Jordan is an American award winning composer, producer and songwriter. 
His work has been featured on numerous recording, film and television including Disney, National Geographic, Apple, Google, Microsoft, Facebook, CBS, PBS, ABC, NBC, CW, ESPN, Lifetime, TEDx and more.  Jordan believes that every melody tells a story. His goal in composing and producing is to craft the melodies and music to enhance the story that’s being told by the artist or by the film director. 

Critz's classical training on piano and guitar from the age of 6 fueled his love and unorthodox approach for making music. Because of his broad experience in working with many different styles of music, he’s right at home producing a rock band, working on folk music or scoring an orchestra for a film.

Jordan is a multi-instrumentalist and has toured with numerous artists and played on many records around the world. His recording studio is located in Nashville, TN.

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

Yoann Lemoine aka Woodkid, is widely regarded as one of the most creative and exciting artists working in the contemporary music, as witnessed by his hugely acclaimed videos for Global superstars Lana Del Ray and Drake & Rihanna amongst others. Woodkid is the musical artist, the songwriter/singer/lyricist/producer, who has made this beautiful record. The visual aspect remains hugely important with Woodkid directing all his own videos and turning his live performances into a spectacle rarely seen in the world of pop music. Together with a 30-piece orchestra, he turned the venerable Le Grand Rex theatre in Paris into a place of ecstasy in front of 3,000 adoring fans last September. “When I started playing my own music, I wanted it to be as tall as a skyscraper. Images can achieve that. A really big orchestra can also achieve that.” 

This creative ambition and artistic freedom have allowed Woodkid to make such a unique sounding and powerful album as The Golden Age.  “It’s all about that time of passage between adolescence and adulthood, into that confusing hyper-reality,” Woodkid notes. 

Woodkid "The Golden Age" - out March 18th 
https://itunes.apple.com/fr/album/the-golden-age/id596461150

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