From the upcoming album The NTT's Funk Odyssey Vol. 2

The NTT - The Cosmic Force

Gotta Do It

We got a 10-54

Slay the night away 

Hope you all enjoy 🙏🏾 bless you for getting me to where I am today ❤️💜💙💚

I tried bringing in many influences together to come up with this track, thank you for listening 🙏🏾💜


🤖 Special thanks to Daft Punk I always have you in my fucking mind when I make music.

Original composition….Alejandro Gonzalez M.

Anima Zero

A remix I've been sitting on for a while. Such a powerful song from an underrated project by an under appreciated band, love to see more people warming up to them.

Starting Over (KAiJUBRiDE REMiX)

NES - CUBA

The dog and the cowboy

ALBUM BY PSYNOBODY ¬ SONIC SHAMANIC

Somewhere beyond speed, beyond sound—
in a place where light and darkness swirl into each other—
there exists a presence known as Nobody Sonic.
He doesn’t run; he vibrates—with frequencies pulsing like a psychedelic rhythm echoing through the void.
Every oscillation sends out waves of blue-violet energy;
energy that glows like neon one moment and collapses into shadow the next.

Nobody Sonic wanders through a vast, dark dimension—
a place where sounds are shattered, fragmented like an old tape hissing and glitching on rewind.
He longs to break through this darkness;
to slip between the cold, distorted frequencies and reach the pure light beyond.
But each time he gets close, a wave of silence pulls everything inward…
a silence that seems to rise from within him, from the emptiness of being nobody.

Inside him, a swirling energy keeps spinning—
an energy trying to transform from “not existing” into “being.”
It’s as if Nobody Sonic is a missing musical note;
a note that, if found, would complete the song of the universe.
So he keeps searching for the right frequency—
the one resonance that could realign his fractured identity
and carry him from dark waves into luminous ones.

They say that if someone, in music or imagination, produces a frequency that matches his vibration,
Nobody Sonic appears for a moment—
glowing, trembling, unseen yet undeniably real.
Because ultimately, he wants only one thing:
for someone to hear his wave.

COVER BY LAST ROOM 369 RECORDS

MASTERING BY LAST ROOM 369 RECORDS

COMPILED BY PSYNOBODY & SONIC SHAMANIC

11. Sonic Shamanic - Echoes From The Gaia  162 MAS

Maalice

SERALP02: Satellite Era presents “Seedful Things (20th Anniversary Edition)” - a revival of perennial demos written in 2001-2005 by Julian La Brooy, best known as @hitori-tori

Out now on digital + limited edition CD: https://ffm.to/seralp02

For the first time ever, “Seedful Things” sees an official release two full decades after its conception. The 20th anniversary edition includes the original 13 tracks from the debut Hitori Tori album, along with four unreleased tracks written in the same time period. The CD version also features an exclusive hidden track unavailable on digital platforms.

The year was 2005 when Julian La Brooy finally decided to plant the seed of his newfound Hitori Tori project. Based in Japan at the time, he recorded a batch of promising demos onto a pack of CDs to ship out to record labels abroad. Nearly four years of studying the craft of balancing aggressive breakbeats with comforting melodies was compiled and ready to share with the world. After running into logistics issues at his local post office that prevented the CDs from traveling anywhere, La Brooy gifted the recorded demos to friends surrounding his artistic endeavors. Unbeknownst to him, the CD would eventually make it onto SoulSeek, an infamous peer-to-peer file sharing network where its community tends to influence the growth of rare and obscure music projects. Becoming a hit beneath the interweb, the album was eventually uploaded onto YouTube, gaining even more interest and becoming a cult classic within the niche of braindance enthusiasts.

It is our utmost honor to finally give Hitori Tori’s debut album a proper home. Welcome to the 20th anniversary edition of “Seedful Things” - a celebration of experimental electronic music through the passage of time, only made possible by the virtual crate diggers that fuel it. Each track’s arrangement has been left as is, with the only enhancements coming from the improved mastering technology in our arsenal two decades later. The album centered around the development of drill ‘n’ bass, familiarized by the legendary sounds of Warp and Planet Mu in the 90s. The subgenre serves as sort of a neutral zone between braindance, drum ‘n’ bass, trip-hop, and electronica. As breakcore began making its digital footprint, the high stakes, high tempo movement was immediately met with La Brooy displaying a warmer, more playful interpretation.

“Seedful Things” is a vibrant ecosystem of distinct species coexisting. Each intersection seems as leftfield on its own as it feels tightly woven, merging influences from the internet and La Brooy’s environment into one. In tracks like “Yutaka,” he sampled one of his Japanese students playing with toy trains in class, only to end the track with field recordings of a nearby train stop. There are plenty of moments throughout the album that are purely inspired by La Brooy’s routine commutes around Japan, surrounded by strangers with birds meandering above. Occasionally, a few wrong turns would lead him on a side quest - “Walls Of Shibuya” was written after purchasing tea at an undiscovered shop that led to mild hallucinations. The project is riddled with relics of a distant yet familiar past, like in “Breakfux Of Champions.” Here, he used samples from a contest held by Nautilis, the now defunct project of a household name in electronica, to create a glitched-out blend between hip-hop and breakbeat. La Brooy is also unafraid to pick up the microphone in “Ishibashi vs. Tennoji” and “Why You Drinking Booze?” as he turns simple interludes into displays of conscious rap, only with unconscious lyrics meant to be taken unseriously. Aside from the many crossovers, there are tracks that have certain recognizable styles, such as “Keihan Line” and “Aonepsco” taking on breaky drum ‘n’ bass aesthetics. “Stole My Tet” and “Chioal” provide lovers of trip-hop a nice place to roost, just before the album chaotic unwinds into the final few tracks previously unheard.

BUY / STREAM

Hitori Tori - Aonepsco (2025 Remaster)

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kaijubride worldwide

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