Experimental

Rose's Mix

The Interview

choir

Introductions

Mi primer track Saturnia en el mundo del progressive house, espero les guste.❤️

Linktree:
linktr.ee/vescamusic

Beatport:
www.beatport.com/artist/vesca-ar/1071118

Instagram:
www.instagram.com/vesca.music/

Free Download

Vešča - Saturnia (Original Mix)

soon available 7' at http://www.elevatorbath.com/

Pulse Vegan part 1

The first movement of the hour long suite of Seasons from 1998, evoking growth and awakening using sounds that allude to nature but actually are derived from a variety of recorded sources.

Spring

This one is about the old days in Highgate a place Iv spent 30 years working in and around during My Adult Life Hope you like it

https://soundcloud.com/kazenoyouna

Here's another remix I've made of Motohiko Hirami's music :
https://soundcloud.com/julsy/motohiko-hirami-far-wind-ii

MOTO_HI

Motohiko Hirami - astra (Julsy remix)

KETTWIGER BACH-ENSEMBLE
Wolfgang Kläsener conductor
Bochum, Ruhr University 
Concert of the winners of the III Edition of the International Composition Contest A Cappella.
October 27, 2001 
( Giury composed by Frieder Bernius (Stutgard)Eberhard Friedrich (Berlin)Janis Lindenbergs (Riga) Erwin Ortner (Wien)Heinrich Poos (Berlin)


Già da più notti  for 8 voices mixed choir. (  Monselice Milano 2000 )

12 i'll read you a story (live, japanese edition)

Composed by Hiromichi KITAZUME

**************************

Commissioned, Premièred by Vox humana, 
conducted by Ryuta Nishikawa

25 July, 2013 in Tokyo

**************************

委嘱・初演：ヴォクスマーナ
指揮：西川竜太

2013年7月25日　東京文化会館

解説文：https://www.facebook.com/notes/hiromichi-kitazume/872631069433395

Multiplex (2013), for 12 voices

Rhythm & Sound - Never Tell You w/ Tikiman

Rowena Simpson - soprano, Kamala Bain - recorder
text: Night Countdown, by Peggy Dunstan
St Andrews on the Terrace, Wellington, 13 May 2015

Night Countdown

http://www.timeout.com/newyork/nightlife/zola-jesus-presents-her-after-the-fall-of-new-york-mix

In anticipation of her gig at Northside, the singer-songwriter and producer created a soundtrack for “new” New York City

After the Fall of New York (Time Out New York Mix)

This piece is part of a larger project (http://hebrides-suite.co.uk) that attempts to both explore and communicate something about history and memory related to the Outer Hebrides of Scotland, through sound. It uses a mixture of monologues, field recordings and interviews collected during a number of trips to the Outer Hebridesas well as material from existing oral history archives.

It’s not easy to get to the Outer Hebrides. They are surrounded by beautiful but treacherous, crystal-clear cold seas and are a long way away from the Scottish mainland: Lochboisdale on South Uist is over four hours sailing time from Oban and Stornoway on Lewis is almost three hours from Ullapool.

The ferry services are currently operated by Caledonian MacBrayne (CalMac) and the sound of the announcements in English and Gaelic, the throb of the engine, car motors, the strain of ropes and the clang and scrape of the heavy metal ramp on the port as well as the greetings and farewells of passengers along with the culinary joys of a macaroni cheese pie are familiar to any traveller to the islands.

Since 1942 a programme of causeway and bridge construction has improved connections between islands and has helped, in some cases, to slow or reverse population decline. John and Mary Maclean talking about the ‘new’ causeway between North Uist and their home island of Berneray (a small island of about 130 inhabitants in the Sound of Harris) which was opened in 1999 tell me “it’s opened the place out completely” making everything easier but they also point out that it has also changed the island forever – as a result of the causeway the school on Berneray has shut down depriving the islanders of the regular sounds of children’s playtime.

Prior to the 1940s travel between the Uists and Benbecula was by horse-drawn cart at low tide accompanied by an expert guide giving rise to the Gaelic saying FAOTHAIL MHATH DHUIBH (A good ford to you). Islanders were reliant on puffers – small flat bottomed cargo ships to deliver essential supplies and take goods off the islands for exports.

You can fly to Barra, Benbecula or Stornoway but where’s the fun in that?

Sea Shanty Extract

Follow Midi Culture:
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Midi Culture - Sub Pielea Mea (Remix)

an extract from track 1 of 'portable music (three scores)' by Jez riley French

(nb. duration and frequencies inaudible on computer speakers are elemental aspects of this release - please listen via headphones or conventional speakers)

now available on Touch music's Touchline series:

http://www.touch33.net/touchline/jez_riley_french_1.html

Score For A Footbridge (extract)

Pauline Oliveros puts together a mixtape featuring some of her own work ahead of Deep Minimalism this month at the Southbank Centre

Pauline Oliveros - Deep Minimalism Mixtape

A sample of Helen Fisher's Pounamu, with its haunting Maori flute accompaniment as performed by Voices New Zealand Chamber Choir.

To be performed in concert as part of the Chamber Music New Zealand 2011 Kaleidoscopes Concert Season. November 19 - 24 in Wellington, Napier, Auckland, Christchurch and Dunedin. 

For details visit: http://www.chambermusic.co.nz/artists/35-voices-new-zealand-chamber-choir/

Posted with permission from HRL Morrison Music Trust.

Pounamu performed by Voices New Zealand Chamber Choir (sample)

Download // Stream: https://epictonesrecords.lnk.to/w72TU

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promo@pascaljunior.com

Download // Stream

Pascal Junior - Holdin' On (Original Mix)

§si-nosetocuma2

Aborigenes De Taiwan Anthologie De L'art Vocal (excerpt)

long story short:

derived from Kurt Schwitters Simultangedicht -> our own Kaiku soundscapes spit into 3 strings of syllables and expression mixed with the improvised AAAAA/ silence piece
and Iiris Poukkanen's Simultantgedicht...

why ? investigating human intelligence!

recorded 26th of January 2013 in Hailuoto/ metsastysmaja



Kaiku - DADA tech syllables

"2/1 (Night Flight Mix)"

A cover version of Brian Eno's "2/1" from Ambient 1: Music for Airports. 
Vocals: Keiku.  Loops, tamboura, Tibetan bells, processing: Gio.

This originally appeared on the compilation "Minimalism" on UK label Law &  Auder in 1998. It was recorded shortly after finishing the album "Shringara". I had been reading Erich Tamm's wonderful book on Brian Eno, and he gave a fairly detailed analysis of how Eno put together the Music for Airports album. I thought the best way to understand how that music was made was to try it, so this track was an experiment in seeing how close I could get to Eno's sound. (With a few typically Makyo-esque elements thrown in.) Instead of tape loops, we used a sampler with sequencer loops of varying lengths triggering the samples. The experiment would later be developed on "Swara Mandala" in the similarly Eno-ish track "Skin as Soft as Starlight". With love to Prof. Eno.

Makyo: "2/1 (Night Flight mix)"

B2 42DIMENSIT10

Recorded almost entirely with only the human voice, Forest is a full-length album of Benson’s interpretations of bird waiata by renowned composer Hirini Melbourne (1949-2003). 

'Brilliant...Unashamed in its risk-taking and vision' 
9/10 Under the Radar 

'Playful and heart-breaking' 
***** Groove Guide 

'Utterly indigenous' 
Nick Bollinger, Radio New Zealand

Released 1st November 2010 

Original waiata by Hirini Melbourne 
Arranged & produced by Dudley Benson 
Recorded, engineered & mixed by Adrian Hollay 
Mastered by Mandy Parnell at Black Saloon 
Golden Retriever Records, GRR006D 

Voice, beatbox & whistle – Dudley 
The Dawn Chorus – Pene Pati (tenor), Grant O’Connor (tenor), 
Jeffrey Chang (baritone), Moses McKay (bass) 
Beatbox – King Homeboy 
Bird mimic – Gerry Findlay 
Voice –Vashti Bunyan 
Taonga pūoro & voice – Richard Nunns 
Whistle – Joshua Thomas & Myles Thomas 
Choir – Rachel Alexander & Rebecca Guest (soprano) Laura Caygill, Sarah Hogg & Thomas Woodfield (alto) Andrew Baldwin, 
Jeffrey Chang & Lachlan Craig (tenor), 
Morgan Simes & Nicholas Sutcliffe (bass) 
Choral coordinator & conductor – Nicholas Forbes 

Art direction by Dudley 
Appliqué artwork by Florence Dennison 
Design by Frances Young

Tūī (ft. Vashti Bunyan)

Dialect - Under~Between

From Under~Between.
Available March 19, 2021.

Learn more: https://smarturl.it/rvngnl67

Under~Between

Dialect - Under~Between

The Brvtalist is pleased to premiere a new track by Huma. "Coalesce" comes off Barcelona's Hedonic Reversal brvtal upcoming EP "Emergence", out February 25th digitally + cassette. This album experiments with irregular and unpredictable structures that arise from sequences and textures colliding and merging into rhythmic and melodic sonic explorations that seem non-human-like but at the same time intuitive and almost familiar.

Pre-order now on Bandcamp: https://hedonicreversal.bandcamp.com/album/emergence

@huma4444
@hedonic_reversal

PREMIERE: Huma - Coalesce (Hedonic Reversal)

Kaiku was a community sound choir on the island of Hailuoto on northern Finland in 2011-2013 led by the local arts organization Hai Art.

contact us on kaiku@poemproducer.com

Hai Art in Hailuoto / Finland
facilitation: Antye Greie-Ripatti (AGF) 
@agf-antye-greie

Organum Hailuoto: http://hailuotoorganum.tumblr.com/

our FIELD CAMPS #sonicwilderness
#sonicwilderness http://soccos.eu/blog/detail/sonicwilderness
#russula http://soccos.eu/blog/detail/russula-camp-blueberry-techno
#residence http://soccos.eu/blog/detail/are-we-exchanging-culture
#SAMA https://www.uniarts.fi/en/blogs/sama-sound-art-sonic-arts/feedback-session-boat

Workshops
https://www.facebook.com/246076105466087/photos/?tab=album&album_id=832768040130221

APP: SOUND MAP HAILUOTO
https://appadvice.com/app/sound-map-hailuoto/767335145

Kaiku - DADA tech syllables

kaiku_hailuoto