Formed in 2010, ALFAHANNE’s debut release came in 2013 with the appearance of the “Grym” split 7” with Sweden’s SHINING.   Playing what the band calls “Alfapocalyptic Rock”, which mixes Black Metal with Classic Rock and Punk, and topped off with some Goth influences, ALFAHANNE has created a style of music that is powerful and beautiful, yet ugly at the same time, and about which the band says:  “When you are into it you don´t feel pleasure and you don´t feel pain but you definitely FEEL”.  
Although ALFAHANNE itself might be a fairly new name to a lot of people, the band’s members, which include Pehr Skjoldhammer on Vocals and Guitar, Fredrik Sööberg on Guitars, Niklas Åström on Drums and Jimmy Wiberg on Bass,  have been around the Black Metal scene since the early ‘90’s, playing in bands like VINTERLAND and early MAZE OF TORMENT and it is a tribute to the quality of the band that they managed to attract   the services of TAAKE’s Hoest, SHINING’s Niklas Kvarforth, and HELHEIM’s V’gandr as guest artist on Their debut full-length album "Alfapokalypse" which was released on Dark Essence Records at the start of 2014. 

Over fifteen years ago, a story of success began in the Austrian town of Eisenerz. What started out as a one-person operation in a cramped living-room, became one of the biggest record labels of the independent scene. Fans of the heavier genres have long come to know Napalm Records for its numerous metal releases, many of which have reached cult status.

In the beginning, Napalm Records focused mainly on the black metal releases of bands like ABIGOR and SUMMONING. Although both managed to create a style all of their own, SUMMONING in particular was most successful in taking their unique atmospheric style way past the European borders to reach an unbelievable level of notoriety on an international level.

But Napalm Records didn't stop there. Never shying away from unexplored paths of innovative musical styles and genres, the label supported artists that would later become known as the legendary pioneers and originators of the Pagan/Folk Metal genres, including the revered VINTERSORG and FALKENBACH.

Over the course of the years, Napalm Records searched for new talent and expanded its roster considerably by adding doom, power, symphonic and gothic metal to their ever-growing list. Within the gothic metal genre, THE SINS OF THY BELOVED, SIRENIA, and TRISTANIA were able to create quite a stir and successfully establish themselves among the best. In recent years, LEAVES' EYES, ELIS, MIDNATTSOL, KATRA, and EDENBRIDGE have also managed to join this illustrious group. With these releases, Napalm Records was able to widen its audience and soon felt encouraged to expand the variety of bands it would support.

Yet Napalm Records' folk metal focal point never strayed and the label continued helping bands like KORPIKLAANI, GLITTERTIND, TÝR, and ALESTORM achieve international notoriety.

The medieval rockers SALTATIO MORTIS, the "rock 'n' sad" initiators LACRIMAS PROFUNDERE, and scene icons ATROCITY, GRAVE DIGGER, and LEAVES' EYES helped Napalm Records become a household name among mainstream audiences by entering the charts repeatedly. With SALTATIO MORTIS, Napalm Records achieved the highest chart entry to date. "Wer Wind Saet" entered the German Media Control charts at number 10.

More recently, Napalm Records has embraced the rock and stoner rock scene with big-name signings such as MONSTER MAGNET, KARMA TO BURN, and BRANT BJÖRK.

One of the latest bands to join the Austrian label’s roster of celebrated artists is the US formation SEVENTH VOID, which boasts of two former members of the legendary TYPE O NEGATIVE, very keen on keeping their legacy alive. More recent signings include THE SORROW, LONELY KAMEL, HUNTRESS, and the doom legend CANDLEMASS.

However, Napalm Records does not only limit its operation to the support and development of new talent or the release of its artists' recordings. The label's own mail order service has been providing satisfied customers with the fastest delivery, unbeatable prices, and a top-notch service for many years. Over 15,000 items (CDs, vinyl, merchandise, etc.) are waiting to be discovered both in the biannually published print catalog and in the well organized, easy-access online store.

The Napalm Records Handels GmbH headquarters and center of operations, including the aforementioned mail order service, are located in Eisenerz, Austria and currently employ 13 people. A second office located in Austin, Texas, employs 3 people, while a third employee works for the label from Canada. Napalm Records also enjoys a close working relationship with an extensive worldwide network of A&R consultants and local promoters.

Last but not least, Napalm Records also boasts of its own publishing house. Over the years, IRON AVANTGARDE PUBLISHING has handled the rights to innumerable works from the most diverse of authors.

Approaching 25 years of existence and having grown to become one of extreme music’s premier live outfits, while releasing albums that would dominate year-end lists and even bagging a Norwegian “Spellemann” Grammy award for their ‘Profan’ album, Kampfar looked ready to go and dominate for years to come. But behind the music, disguised during the intense live shows, underneath it all, was a clarity that the road’s end was nigh.

Founded back in 1994 by Dolk, who recruited Thomas to take care of strings and keys while the former focused on drums and vocals, the band was an underground gem for years. A band whose first records are spoken of with reverence to this day, perhaps helped by the low profile they kept at the time. It was ten years before the first live show was performed, at this point bassist Jon and drummer Ask Ty had joined the ranks and this line-up released another three albums before Thomas departed the band, 2011’s ‘Mare’ the last release with his stamp so solidly placed on it.

This recording marked a shift in the style and expression of the band, becoming the leading star for the records to come, now with the new guitarist and songwriter Ole who quickly developed into a key force of the group. With the albums ‘Djevelmakt’ and ‘Profan’ Kampfar established a new era for Norwegian Black Metal, proving that while some may have lost their passion for the fiercest musical exploits, these men had a hunger that was as ravenous as ever.

Though demos were written by Ole during the spring, shaped massively by him losing his father in the same period, the main song writing was done over the course of two months in the fall of 2018, with another month spent recording the album in Bergen, Oslo and Pärlby, Sweden. The band spent intense weeks together in their creative home of Hemsedal, moulding and shaping the songs, surrounded by mountains and forest that turned from summer green, to autumn yellow, to winter white as they worked extensively on what was to become this testament to the band themselves.

The madness of Medusa was chosen as a visual clue to the record’s themes, represented by two different paintings to be explored on the physical releases. And again, the band decided to travel to Poland to record a music video, this time with director Dariusz Szermanowicz of Grupa 13. The video, hinting at the many underlying stories of the album, is a chaotic depiction of the road back to equilibrium, a place no one knows yet all walk towards. According to Ask Ty, the choice of song proclaiming the band’s return was made because “it tells you everything you need to know about Kampfar today, distilled down to four and a half minutes of intense breaks and turns, it is the beginning and the end and the new beginnings after that, and it is the sound of a band that is alive and well.”

‘Ofidians Manifest’ represents Kampfar anno 2019. 25 years on from their foundation, only willing to release new music if they felt it would surpass all they had done before, it is a condensation of the immense struggles of the last few years. Everything that has been hidden behind the music and the live performances is laid bare, though told in the only way the band can portray themselves, through songs. It is immensely honest yet wrapped in their own folklore, the snake tongues splitting every truth into two deeper truths, every word sung dominated by the weight of all those sung before.

To Ofidian.

This is a one-way communicative channel for/from me to you. I am unable to answer any requests, I put this page up just to share what I like and like to play. 


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