KIKO - FRANCE (Spinnin, David Guetta , Warner Music, Afterlife, Diynamic, Siona , Truesoul, Watergate, Family Piknik Music)

With three decades at the forefront of the Electronic music scene, legendary French artist KIKO keeps on making huge waves. After a ﬁrst global hit ‘Home’ next to David Guetta out in 2024, KIKO has just dropped a massive follow up on Spinnin with David Guetta & Olivier Giacomotto. With more than 2 million Spotify streams under the ﬁrst week and more than 2000 radios adding the track to their rotations, ‘After You’ turns KIKO into one of the most streamed artists in 2025. This year also sees him partnering with the acclaimed Miss Monique, with a release on her label (‘Bak Bak’) and a show for her Ibiza’s residency at Hï Club.

Still very active in his studio, KIKO has gained support from many top DJs, including Tiësto, Solomun, Tale of Us, Adam Beyer and David Guetta, just to name a few. Within the past months, KIKO has performed great back-to-back shows with Joachim Garraud, Olivier Giacomotto, playing a lot of big shows and even relaunching his former project Phunky Data.

Started in the early 90s, hailing from French city of Grenoble, KIKO’s knowledge has been consistent. Next to his best friends The Hacker, Oxia and Miss Kittin, KIKO has experienced both Rave world and mainstream opportunities thanks to his ﬁrst live duo Phunky Data (along with Oxia), invited to play the ﬁrst big Techno Parade in Paris, as broadcasted on one of the biggest French TV channels. ‘World Cup’, his ﬁrst big hit released in 1998, is still one of the most iconic tracks from the glorious French Touch era.

30 years later, KIKO keeps on being one of the most watched out producers when it comes to Indie Dance & Melodic Techno. KIKO’s releases have all been highly supported and played all around the world, jumping into Beatport’s top sales and bringing him a high exposure.

More than ever, KIKO is a key name in the global underground scene, still touring the world as a DJ and signing remarkable tracks to the biggest labels of our industry.

Dj, Producer, Entertainer. Supported by Rick Ross.

Contact: djwiky@gmail.com

French Kiwi Juice

New album "22_23 Live Sessions" out now: https://fkj.ffm.to/livesessions

Official Store: https://fkj.ffm.to/shop

Sign Up: https://fkj.ffm.to/newsletter

Management: info@verdigrismanagement.com

Bookings: 
North & South America: bowen@paradigmagency.com
Rest of World: michael.harvey-bray@paradigmagency.com

- Any Information - 
nicolas@gin-agency.com
fhinmusic@gmail.com

Grab a copy of my 4th Opus: 'Nostalgic for the Future' 
↳ https://bigwax.io/products/nostalgic-for-the-future-ep

Grab a copy of my first album "Trauma"
↳ https://bigwax.io/products/trauma

Grab a copy of 'around.away' EP 
↳ https://bit.ly/38nnhV9

Grab a copy of 'A Crack In The Eyes' EP 
↳ http://bit.ly/1USZ10c

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Music Publisher Worldwide (ASCAP) Licensing, performance and sync  Always looking for that song...Email blackcaviarmusic@gmail.com

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