200 Trax of 2018

Tec check

2019 Playback

Ly-2

klein am strad

https://savirhankar.bandcamp.com/releases

~Savi Rhankar - Dovedale x0.10

Excerpt from live improvisational recording. 
ask me for free full quality file (sounds a lot better!)

wetterstation

Wetterstation

__init__

Chilly Gonzales hasn’t shown up on Soundcloud for a while.  To make up for lost time… we give you 1h20mn of his March 2015 Versailles concert accompanied by Kaiser Quartett.  Enjoy and let us know your favorite songs!

1:00-5:20 Overnight - Solo Piano
5:38-9:26 Rideaux Lunaires - Solo Piano II
9:51-13:25 Oregano - Solo Piano 
13:41-18:32 White Keys - Solo Piano II
19 :20:-23:46 Sweet Burden – Chambers  
24:02-26:28 Green's Leaves - Chambers 
26:44-31:14 Odessa - Chambers 
31:21-33:29 Sample This - Chambers 
33:48-37:17 Self Portrait - The Unspeakable Chilly Gonzales
37:34-42:57 Minor Fantasy - Solo Piano II
48:22-52:37 Advantage Points - Chambers
52:58-56:30 Supervillain Music - The Unspeakable Chilly Gonzales
56:39-1:00:47 Dot - Solo Piano
1:00:57-1:07:20 Freudian Slippers - Chambers
1:07:33-1:10:54 Smothered Mate - Ivory Tower
1:17:06-11:20:05 (Not A) Musical Genius - Chambers Bonus Track (Digital Version)

YOU CAN FIND ALL CHILLY GONZALES’ ALBUMS and OTHER SPECIAL ITEMS AT THE SHOWROOM: http://chillygonzales.spinshop.com

Follow Gonzo:
Official site: http://chillygonzales.com
Facebook: http://www.facebook.com/chillygonzales
Twitter: http://twitter.com/chillygonzales
Instagram: https://www.instagram.com/chilly_gonz...
Youtube channel : http://bit.ly/CGYOUTUBE
iTunes Store:  https://itunes.apple.com/fr/artist/ch...

(c)2015 Gentle Threat LTD.


CHILLY GONZALES Live At La  Bibliothèque de Versailles - March 2015

Bartosz Kruczyński - Baltic Beat
Growing Bin Records, GBR006, June 2016.
Vinyl LP.

Tracklist: 
A1 Baltic Beat 
B1 Post Tenebras Lux 
B2 Parco Degli Acquedotti 
B3 Supplement 1 
B4 Supplement 2

BARTOSZ KRUCZYŃSKI - BALTIC BEAT (Growing Bin) LP

03 танец 128

axit5

Maoupa Mazzocchetti - Gag Flag (GRVTS014)

A1 Looking For Cheese
A2 Dazzilo
A3 Ron's Roof
A4 Fonk Left The Ytown
A5 Y'a un Petit Problème
B1 Sultan 1997
B2 Private Investigator on a Guitar Men
B3 Robert Loves my Texas Hat
B4 How To Hate You Without H?

 @maoupa-mazzocchetti

Gag Flag

Buy at Bandcamp

Maoupa Mazzocchetti - Fonk Left The Ytown

Taken from  the album 'ATAXIA' due out on 15th March
Planet Mu - ZIQ405  - Preorder http://smarturl.it/RianTreanorATAXIA
https://planetmu.bleepstores.com/release/122321-rian-treanor-ataxia

Rian Treanor will release his anticipated debut album ‘ATAXIA’ on Planet Mu this March. The striking full-length follows singles for The Death Of Rave and Warp’s Arcola imprint as well as live sets at Boilerroom x Genelec, Nyege Nyege festival, tours in India and various high profile EU shows.

The title ‘ATAXIA’ means 'the loss of full control of bodily movements' and relates to Rian's music which is “intended to make people’s bodies move in unpredictable ways.” He adds “the angles in the letters, the phonetics seem to mirror the geometry and idiosyncratic patterns in the music.” Rian explains that components of the tracks were made by generating a series of irregular events and re-structuring them, or by destabilising a pattern that is constant.

  When asked how the album compares with his previous releases, he says “My earlier EPs share a similar interest in angular and asymmetrical rhythms that are designed for club sound systems,” adding “they were more improvised, focusing on sequencing and pattern modulation, using standard drum sounds and synthesiser patches. ATAXIA is more focused and stricter, it’s more co-ordinated in terms of the track selection and the rhythmic structures. I spent more time refining the synthesis and sound design, pushing it further than the previous releases.” He expresses an interest in exploring opposites in his music: “fluidity and syncopation,” “systematic and unpredictability,” “reduction and extremity,” “irregular symmetry,” “easy listening and brutal”. There’s clear a conceptual backdrop, but the music itself is not overthought. There’s an immediate joy to much of the album – check out ATAXIA_D3 with its wonderful cut-ups and modulations of the phrase “people don’t understand people.”

  The roots of Rian's playful sound are directly linked to his love of the music he grew up with. Coming from Sheffield, you can hear elements of industrial, synth-pop, bleep, extreme computer music and speed garage at play. From Cabaret Voltaire to Warp and beyond; the sound of his city has been, and is, an integral part of his musical development and is still a direct influence.

  Last year, he noted in an interview that "I'm not a computer programmer, I'm not an articulate person in that kind of way. I'm a visual artist." Now he elaborates “I meant more that I’m a visual thinker.” Drawing and visual art have been a fundamental part of his life “since I was a child. I got really into graffiti as a teenager and around the same time I got into mixing and these both developed together.” You can sense the mind of a visual artist at work in his music which is also reflected in the artwork he created for this project. 

  As well as his visual art, installations and multichannel sound works he is involved in numerous collaborations such as with composer Nakul Krishnamurthy exploring the common ground between Indian classical music and electronic music and his work with improv saxophonist Karl D'Silva, plus his time studying with Lupo at Dubplates and Mastering in Berlin (who taught him the “importance of reduction”) have all helped shape and push his sound into other unique and adventurous zones. Treanor is developing on different levels and in different forms all at the same time, re-imagining the intersection of club culture, experimental art and computer music, presenting an insightful and compelling musical world of fractured and interlocking components.

axit5

kalx