By deathly pale light, silent is the night 🪡

Yamagata Tweakster in Progress

Yamagata Tweakster, 
Korean Electronic Dance Performance Musician.


BOOKINGS
Worldwide 
matt@octopus-agents.com

France
clem@a4system.com
marc@a4system.com

Americas
ricky@visionarytalentgroup.com

vocalist, songwriter, record producer, video director, visual artist, performer

(South Africa | Argentina | Amsterdam | Aruba)

Currently based between Amsterdam and Aruba, The Caribbean.
For Bookings, Press, Projects contact:
cata.pirata@skipndie.com

founder & front-woman of SKIP&DIE

SA 21.03.2026 
Exclusive 4.5 hour boilerroom set
Waalwijk, NL
Event: https://fb.me/e/5piFZFLbV
Tickets:
https://shop.ikbenaanwezig.nl/tickets/event/undergrund-ii-future-classxxx

“What the hell is that?” is a question pretty familiar to the controversial Brooklyn band Prince Rama. The answer is far from simple; sisters Taraka and Nimai Larson have lived in ashrams, worked for utopian architects, written manifestos, delivered lectures from pools of fake blood, conducted group exorcisms disguised as VHS workouts and have now finished inventing an apocalypse on which to base their new pseudo-compilation album, Top Ten Hits of the End of the World, comprised of ten singles “channeled” from fictional deceased pop bands. Their often unpredictable live shows incorporate elements of psychedelic ceremony, performance art, and dancefloor initiation rite, and when Animal Collective’s Avey Tare discovered them in a Texas dive bar in 2010, they were equipping the audience with handmade shoes clad with broken chimes. They signed to Paw Tracks shortly thereafter, and have since released Shadow Temple and Trust Now, which peaked at #3 and #6 on the Billboard New Age Charts respectively. In only four years, Prince Rama have released a prolific six albums and toured in four of the seven continents, recording with members of Animal Collective and Ariel Pink’s Haunted Graffiti. Their art has been exhibited internationally at the Whitney Museum of Art, Indianapolis Museum of Contemporary Art, and the MoMA PS 1 VW Dome, to name a few. Taraka recently published a manifesto on the “NOW AGE” that puts forth Prince Rama’s aesthetic and metaphysical philosophies, which has been met with both hatred and praise from art and music worlds alike. One thing is certain: whatever it is they are, Prince Rama are constantly breaking the mold of what is acceptable to forge a dizzying universe that is wholly their own.


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