Name: "Born Yangis" (Kaiser Souzai's Nation Of Gondwana Redux) FREE DOWNLOAD by Kaiser Souzai (Ballroom Records)
Duration: 7 min 3 s
Description: "Born Slippy" & "Yangis" team up, made for "Nation Of Gondwana" show.

g͟l͝it͡c͘hes ̧n'́ ҉b͜lee̷p̵s
̶qwerk̡s n̸' twe͞a̢k͠s
eve̷ry̵t̨h͝ing͘ ͏that m̶a̴kes t҉he ͘
sp͘e̸àker̶s spe̡ak

Danny Daze & Translucent - Speaker Language [Kompakt - Speicher] Out Sept 1st

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Danny Daze & Translucent - Speaker Language [Kompakt - Speicher]

FOLLOW:
@musictreasures
@matter
@meanwhilerec

► Release Info:

For Matter, more than half a century of production credits adorn the jewel-encrusted crown that sits atop the Meanwhile and Meanwhile Horizons catalogues that he and fellow countryman, GMJ, preside over. Now returning to the label with a new twin-track offering, Matter delights once again with “Embrace / Elsewhere”.

From April 2020’s “Lost on Origin” and December 2023’s “Stellaris / Idtritah” with long-time friend and production partner, GMJ, to solo endeavours that include 2020’s musical triptych, “Amanita” and 2022’s “Banksia, Matter has continued to excel time and again in the progressive house realm. Always at the vanguard of an ever-evolving genre, the Australian star continues to find success in the studio in tandem with global DJ performances across Europe in Amsterdam, Glasgow, London as well as festival appearances in Australia and in clubs throughout his Melbourne hometown.

Now returning with a brand-new sonic diptych, “Embrace” is a chugging rhythmic gem that sparkles with hi-hat dynamism while a lilting percussive groove and cavernous kick keep a lock-tight beat. A beautifully syncopated synth-line, textured pads and floating vocal phrases create a relaxed atmosphere, as they evolve gently into full-formed phrases at the breakdown. Dropping back in the warm embrace of the earlier rhythmic phrasing, the vocal phrasing continues alongside the ethereal melodic elements and intermittent effects.

Opening with a bouncing grooved bassline and fizzing shaker pattern, a metronomic kick paves the way for a muted synth sequence to filter into the sonic foreground with ease. A sub-bassline deeper than the Mariana Trench adds to cascading sonic landscape as arpeggiated layers, thickly textured pads and white-noise fills join together. A heavily delayed and reverb-drenched vocal reveals itself at the breakdown alongside an array of melodic sequences, before the epic groove drops back in through the third movement with the extended vocal phrase and arpeggio combining to mesmerising effect.

Back to welcome the Meanwhile faithful with a 24-carat jewel, Matter’s hallmark of quality can be found running through “Embrace / Elsewhere”.

Directed by GMJ & Matter
Mastered by Cid Inc.
Design by Matter
Text by James Warren

Matter - Embrace / Elsewhere

PREMIERE: Matter - Elsewhere (Original Mix) [MEANWHILE RECORDINGS]

"Born Slippy" & "Yangis" team up, made for "Nation Of Gondwana" show.

"Born Yangis" (Kaiser Souzai's Nation Of Gondwana Redux) FREE DOWNLOAD

We have a premiere from the 'Viscera' EP and 'Vena Cava' is another DJ favourite. It's just been included in Jackmaster's upcoming DJ Kicks mix and it's a real gem.

It's deep, brooding and features a gnarly set of stabbing piano chords. The riffs are warped and the horns are super menacing making this perfect if you want a DJ tool that packs something completely different. Expect to hear this a lot this summer.



Premiere: Fango 'Vena Cava'

Dino Lenny "Shoot Me To The Sky (Maceo Plex Remix)"

Joris Voorn returns with another sterling release on his Green label. I Ran The Zoo is a lesson in stripped-back contrast and subtlety, with an acidic groove bleeping away over driving percussion and delicate atmospherics in its Digital Version, the tension growing with every thud of the kick drum. A dizzying breakdown raises the bar with snare rolls and dramatic pads, with the wide-open space therein soon sucked back into the void when the beat drops back in.

Meanwhile the special Analog Version harks back to Joris’ techno sound of old. The throbbing kick and bass and acid blips are set against rising, white-noise drenched synth swells and simple percussion to create something moody and tough yet teasingly pared back.

These two heads-down mixes make this release a stark contrast to some of his more melodic, riff-fuelled releases of late, once again demonstrating Joris' endless versatility and shape-shifting abilities.

GR30

I Ran The Zoo

I Ran The Zoo (Analog Version)

Basmati is back!!
But not only that, it's brand new and fresh. And how could we possibly do that better than simply doing and telling the story with music? 

Here is a chapter one:
A while ago I met Wally Tale in a Tally Weijl and we figured out that traditional techno music is nice but it also became in its repetition and strict traditionalism a bit boring. At least for us long-time producers. And also, it seems that the youth feels a bit off the hook as well and is way more into playful, open and surprising music. So we figured there are so many possibilities on the dancefloor. Not only that bored producer souls want to feel excitement again, the crowd wants it too!
Soon after, we hacked together this nice little bombshell as a starter. 
There is much more to come from Wally Tale in the close future.

To be continued...

Gabriel Ananda - Brummer (feat. Wally Tale)

2018 rework of this classic Der Dritte Raum track by Martin Landsky

Der Dritte Raum - Trommelmaschine (Martin Landsky Remix) PREVIEW :::::

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Provol Eto

From Tale of us mix collection Renaissance 

"Born Yangis" (Kaiser Souzai's Nation Of Gondwana Redux) FREE DOWNLOAD

Kaiser Souzai (Ballroom Records)

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