Collectedness // November 4, 2022

Sound design that feels alive

ST☆RS from <3

Mar23

clicks+cuts+ - 5

Macchina - 7

Last Afternoon

Tactile

Body Motion debutant Lauren Duffus brings some soul-baring and mutant dembow downbeat.

'SULK' is out now on Body Motion.

Buy: bit.ly/3wfD6s2

@laurenduffus
@bodymotion

Premiere: Lauren Duffus - Braeburn [Body Motion]

@Yoong - Chalk
Release Date: August 21st, 2021
Format: CD / Digital
Mixed by @Go_Meee & Yoong
Mastered by Go Me
Cover by Millie Rose Dobree & Yoong
SL+11
© Seedlink⁺ 2021

Yoong - Lost & Found

Iskandarani

Randagio

Randagio (feat. Mai Mai Mai)

Meridies

Esorcismo (feat. Alfio Antico)

KK Remixes

Nordic Rave 4.5

Astor Piazzolla: Live Lugano 13 Ottobre 1983

Fracanapa

how did we fend them off: the vitreous fettles which once devoured us? +g0bln

resonant sharing

https://www.youtube.com/watch?v=jXmqzlsD66o&t=11s&ab_channel=RougeHotel

Earthless Artefact

Hello World

Hello World (video in description)

Evita Manji - Closer To Midnight
Label: PAN
Cat.No.: PAN 136S2
Format: DL
Release Date: 12 January 2023
Purchase: PAN.lnk.to/CloserToMidnight

Closer to Midnight, the second single of the upcoming album ‘Spandrel?’ is a reminder that we’re closer than ever to the ending point of life as we know it, moving towards it at an accelerating speed. Dawn may come with answers, a different way of being or nothing at all.

'Spandrel?' is an album that takes time to unravel, and Manji’s themes resonate through history that’s older than pop music. It’s tragic, romantic, and poetic, and resolutely refuses to turn away from the era’s most urgent concerns.

Production, writing, composition: Evita Manji
Mix: Evita Manji
Master: Enyang Urbiks
Artwork: Spyros Droussiotis

Evita Manji - Closer To Midnight (PAN 136S2)

Merlin Modulaw's latest project, ‚Lost & Found‘, is a EP that spans six carefully crafted tracks, pushing the boundaries of contemporary club music with a blend of genres and textures. The release highlights Modulaw’s unique production style, combining slower grooves, raw club sounds, and sharp, metallic textures to create a sound both gritty and immersive. Among the standout features of the EP are a powerful collaboration with Estoc and innovative remixes by genre-blending artists Manuka Honey and Xzavier Stone, each adding their distinct touch to the project.

Produced, mixed & mastered by Modulaw
#5 co-produced by Estoc
Remixes by Manuka Honey & Xzavier Stone

Artwork by Dimitri Erhard


CONTROL MEASURES

Baléarique (ft. Turquoise)

Mario Batkovic self titled LP to be released on Invada Records on all formats 17/03/2017

Mario Batkovic - Quatere

Full stream of Jex Opolis' kaleidoscopic "Après-MIDI," a cut from his forthcoming LP on Good Timin'.

More info: https://www.xlr8r.com/news/2017/04/premiere-hear-a-stunning-synth-heavy-cut-from-jex-opolis/

@good-timin

More info

Premiere: Jex Opolis - Après-MIDI

Plume

Mistral

Charlie

Strathcona Variations

Union Dusk

Midnight on Princess

Strathcona

Asnakech

Jinyew

Awkew Beneber

Mingizem Yene New

Tche Belew

Baynelay Yidal

Vol II written, arranged and produced by Z.F.E.X.

A3 - STILL SWAG Ft JITWAM

buy there : https://rolandtings.bandcamp.com/album/first-wave

Since 2012, Melbourne’s Rohan Newman has recorded as Roland Tings, bringing his now trademark organic touch to the dance and electronic community. Following last year's sun-soaked album Salt Water, the producer returns with a new EP, First Wave. Rather than following suit of the highly collaborative album that preceded it, First Wave signals a return to Newman’s instinctive and solitary approach to songwriting, the same ethos that guided him while crafting his earliest Roland Tings material.

Drawing inspiration from his coastal surroundings, First Wave is liquid, malleable and oil-slick. Opener “Lights on the Headland” pulses with acid chirps and inky synths. “Down The Line” and “Orange Circle” take a softer focus, their melodies peeking out from a humid haze like sunbursts through the marine layer. The title track captures the essence of the EP — a feeling of euphoric come-up — before the closing track “Leaving” brings the pace down, gently undulating at a slower tempo as if underwater.

The sonic throughlines on First Wave are clear: drum machines and 80s snare, swirling pads with rolls of bass, and glittering arpeggios that channel shimmering sea creatures under the water’s surface. Like liquid, it all seamlessly flows, but it’s an undercurrent of intuition and melody that unites the music as distinctly Roland Tings.

First Wave

LISTEN ON YOUTUBE

PREMIERE : Roland Tings - Leaving

Mada Kokoni Iru Original Soundtrack Recomposed

Particle

F44 / DOUBT

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bookings: 
carin@outer-agency.com
pascal@outer-agency.com (EU/WW) 
michael@heavy-trip.com (CA / US)
sync & licensing:  
gavin@syncsmith.com

contact: joseph.kamaru.jk@gmail.com 
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resonant sharing

KMRU