Journey

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Terminal

Work in progress - candidate tracks for an upcoming release.

2021 - 08 - 30 - Lyra - Dfam - V3 - For - Mix - 136 - Bpm

The first compilation from the ALLOY CHOIR label and platform, featuring 13 artists.

Mastering: Ashland Ristoff
Artwork: Bride

IVORY BLACK - The Sighting

~ Deep Breakfast 274 by https://soundcloud.com/abul-mogard ~

Tracklist:
[00:00:00] Ark Zead - Niptaktuk
[00:01:54] Lustmord - Goetia
[00:07:10] Agnes Haus - Memory Disconnect
[00:12:50] David Toop & Lawrence English - Reading Bones
[00:16:48] Bernard Parmegiani - Lumière Noire - Moins L'infini
[00:18:24] Karen Vogt - Corvette
[00:23:43] TeZ - Serenity
[00:28:15] Grand River and Abul Mogard - Ricordando Il Giorno
[00:30:18] Pinkcourtesyphone - The Pinkish Gate
[00:31:20] Colin Potter - Live Cafe Oto (London, April 2018)
[00:33:01] Claire Rousay - Going Home
[00:35:30] Penelope Trappes - Harmonic No. 2
[00:39:06] Marco Lucchi - Minimalismo In Modo Ionio w/ Mean Flow
[00:41:36] Cindytalk - Maglev
[00:44:02] Stefano Pilia - CODEXIII(())
[00:47:20] Massimo Pupillo -  Beaivi
[00:49:06] Claire M Singer - Forrig
[00:57:30] Klara Lewis & Nik Colk Void - To Hold
[01:00:02] Skrima - Eetnaa
[01:01:00] Suso Saiz - MADAY Part I
[01:04:59] Sylvain Chauveau - u (Live)
[01:06:18] Zságer Balázs - Esik Eső (feat. Дeva)
[01:07:38] Floating World Pictures with Ocean Moon - Hourglass Labyrinth 
[01:09:38] Abul Mogard & Rafael Anton Irisarri - Place Of Forever

Abul Mogard
Linktree: https://linktr.ee/abulmogard

Deep Breakfast Series
Instagram: www.instagram.com/deepbreakfastseries/
Facebook: www.facebook.com/DeepBreakfastSeries/

Deep Breakfast 274 ~ Abul Mogard

Free Palestine VA02

Qömio - Mano o Mano Me and My Demon

Georgy Oblansky – Eta Carinae

Н93.1-пельын шувгӧ

The following mix has been recorded for a special series of tape releases titled “Osadki” (precipitation) launched by the @kartaskvazhin label in 2025.
All tracks are written, produced, mixed, and recorded by mishinuki and sørøkød1n.

Tracklist
mishinuki - We do remember
mishinuki - Scout to buy (2:27)
mishinuki - Norwegian forest (3:18)
mishinuki - Georgian µ (4:16)
mishinuki - Moon licking all night long (5:40)
mishinuki ft Kito Jempere Ambient Experience - Obey (7:07)
mishinuki - Sumatra’s devil (8:29)
mishinuki - Vertigo 1 & 2 (10:11)
mishinuki - Черные и белые полосы Небесной Тигрицы (11:23)
mishinuki - Kisya Funni Tutti (12:52)
mishinuki - 彼のタッチと彼女の言葉の物語 (14:20)
mishinuki - Santa Maria (15:52)
mishinuki - Маленькие люди (18:17)
mishinuki - Through the skin, through the scars (20:06)
mishinuki ft Traktoristu - Speaking in tongues (21:44)
mishinuki - The Denial of Sacred Sadness (22:30)
mishinuki - They come to the waterfall to die (23:57)
mishinuki - Drunk pony (24:36)
mishinuki - Salinon (25:38)
mishinuki - Radio Nana (27:49) 
mishinuki - 夢を見る人は… (29:24)
mishinuki - How much truth is in it? (30:49)
mishinuki - Женщина, давай! (32:03)
mishinuki - Between us (34:41)
mishinuki - Heaven (36:43)
mishinuki - お地蔵さま (39:26)
mishinuki - She who puts her sons to sleep (40:36)

Osadok №1: mishinuki - mishinuki vs mishinuki (Tape Rip)

Taken from Stroboscopic Artefacts' first compilation, Flowers From The Ashes: Contemporary Italian Electronic Music, out April 13th, 2018 on 2x12" / CD / Digital.

Order: https://stroboscopicartefacts.com/shop/flowers-from-the-ashes-salp006-sacd009/



Flowers From The Ashes is the latest multi-artist project to bear the acclaimed Stroboscopic Artefacts imprimatur. There is a sensibility of decadence and corroded grandeur etched within its four album sides, reminding us that historically “decadent” times have nonetheless resulted in some of the boldest acts of individual and collective creativity. Like the "floral" theme that has remained a consistent feature of S.A.’s graphic presentation, the music here equally presents fragility and intensity in a way that really drives home this visual metaphor for good, while still holding out the promise that similar creations will be seeded in the near future.

Though many of the artists involved have set of residence outside of their native Italy, all contribute here to make a captivating portrait of a shared spirit and cultural memory. The album opens with 'Errori', deceptively fragile sonic ornaments crafted and suspended in space by Blackest Ever Black artist Silvia Kastel. This is followed closely by the mellifluous, warming glow of percussionist Andrea Belfi’s 'Spitting & Skytouching', and then by the resolute electric bass patterns and luminous fog of 'Lux et Sonus', from Eeri label head Marco Shuttle. Hospital Productions alumnus Ninos du Brasil open the B-side with a similarly dense, amorphous construction built from tribalistic chants and rhythmic patterns, to be followed by Mannequin label boss Alessandro Adriani’s 'You Will Not Be There For The End', showcasing his distinctive take on the "paranoiac breakdance" aesthetic of classic EBM. S.A. veteran Chevel rounds out the first record in the program by interlacing several percolating synth lines together into a richly conversational piece.

The journey continues with 'Starving The Mind', an undulating mini-epic from S.A. founder Lucy that is animated by his signature balance of seductiveness and concentration. The bright, biting acid synth tones of 'PRV-HH3-X', by Lory D, then takes a sharp right turn into an invisible metropolis ruled by reflective high fashion and hidden intrigue. The imposing architecture of 'Virgo Rebellion', designed by modular synth futurist Caterina Barbieri, acts as an excellent companion piece, and sets up the closing '4G' from Spazio Disponibile co-founder Neel - a crepuscular serenade that accurately sums up much of the foregoing activity.


All tracks (w)&(p) by Silvia Kastel, Andrea Belfi, Marco Shuttle, Ninos Du Brasil, Alessandro Adriani, Chevel, Lucy, Lory D, Caterina Barbieri & Neel.
Graphic concept by Ignazio Mortellaro [OA].
℗ & © Stroboscopic Artefacts 2018.
Cat. No SALP006 / SACD009 - all rights reserved.
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Order

D1 - Caterina Barbieri - Virgo Rebellion [SALP006/SACD009]

► The wonderful Caterina Barbieri crafting hypnotic modular patterns at our Genelec showcase in Helsinki.
► Follow us on SoundCloud: blrrm.tv/subscribe-sc

Caterina Barbieri Immersive Modular Live Set | Boiler Room x Genelec

PREORDER/ https://shelterpress.bandcamp.com/album/the-flower-and-the-vessel-2

Félicia Atkinson  'The Flower & The Vessel '
Shelter Press / SP110

French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”

In truth there is nothing simple about The Flower & The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies” (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.

Although much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower & The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.

Her mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower & The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”

The Flower And The Vessel

Moderato Cantabile

FELICIA ATKINSON — Moderato Cantabile (SP110)

Kaaye is the experimental electronics project from visual and sound artist Ari Kardashev. 

Borderline sonic landscapes, improvisation, immediacy, and a one-take approach. Inspired by modern post-industrial and heavy techno, Kaaye strives to draw their own conclusions from the ideas of these genres and to find the musical language, capable to represent the tragedy and shining of the present day.

Born in 1992 in Russia. Living and working in Georgia since the Russian invasion of Ukraine in 2022, and took part in multiple anti-war and charity musical events and festivals.

LIVE PERFORMANCES:

St. Petersburg, RU
21.09.20 Peripheral Vision
27.06.21 Peripheral Vision × G.J. Studio
25.02.22 F5 | with Sonia Skobeleva
14.04.22 Sound Museum | with Sonia Skobeleva

Tbilisi, GE
04.12.22 Secret Place
18.12.22 Secret Place
25.12.22 Flora Waves | Decadence Tbilisi
27.01.23 Echoes of the Underground
03.02.23 Monkey Radio | Tato Art Bridge
10.02.23 Spirali Festival × DUST
24.02.23 NOWAR × DUST
10.06.23 Kaaye & A Model Kit
28.11.23 Revolution
03.12.23 Secret Place
13.12.23 NOIIISE | Revolution
22.12.23 Thesis: Adhesion | Ertad 
23.02.24 Antiwar Days | Revolution 
22.06.24 Harp Tbilisi
27.09.24 Ikalto Micro Art Residence

NO WAR.

Terminal

Kaaye

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