Makaja Gonzales - On The Verge (Kai Pattenberg Remix) Snipped [Soon On Frame Workxx Records]

A Techno-child of the 90s, for several years, finds its way through the electronic world. 
Kai Pattenberg enthusiastically, for several years at various events as well as radio stations, his audience. 
Dark Techno to Industrial Techno, so between good and evil is his world in DJing. Since 2009, Kai sends his radio show "electric therapy/ultraschall" to changing radio stations and is currently in order to receive www.stromkraftradio.com/techno . 
In addition to his growing bookings in Clubs such as Lehmann(Stuttgart, Hans Bunte Areal(Freiburg), Level 6 (Darmstadt), London(Ludwigshafen), Dance House West (FFM), Vinylbar (FFM),Sky Club Berlin, Meteor (Lengfurt), M-Bia (Berlin), Raumstation (St Gallen) Gothec, Culteum (Karlsruhe), Mikroport (Krefeld), Connex (Mannheim).
Was rewarded his hard work in the field of music production. Kai Pattenberg, is now an annex to various record labels how Eclypse Recording,Dolma Records Wicked Wave Records, Blue Fin, NG Records, Black Circus, Re Washed, Hardwandler Records, Klangrecords, Dope Records Dark Smile Records,Dolma Records,13 Schallplatten. 
Since Mai 2018 at Dexit and Since July 2022 at Techno Tourette.

Jenя (Jenia )Gatash is a queer feminist DJ, music producer, and art director from Odessa (Ukraine) currently based in Marseille. Her every mix is a story of sensations where a sound collage becomes a single metaphysical space drawn up with strokes of contrasting music genres: instrumental music, jazz, ethno, opera, techno, electro, indie dance, dark disco, acid, trance with touches of ambient textures and surrealist lyrics. 

Jenя works as a sound producer with galleries and theatre projects, performs as a DJ. She was a curator of art and performance events at the AWAZ music festival. Jenia organized the first open queer events Q'paradise in the muslim capital of Tatarstan, currently she continues this project in France.

She experiments extensively with the representation of opera and baroque music in contemporary contexts. She defines her artistic, performative, and musical works within this framework as meta-opera, meta-baroque, experimental opera, electro-opera, and post-rave