AutourDuFeu

ᠻꪖ᥇᥅꠸ᥴꪖꪻꫀᦔ

Experimental Music - part 4

Written, produced, mixed & released by KABLAM
Mastered by Jeremy Cox
Cover by Felix Ahlberg Eriksson
Buy album here: https://kablam.bandcamp.com/

Confusía {2019}

From "Ong Bak", the second release by @gucci_lokey.

Download: blo-om.bandcamp.com/album/ong-bak
Spotify: sptfy.com/Fjr

W - I 07
Artwork by Oli XL

Lokey - Ong Bak

Lokey - Orosz Stretch

Hemlock Ladder is Joshua Wells (Nerve, Correct Line, Priors) & Dave Coen (Sow Discord, Seeping, Hans Harms, Whitehorse, DIM). Artwork by Chris Simpson.

Physical release coming soon to RES.

Hemlock Ladder - Exactly the Right Amount of Violence

Confusía

Plague

Debut EP, "Adjust", by Bendik Giske. Out on Oct 26th via Smalltown Supersound

Bendik Giske - Adjust (Total Freedom Remix)

https://mutualism.uk/datastream-007

whipple:

forsure you can hold this 
cloud dipped in vernix

twixt tongue & incisor 
& bypass shrinkwrapped molar,

yolk-in-jawbreaker,
a pickline swimming 

breaststroke legato

Albeit inverted

i saw it & i knew: first off
swapped earrings for cathodes

& fennel for codeine

An oscilloscope held all my meat,
all my drool in its dustbag humming & hawing

Patron saint of barium & shortrib,

i know you’re out there 
though broken as belladonna teacup,
candyland of millet & lumen

since they couldn’t wrench the thing out in one piece

not even w a curette nor by human hand 

patron saint of marionette’s hand hidden
under tarp & soil in the last-ever circus on earth

u are a ventriloquist but I hear you
‘cuz tumors stop your throat forever

even after they’re gone. It’s an iconic feeling.

DATASTREAM 007 - Swan Meat - MY TUMOR IS MY GHOST PRODUCER - SHE LOVES PSYCHIC TOMS

Puce Mary — The Drought
Format: LP / CD / Digital
Cat.No. PAN 87
Release Date: 5 October 2018 
Pre-order album: bit.ly/2KGmn9f / bit.ly/2KGL7Ot

Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.

Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.

“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.

Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises a transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.

The release is mastered by Rashad Becker, featuring art by Torbjørn Rødland

@pucemary
p-a-n.org

The Drought

Puce Mary - The Size Of Our Desires (PAN 87)

Sangam and Kid Smpl
Shadow Knight
SYNC_S04

Releases 12th November, 2018

Sangam & Kid Smpl - Cold Tech

'sg601_003p / affinity', two expanded pads from 'SWITCHBLADE GRASSLAND'.
celyn june 2015-2018.

sg601_003p / affinity

sg601_003p

Sangam & Kid Smpl - We Held Light

https://soundcloud.com/crownshyness - Breakwater
from "Isonautics" (QNR024)
released 11th March 2019

Isonautics

QNR024 (↓↓↓)

Crown Shyness - Breakwater

J. Carter - Every Gift Demands A Sacrifice, taken from 'Sings Like An Arrow'

Delving deeper into contagious connections mediated by movement, 'Sings Like An Arrow' tries to make sense of the harmony found between beauty and form within the technological tool 'arrow' and the technic of the 'shooting'. Contesting the false dichotomies form-function, technology-nature, and nature-culture, J. Carter skilfully blends the ethereal with the dark, vast, and damp. 

A1. Purpose & Beauty I
A2. A Polite Vernacular

B1. Every Gift Demands A Sacrifice
B2. Purpose & Beauty II

AEST-038
Edition of 50
2019

https://soundcloud.com/jeremiahcarter
https://soundcloud.com/perfectaesthetics

Sings Like An Arrow

Premiere: J. Carter - Every Gift Demands A Sacrifice [Perfect Aesthetics]

Vito Lucente - One In The Many, taken from 'Udgitha Of The Dogs'

Mediating the tension between eclecticism and asceticism, Vito Lucente proposes a private and personal excavation on the theme of enlightenment. Connecting the ends of chaos and intention. Learning that eternal wisdoms lie around the corner for those courageous enough to open their hearts. 

A1. Udgitha of the Dogs
A2. One in the Many

B1. Lifting Metric Structure
B2. Honeycomb Laden with Glowing Light of Honey
B3. The Origin and End of Everything

AEST-039
2019

https://soundcloud.com/user-895474856
https://soundcloud.com/perfectaesthetics

Udgitha Of The Dogs

Premiere: Vito Lucente - One In The Many [Perfect Aesthetics]

Eternal Care Unit

Xao, 'Embryno' (2019). Courtesy Astral Black, London; Glasgow.

KABLAM (@ka-blam) is back and sounding better than ever on her new 13-track digital album ‘Confusía’.

The latest from the Swedish producer and DJ follows up her critically acclaimed 2016 EP ‘Furiosa’, which landed via esteemed Berlin-based collective and label Janus. In its entirety, ‘Confusía’ is a sonic continuation of the themes, motifs and production methods explored by KABLAM through previous solo outings as well as through her raucous remix offerings. 

It’s hard, fast, and deliciously nihilistic, fusing organic sounds with inhuman chaos. However, don’t get it twisted. This is an album that draws on her club credentials while bringing something fresh, albeit dark and dramatic, to the table.

”Confusía embodies the endless spiral of inner, outer and utter chaos,” says KABLAM. “She is my channel but also my redeemer.”

‘Confusía’ lands later this month via KABLAM’s very own label. Pre-order below and tune into album cut ‘Innominata’ now.

Pre-order: https://kablam.bandcamp.com/album/confus-a

More exclusive music

Premiere: KABLAM 'Innominata'

A Fossil Begins To Bray

Shatter The Gangue Of Piety

Crux

DJ HAY!?

Problems

Horses

TO PROTECT OURSELVES WE UNITE - ALL BENDERS SUPPOSED TO PLAY AT THE RELEASE PARTY IN ONE COMPILATION - THE MONEY GOES TO EACH ARTIST, SO WE MAY STRIVE <3 HOPE YOU ENJOY THE BEAUTIFUL PIECES EVERYONE CREATED, SOME MADE FOR THIS AND SOME OLD UNRELEASED <3 Drvgzila Herlander Swan Palace NESS Alada Stasya BLEID - cover art by Daniel Pereira

NESS - CNTHLD (prod. PHOEBE & Odete)

bookings etc -> kablamkablamkablam@gmail.com