3 TRACK EP, ON LIMITED VINYL RELEASE.
Available:
UK:
https://www.unearthedsounds.co.uk/products/cold-leader-the-infinite-wgl-ep?_pos=2&_sid=c14015eca&_ss=r
EU:
https://www.zwartgoud.org/distribution/releases/coldr001

COLDR01 - THE INFINITE WIGL 12'' VINYL EP OUT NOW!

This compilation is a celebration of the launch of the DYNAMICS collection with the sustainable fashion brand TRECHY.

A series of accessories made from plastic waste, which unite the principles of good design and challenge the status quo of the fashion market, is designed for clubbers and DJs. 

All 3 products are made from recycled materials resulting from leftovers from the textile industry and acquired from waste pickers and have the artistic collaboration of British designer AJAM.

not even noticed, Rassan, Etari, AGILITÄT and chromasy, bring exclusive tracks that walk between House, Breaks, and IDM, which will soon be available on all streaming platforms. 

Stay tuned!

Mastered by Somnum Studio (São Paulo)
Artwork by AJAM

AGILITÄT - XLA

We’re kicking off the 22/23 season with none other than Leipzig OG @djbooga. Mostly known for @defrostatica Records and Breakbeats way beyond 150 BPM he has been active in the scene since the 90’s. Not only putting Jungle, Bass and Electro in the spotlight with different blocks like breaks.org and itsyours.info but also with his label Defrostatica. Established in 2015 they’re busy delivering risky Jungle, Juke and Hybrid Bass music to the world. 

Defrostatica x Self Learning System "COSMIC CHAOS" 23/09/22 at Distillery Leipzig.
Event infos: song.link/cosmicchaos

Intergalactic Rhythms w/ DJ Booga 01.09.22

At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades.  With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Don’t, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbert’s Accidental Jr, Exalt Records, and I Love Acid, to name but a few.

Surprisingly, ‘Flow Mechanics’ is Hill’s debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness.  Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets.

With pumping electro cuts such as ‘Deafening Lull’ and ‘Knob Jitter’, four to the floor acid stompers like ‘Walk The Plank’, the mutant garage of ‘Brought Up Badly’ and the house groover ‘Stax Had The Funk’, ‘Flow Mechanics’ is a joyous romp through rave’s sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesn’t take itself too seriously.

Flow Mechanics

Jerome Hill - Flow Mechanics (HYPELP022) [clips]

Serioushuman & Shchukin (Septembre 2022)

Razor-sharp drum 'n' bass, cutting-edge jungle and extraterrestrial machine sounds.

Kamikaze Space Programme and Cocktail Party Effect step in with four meticulously designed mind-bending tracks, offering unbelievable exhibits of their dexterity in crafting futuristic jungle and razor-sharp drum ‘n’ bass.

Spiced up with a devastating array of extraterrestrial machine sounds and wicked sinister ambience, Food for Thought is for all those who continue to feed their minds with criticisms, refusing to adhere to a system that wants us technological adults but spiritual and emotional infants.

“...But you survived!” Cit.

Food For Thought

Rice is great if you're really hungry and want to eat 2000 of something (With Cocktail Party Effect)

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com.

Kessler ╚═ Future Intel X Poing ═╗ 05 01 2023

Recording of French II show at Hör for our first takeover, 16.09.2022.

September

French II @ traverse x Hör 16.09.2022

Unknown Album

Sweet Drums - Pasci & Idris (Février 2023)

Polyphemus w/ Fiesta Soundsystem - Aaja Channel 1 - 04 03 23

Having already unleashed a considerable amount of collaborative magic with the "Planetary Funk: 22 Light Years" series of remix EPs, Luke Slater has now upped the ante with six full sides' worth of material, all of them injecting the spirit of classic P.A.S. into new sonic organisms. Using motifs from past P.A.S. successes, Luke Slater and his cohorts join here to make something radical and revitalizing: too cohesive for a "compilation album" and with too much autonomy granted to the guest remixers to be a simple "tribute," this new LP is the boldest statement in the series yet. 

KSP's version of "Function 6" gradually builds a cyborg leitmotif from an overdriven martial beat and epileptic machine breakdowns - a fascinating audio case study of perfect discipline disintegrating into something rather unexpected.

The Light Years Reworks

Planetary Assault Systems - Function 6 (Kamikaze Space Programme Remix)

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.