Wendell Ray is a singer-songwriter whose sound blends heartland rock, modern country, and soulful harmonica licks into honest, story-driven anthems. His debut album, Blessed & Broken—led by the sun-soaked single “Bury Me In Key West”—explores themes of faith, redemption, and the tension between wanderlust and the comfort of home. With a humble, relatable voice and raw emotional honesty, Ray invites listeners on a journey that feels both deeply personal and universally resonant.

Specializing in sound art and audio backdrop for performance art and event-based mood-setting — featureCreep's award-winning work combines elements of pre-recorded sonics with live sound and music accompaniment to deepen the aural vibe of the present, live space.

featureCreep's most notable and notorious authorship won the Daviss Award in eXperimentalLive Sound in 1999 for his audioSound Wallpaper series featured as the backdrop for SiNuS BRaDy's 'Stand Up | no comedy' performance art installations throughout New England and along the Northern East Coast of the United States as well as online.

His work can also be heard on the soundtracks of numerous movies by the Comic Actor and Social Satirist Chevy Chase, including: Fletch Almost Came Back; National Lampoon's Kwanzaa Vacation; Foul Play; Bad Meat; and Nothing But Trouble.

lou suSi is an artist, designer, musician + performer living + working on the Northshore of Massachusetts

he currently performs as lou suSi and the information while also developing the concepts and music thematics behind a new funk outfit aptly named Mother Funkenstein

previous band lifetimes include writing, recording and playing with: The Happy Deathmen, Beware the Haberdash, gasohol poSse, Radio Pü, Clyve + the management, The Fuckinghams, Xmonkey7, Group of 9, The Taxonomy and Feature Creep

Beware the Haberdash is compositional and performative music and sound works of Marco D'Amico and Lou Susi

Currently songwriting and recording from in and around Boston and out and about Copenhagen

Song styles of the Haberdash range from straightforward acoustic rock to folk to spokenword to psychedelia to ballad to sound experimentation

Along with song, Beware the Haberdash also writes essays and short fiction on coffee culture and also continues to aspire to writing their Great American Novella 'A Knifeshop in The Bronx'

a romantic in fishnets with an attitude. Croons mill town heartbreak, tales of strip club green rooms & love songs to odd ducks.

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