Hong Kong producer Scott Young practises deconstruction and the art of ‘unlearning’ on his new EP ‘Post Peace’.

First single out is the collaborative composition ‘Tuck’, written with Manchester based artist @joebeedles , the two create music in reverse, inspired by a fictitious review written about the self-same piece.

pre-order "POST PEACE" here https://bit.ly/3g3gZyx

Mastered by Stephan Mathieu

Post Peace

Tuck

pre-order

SCOTT YOUNG - Tuck [w/ Joe Beedles]

I FEEL LIKE DYING

Hana + Dana + ORM - Autumn Leaves (Okay Edit)

Edit off my recent Soul & Disco Mix - https://www.youtube.com/watch?v=MGu0MnFKxyY

Free Download

Eddie Kendricks - Intimate Friends (DJ XS Edit)

Two hours of Sandwell District from Animal Farm @ The Sub Club in January 2012.

Regis & Function + A 909 = REAL FUCKING TECHNO

Sandwell District Live @ Animal Farm 06 01 12

Prototype

No doubt, Regis has been one of the most influential artists for most of us in the electronic music scene. When we heard of his secret passion for Jungle we had the idea to have him play such a set for us once. You can imagine how proud and happy we were, when it happened. Many people came down to witness this rare thing on a Sunday afternoon and it was a blast. Enjoy the recording!

KrakeCast 012: Regis - recorded live at Krake Festival 2019

http://blowinguptheworkshop.com/project/visiblecloaks

Eastern-European folk music and its modern refractions - Lithuania, Estonia, Georgia, Czech Republic, former Yugoslavia, Albania, Hungary.

- Liaudies Muzikos Teatro Trupė - Intakas
- Hamlet Gonashvili - Tsintskaro
- Ženklo Grupė - Ratas
- Irena & Vojtěch Havlovi - Jako Motýl Na Tvé Dlani
- Gjirokastra Folk Festival, Albania, 1988 (Artist Unknown) - Melodi Me Fyej, Dyjare, Zile E Imitues
- Folk Ensemble of Vilnius State University - Let the Hops Grow (Spring Sutartinė)
- Gordian Knot Company - Parijs
- Jieva Mockienė - Plauke pylele
- István Mártha - Templom (ft. Márta Sebestyén)
- Capella Antiqua E Moderna - Marnost Křídel
- Mtiebi Choir - Zamtaria
- Boris Kovač - Folk Prelude: Love Sick
- Miina Lambot & Anna Paalberg - Noorik lahkub isakodunt
- Oldřich Janota - Obrácený Vodotrysk
- Vízöntő - Amerikás Dal
- Veronika Povilionienė ir Petras Vyšniauskas - Vidury Laukų Grūšelė Auga
- Lola V. Stain - Rani Jadi
- Jievaras - Rimo Rimo, Tūtoj
- Dhurim Ballo, Sotir Ballo, Nazo Celaj, Trifon Golemi, Hyso Xhaferraj - We Live Among Strangers (text: Yona Friedman)
- Evaldas Vyčinas & Daiva Račiūnaitė - Ei, smūtna liūdna mano širdelė
- Kiri Uu - Ilus Neiu Kiigel
- Dezső Tandori, Cserepes - Miért Csináljuk
- Argo - Daina I

Blowing Up The Workshop

109 ◆ Visible Cloaks

release 2020/12/4
buy https://tenthousandtapes.bandcamp.com/

Split album(special edit 46min K7＋download codes) of end_age(Den Sei Kwan)and Izumi Gould

Ten thousand tapes releases a limited edition of one of a kind cassette tapes from various artists.

Generally when music is released, it comes in the form of CDs, vinyl records, and audio files which are all copies of the same master source.

The way our label works is different.
We dubb the master source to a cassette tape, then use the dubbed tape as the master for the next tape, which in turn is then used as the source for the next tape... Resulting in each tape to sound differently (each time a new copy is made, the audio quality is "degraded") thus making each a one of a kind copy. (It also comes with a download code for the original master source audio)
Each package has a unique serial number, and as this number increases, so will the difference between the master source and recorded copy.
Don't you wonder what kind of sound is recorded on the cassette tape you will get?

ten thousand tapesは様々なアーティストの「1点もの」のカセットテープ作品を限定本数でリリースします。

通常、音源のリリースと言うと同じマスターから複製されたCDやレコード、音源ファイル等を販売、発表することであると考えられます。
本レーベルではマスターからカセットテープにダビング、マスターからダビングされたテープをマスターにして更にダビング…というようにして製品を製作していきます。その製作工程ゆえにリリースするテープは一本一本違う音（一本作るたびに「劣化」した音）が収録される「1点もの」となります（ダウンロードコードがつきますので元々のマスターの音も聞くことができます）。

また、各パッケージにはナンバリングを施しますので、ナンバリングが後ろになればなるほど、マスターから離れた音になっていきます。
あなたの手に取るカセットテープにはどのような音が収録されているのでしょうか？

ttt015 end_age/Izumi Gould   Split (excerpt)

** Boomkat Product Review **

Firmly established among NNT’s weirdest and most watchable units, Metal Preyers slug screwed anthems on their killer 2nd mixtape for the central/east African powerhouse. Responsible for some of 2020’s strangest highlights with their eponymous debut, plus a single-sided 12” and the ‘Preying Well’ mixtape, the project now gathers their late night energies at a wickedly knackered slant across two sides of original compositions patched into a snaking tale of psychedelic torment and grouching grooves that pick up where they left off, deep in the underbelly of Kampala after dark.

Under the cryptic title of ‘432+’, a grippingly slow sequence of events and smeared styles occur, following an elusive thread of sozzled logic between bleary ballads, drag-mode Afrobeat bangers, and absolutely killer patches of splayed drill drums, into more gutturally psychoactive, bad-belly turns of digital distortion and smeared Naija anthems that make way for viscous R&B and dematerialised noise. 

Quite simply, nobody else is making this kind of concentrated crud right now, striking the most vital balance of daring impressionism and rugged, druggy function that can’t help but suck listeners into its surreal temporality and psychedelic weltanschauung.

+432

NNT027 Metal Preyers: '432+' Preview



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