what occupies the void separating the seconds of lost light between late summer days?

a prescription confesses little from this distance, but sound casts its own worlds in the spaces between. in this mix minou oram takes u to her cathartic place.

grunge drenched psychedelia ascends to affirming and redemptive punk wave, before all unfolds into dazed nostalgia. be sure to check minou oram’s gone-too-soon femdex series and ever excellent SVVENIR show on LYL.

minou oram

ROOM 2 - SATURDAY 20 til 22 🐊🐊🐊

Thanks to Suzybee & Steevio, the volunteers, the dancers, the musicians, Théo & Ugo, the Friends of Fictions, Alex & very special thanks to @iambruce for mastering the recording :)

Hug to @r4r_luz who sadly couldn't make it this year and was supposed to play before me.

Shorter context: https://www.instagram.com/p/C9NI2bwMVcu/

Longer context: https://nonogigsta.substack.com/p/1ec95196-66ba-45d9-91d0-3b1031fc5c42

Freerotation 2024 : The House Of Crocodiles Part 2 (Live Recording)

tracks in a row that feel to me like the way time stretches to accommodate the company of an/other/s 

fb

like hours lost in the light of a loved one

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

Radio longtimers Loma Doom and Luke Cohlen pay homage to 10 years of Stranded FM and recontextualize mixes from the vast digital shelves, blending transitions, fragmented memories, and more.

Re-mixing the Stranded Archive | June 1st 2025 | Stranded FM

In the summer of 1998, DJ S orchestrated the Mediterranean’s very first UK Garage event whilst enjoying his honeymoon in Cyprus.

He invited DJ Spoony and MC Creed to the then little-known coastal resort of Ayia Napa and lit the fuse of a very British love affair.

For the following five summers London’s shuffle and swing soundtracked the sandy beaches of Cyprus’ southern shore, spreading the UK gospel and fortifying the genre’s reputation as a cultural force to be reckoned with. 

Whilst Ayia Napa has changed in the quarter century since, UK garage remains synonymous with the summer sun.

When temperatures rise and the season’s first rays pierce through the winter gloom, you’ll hear a 2-step beat faster than you can say factor fifty.

The chicken and egg question is: did the Ayia Napa years reshape UKG into a summer sound, or was UKG already the perfect soundtrack to those warm summer nights?

Whilst you philosophise on that, I’ve recorded a garage mix for all the hot days ahead.

Heatwave

Wetlands w/ Queenie 11/07/25

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz (AKA DJ Sprinkles)

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For the third instalment of “Cowboys And The Sounds Of,” an Editorial mix series from longtime contributor @napmusick , we’re treated to the sounds of sad country music and trains passing by. The combination is unexpectedly heart-wrenching, as if the sound of trains bring us back to an era of long goodbyes and far distances. Three years in the making, Rincon’s two hour collection of cosmic country and folk is a testament to the enduring heartbreak and beauty of the genre. 

Daniel Rincon makes music under the moniker @napmusick ,  is one half of Ambein Baby and La Fe, and runs an experimental electronic label @sonidoisla out of Montreal.

Artwork by Rebecca Ladds

Cowboys And The Sound Of Trains - Daniel Rincon

🎤  Mayss 🎨  Laith Demashqieh 🎵 Zara
and special thank you to Basma & Dr. Leslie Brooks

#davidlynch

David Lynch 🌪  Between Wake & Sleep

1/2 of self and other @ntsradio
1/2 of when do you sprout? @echoboxradio  - archive is here https://www.echobox.radio/shows/when-do-you-sprout

like hours lost in the light of a loved one

k cidder

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