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Takeover Nehza Records : Polyphemus - 19 Février 2022

We’re kicking off the 22/23 season with none other than Leipzig OG @djbooga. Mostly known for @defrostatica Records and Breakbeats way beyond 150 BPM he has been active in the scene since the 90’s. Not only putting Jungle, Bass and Electro in the spotlight with different blocks like breaks.org and itsyours.info but also with his label Defrostatica. Established in 2015 they’re busy delivering risky Jungle, Juke and Hybrid Bass music to the world. 

Defrostatica x Self Learning System "COSMIC CHAOS" 23/09/22 at Distillery Leipzig.
Event infos: song.link/cosmicchaos

Intergalactic Rhythms w/ DJ Booga 01.09.22

AK SPORTS is joined by Crescendoll, Andy A & Pagan for a high NRG closing show. Techno, breaks and more inside.

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AK SPORTS w/ Crescendoll, ANDI A & Pagan - September 2022

BufoBufo - Silver Disk (192 Clip) (EMOTEC 002)

Razor-sharp drum 'n' bass, cutting-edge jungle and extraterrestrial machine sounds.

Kamikaze Space Programme and Cocktail Party Effect step in with four meticulously designed mind-bending tracks, offering unbelievable exhibits of their dexterity in crafting futuristic jungle and razor-sharp drum ‘n’ bass.

Spiced up with a devastating array of extraterrestrial machine sounds and wicked sinister ambience, Food for Thought is for all those who continue to feed their minds with criticisms, refusing to adhere to a system that wants us technological adults but spiritual and emotional infants.

“...But you survived!” Cit.

Food For Thought

Rice is great if you're really hungry and want to eat 2000 of something (With Cocktail Party Effect)

This self-release is the beginning of a series of sonic explorations where I'll be testing new ways of productions, and also where my taste for the emotive side of club music will hopefully find a safe haven.
These 3 tracks are mostly influenced by the UK Garage sounds and the supersaw madness of the early 00s. 

Written, produced and mixed by Fels
Mastered by Florian Schären at .wavaudiolabs, Geneva
Cover by Thibault Villard
Instruments used:
- Digitone
- DSI Evolver
- ARP 2600 plugin
- Operator
- My childhood tamburin
- Samples & field recordings

May - August 2022, Fribourg (CH)

FELS001

Still Alive

@realitycheck-4 fits into this new generation of DJs and producers of a hybrid kind of music, his influences drawing from a large spectrum of electronic music and beyond. The quest of a unique mix of sounds, textures and rhythms constitutes the essence of his work as a DJ.

Catch Realitycheck every 2nd Tuesday of the month from 21h to 22h [CET] on rinse.fr

Rinse Podcast France

Realitycheck - 08 Novembre 2022

Leese

Guided by polyrhythmic influences & cathartic bass, our next artist crafts every oscillation purposefully and with clear direction. Her two EPs on YUKU( with Nomäa being named Best Bandcamp Release of April) are the prime example of this; finding a way to interlink them not only by the obvious Part I & II of Donker Dag, but also by creating a balance between them both rhythmically and soundscape-wise. 

We are of course talking about Leese, based in Brussels, who has gained recognition for her unique style blending break and tribal influences performing at clubs and festivals throughout Europe. On stage, Leese delivers a passionate and energetic performance, mesmerizing her audience with her powerful beats and enchanting atmospheres. She is becoming increasingly well-known in the electronic/bass music scene and her project is continually evolving and developing.

Get ready for an hour of pure delirium.

SoundCloud : https://soundcloud.com/l-eese

Tracklist 
Rob Dougan - Clubbed to death
TSVI - Sogno
TSVI - Tambo
KABLAM - Crisis
Josi Devil - Breathe Easy
Wallwork - Hacienda
Tamer ElDerini - Kanun
Objekt - Ballast
Pluralist - Console
Diessa - Between Rooms 
Die Antwoord - LAMBO LIFE
Ahadadream - Peak 
Sully - Vamp
Taxi Kebab - Nebniw el Ghad f dlam
Hodge - Drums from the West
Ehua - Diatom
DJ Missdevana - Brass
Nicola Cruz - Sin Retorno
Die Antwoord - MFUM MFUM
OCTUBRXLIBRV - 33 Círculos
Fraxinus - Pass One
Hagan - Right Here
Tracksuit Goth - VHS
Henzo - Bring It Here
Farsight - Swallowed Whole
Ingi - Point
Thodén - Third Eye
Umwelt - Superior Life Forms
Exium - Solid Mechanics
Merca Bae - Katana
Die Antwoord - BARUCH IN JOU OEG
Poorgrrrl - Errrrrrrrrrrrrror
Daniel Avery - Endless Hours
Two Fingers - Have It Like That (Instrumental)  
Tensal - Hexagram
Alessandro Nero - I went to london and died 
Def - Recco
Lurka - Rhythm Hi-Tek
Nick Leon - Grito
Circular Square - ID (Leese Remix)
Leese - ID
Soreab - Cave Walk (Cando remix)
Deas - Roses - Avenue
Sourmash - Mescalito
Verraco - Ronaldinho hace la elástica
DJ Babatr - Cabo E
DJ Plead - Ambush
Leese - ID
Bitter Babe - Nadie lo puede parar
Color Plus - Eat It
Buraka Som Sistema - Kalemba (Wegue Wegue)
Leese - ID (El irreal Veintiuno Remix)
Strick - Drunk at Laser Quest
Mani Festo - Barricade
Rob Dougan - Clubbed To Death 
Leese - ID (Low Khey Remix)

DUSK249 By Leese

Unknown Album

Sweet Drums - Pasci & Idris (Février 2023)

Version Radioshow 01.03.2023

Luke Slater’s Mote-Evolver reach the big 4-0 with the help of Chris Jarman, the commanding officer behind the Kamikaze Space Programme. Looking to redefine the concept of uncompromising from bass culture’s traditional Bristol HQ, ‘Concrete Musique’ is four tracks of loud, hard-nosed, techno-taunting speaker pressure.

Both ‘The Bailiff’ and ‘Network Rail’ power off boxy kick drums: such is their statement of intimidation, not much else is needed to accompany this campaign of haymaking through the arena.With percussion veering between tub-thumping and machine gunned tribalism, the pair set about a session of straight up and down ear-bashing. ‘The Bailiff’ carries the thinnest and daintiest of supernatural airs, while ‘Network Rail’ and its spearing loops demand to be housed in a hangar reaching breaking point.

Dancing on the live rail and taking a buzzsaw to its bottom end is the blackened electro breakbeat of ‘Radio’, laying down body-popping lino before the techno undertone turns it into a bed of nails. KSP’s palette is again sparse, watching the sparks fly while cowbells ring in the distance, making a date with the Deathstar for all poppers and lockers brave enough to face its wrath.

‘Death to the Valley’ is a versatile beast. Thanks to its explosive bass foundation, it can be found sweeping grime and trap before it, hanging out in the deepest techno recesses, and stomping its breakbeat feet. Another seethingly bare backdrop, punctuated by lab squiggles and signals vainly trying to keep a leash on the marauder it has let loose, means you should wear protection: contents are white hot.

Network Rail (MOTE40)

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.