this immersive session, and stay tuned for more sonic explorations in the Earthcast Mix Series.
@estimulo

EARTHCAST001 with Estimulo

DJ. Producer. Broadcaster. Curator.
(Birmingham, UK)
 
Jayson Wynters is “a tough artist to pin down” (FACT) and he likes it that way. Since debuting on mentor Mr G’s Phoenix G label with Unfamiliar Territories – a thumping series of late-night, analogue workouts – the producer and DJ has ventured in many directions.
 
One minute he’s on a deep excursion at Berghain or Free Rotation Festival and the next … he’s in a gallery presenting a talk about storytelling in reggae music. Or curating culture at multi-concept space Artum, which he co-founded in Birmingham. 
 
His releases for labels such as Delsin and Don’t Be Afraid oscillate between house and techno, pressing the outer limits of electronic music. But he’ll never stop drawing on other influences such as sound system, soul, jazz, hip-hop and martial arts.
 
Wynters’ sets can be forceful and intense but also meditative, putting dancers in an ecstatic flow state. And always with a meticulous approach to craft, just like his productions. 

Bookings: mel@shadowalliance.co.uk

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