To Happen 
To Regenerate
To Create from Nothing , Spontaneously 
in the Time of Non , 
in The Place of Non.
Photography / poetic Voice : JRun

Sponte

Sponte - Ceé X JRun

Aeen-e-Mastan

Maqam Yarab

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"
-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.
A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia
Mastered by Porya Hatami
Art: Kate Carr and Kamran Arashnia

all rights reserved

Black Screen of Death

on Spotify : https://open.spotify.com/album/71B2UE5NYg5BEpqo8NwD25?si=EGe3a7d0SgmRXKUZkAKk8Q

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"
-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.
A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia
Mastered by Porya Hatami
Art: Kate Carr and Kamran Arashnia

all rights reserved

404 (not found)

Full EP on Spotify : https://open.spotify.com/album/7bR4Lp21M58i9kVXTZWtiW?si=myFcIcyhTG6Hn61PTZg9JA

"Nobody" is a video installation, a collaboration between Vida Kashani, an Iranian-born artist, and Johan Delétang, a French-born artist, both currently residing in the Netherlands. 
The artwork explores their shared experience of loss of spatial and cultural references due to migration. Through the use of dance, poetry, and reconstructed spaces born of colorful and moody lights, the film effectively and physically delves into their mutual longing for a home. In doing so, the work reflects on the challenges to one’s sense of self when confronted with a new environment. The dance piece featured in the video, performed by the talented Maria Mavridou, seamlessly blends delicate mythical postures with evocative and restless movements,  evoking a profound sense of inner search. Complemented by the music composed by Iranian producer Kamran Arashnia, the viewer embarks on a textured and emotionally charged journey through a contemporary existential inquiry.
.
.
By:
Vida Kashani
Johan deletang
.
.
Performer:
Maria Mavridou
.
.
Music: Kamran Arashnia
.
.
Amsterdam 2023

Nobody on Spotify : https://open.spotify.com/album/7bR4Lp21M58i9kVXTZWtiW?go=1&sp_cid=c682692a3461d91044df2269d119778e&utm_source=embed_player_p&utm_medium=desktop&nd=1

Nobody

Lost

Composer: Erfan Javadi

Composed in 2023

Material:

1- Etudes Book 2 for piano No 13 (L'escalier du Diable), György Ligeti, Pierre-Laurent 
Aimard
2- Sur Incises, Moment I, Pierre Boulez, The Boulez Ensemble (Live At Pierre Boulez Saal)
3- Allegro barbaro, BB 63, Béla Bartók, NAXOS
4- Mantra 2 (répétition régulière), Karlheinz Stockhausen, Jean-frédéric Neuburger
5- Whats Your Ask, Mac Quayle, Mr. Robot, Vol. 1
6- Qashqai, Ostad Ganji (Karnay), Unknown Artist (Naghareh)
7- Sun Ship, John Coltrane
8- Train, Younger Brother
9- Stranger Things, title sequence & end credits theme, Kyle Dixon & Michael Stein
10- Soon, Sonny Sharrock
11- Coded, Nils Petter Molvaer
12- Dashti, Abdolnaghi Afsharnia (Ney)
13- Sorna, III. Funebre · Cuarteto Latinoamericano , Reza Vali, Erberk Eryilmaz, The Hoppa Project 
Ensemble
14- Holberg Suite, Op.40-4. Air (Andante religioso), Edvard Grieg, Neeme Järvi, Gothenburg Symphony 
Orchestra
15- Daydreaming, Radiohead
16- Didascalies, Luc Ferrari
17- The Sky Was Pink, Vessels
18- Indecision, XXXtentacion
19- Freak, LFO
20- Mokeylips, LFO
21- Sorna Lorestan, Ehsan Abdipour
22- How To Disappear Completely, Radiohead
23- Symphony No. 3 in D Minor, Part II: IV. Sehr langsam. Misterioso, Gustav Mahler, Leonard Bernstein, 
Martha Lipton, New York Philharmonic
24- Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné (Tristes apprêts), Jean-Philippe
Rameau, Teodor Currentzis, Nadine Koutcher
25- Nachtwach, Wolfgang Rihm, Jonathan Stockhammer, Radio-Sinfonieorchester Stuttgart Des SWR*
26- Enter the Void Movie Sounds
27- Enter the Void Movie, Air on The G String, Bach, Arr. Delia Derbyshire
28- Shalva, Dashti, Unknown Artists
29- Hysm, Vincent Peirani
30- Trukur II, Imbaru, Cockatiel and Forest Sounds
31- Sahara (Slowed), Hensonn

Collages

Collage No. 1

My temples will embrace you, and I will kiss your tears in a white dress. Poetry falls from the sky, and love flows in every river. Another day will not bring back any acquaintance so late that I reach the thousand and first hour of healing.

Hezar Saat (feat. Atur Hekmat)

Ni mixée ni masterisée, ça peut salir les oreilles parfois désolé !

Pas terminée du tout mais je n'ai plus d'inspiration 
malheureusement, ça a été surtout un bac à sable de technique de kick en fin de compte 

J'essayais de viser une track vraiment axée voyage presque scénarisée mais bon j'ai trop trainé et j'ai perdu le truc

Merci d'écouter en tt cas ! Moi ça va et j'espère que vous aussi

Ambiance Mentale WIP

Arlesian Nights

دستاتو از جیبت درار

on Spotify : https://open.spotify.com/album/3c55SpBTWRY2BfBYs6OxSO?si=q5T1yLMgStG_PL_RkBxMFw

The PMS Project is based on the concept of Newsha Tavakolian's exhibition "FOR THE SAKE OF CALMNESS", and is going to be released on soundcloud.com and bandcamp.com on the first day of 2021 and on all major music platforms later on. a 6-track EP which is 21 minutes and 35 seconds long.
:: All The Music And Sounds Are Recorded And Composed  By Kamran Arashnia 
:: Voice Over: Newsha Tavakolian 
:: Mixing And Mastering : Babak Akhoondi
:: Cover Photo : Newsha Tavakolian 
:: Cover Design : Kamran Arashnia
:: Video : Kamran Arashnia

The Eighth Floor

Kamran Arashnia is a musician and sound designer based in Tehran. He works in his personal studio and is listed on IMDB as a film composer. He is also featured on reputable websites such as National Geographic, Magnum Agency, Hamburg Film Festival, and Rotterdam International Film Festival.

If you have any inquiries about music production or sound design, please contact me at :
kamranarashnia@gmail.com

Black Screen of Death

Kamran Arashnia

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