I`m Not In The Mood For It .. d[-_-]b .. part I

Ding Dong Ray

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

räuberpistole

electronic

Kangding Ray R-N 123 .

eeeuuurrrghhhhh!

Kangding Ray

'Dye The Water Green' appears on 'The Green E.P.', released on bottle green 12" vinyl and as a digital download via @warp-records on 27 January 2014.

Order from,
iTunes - http://smarturl.it/46rxfc
Bleep - http://smarturl.it/kfyxud
Amazon - http://smarturl.it/96y2ji
Google Play - http://smarturl.it/ntt8ca

There are also brand new t-shirts available from http://smarturl.it/q8qmje

The EP follows the 2013 album 'Silver Wilkinson', available from,

iTunes - http://glnk.it/1z5
Bleep - http://glnk.it/1z2
Amazon - http://glnk.it/1z3
Google Play - http://smarturl.it/r071sx

https://www.facebook.com/mrBibio
https://twitter.com/Bibio
http://mrbibio.tumblr.com/

Silver Wilkinson

Dye The Water Green

DRUMS BETWEEN THE BELLS
http://brian-eno.net

New album forthcoming on Warp Records.
CD, 12″ Double Vinyl, Hardback 2CD Edition, Download

http://enoshop.co.uk
http://bleep.com/brian-eno

Drums Between The Bells

pour it out

Brian Eno and the words of Rick Holland - pour it out (taken from Drums Between The Bells)

Released Oct 3rd. Vinyl Only 12".
Cos-Ber-Zam "Ne Noya" appears courtesy of Analog Africa (www.analogafrica.com)

02 Daphni - Yes, I Know

B2 - Higher Power (Hardcore PCK Mix) - WK7

This available on ultra limited wax Feb 20th get on it...

Hyetal - Searchlight (Night Mix)

Track 1 of 5.

ASIP015 http://soundcloud.com/yeter - Dart

Finding a sense of serenity is a challenge most of us chase, every day. Whether it’s the coffee-breath grind of the underground, the grid-lock of the daily commute or the drudgery of the 9-5, looking beyond the concrete and grey monotony, to nature, is often the transcendent salvation we seek.

Dart is one such redemption. Inspired by the river from which this collection takes its name, these five continuous movements pay personal homage to the stretch of water that Jethro Cooke considers to be the connection between the sacred places of his youth and the present-day comfort of a retreat.

“I hope that listeners will find Dart peaceful but not without vitality and dynamism,” Jethro explains. “I set out to create a gentle, intimate piece of environmental music, essentially textural composition with an organic aesthetic. I worked with field recordings affected to a varying degree; the familiar sounds of running water and birdsong accompany melodic drones and gentle rhythmic lines crafted from riverside samples. There is no synthesis in Dart.”

A gentle, morphing soundtrack, Dart’s dream-like drones weave and swathe to an ecological beat. Tracked by environmental field recordings, it’s easy to imagine the lush canopies of grass, dragonflies languidly patrolling their territory and wildlife instinctively running their biological routine.

“From the moorland at the heart of Devon to the South coast, the Dart carves a valley of abundant natural beauty where I have spent a great deal of my time over the last ten years,” Jethro reminisces. “These days the river is above all a comfort. I visit it to rest, to calm myself and clear my head. It has the almost unique effect of calming through movement rather than stillness – the constant rolling of water is like a mantra.”

It’s what helps underpin the subtle beauty of this set and Dart paints a vivid picture of the velvet green idylls we can all dream about; both the movement and the melody.

More info and download via Bandcamp: http://asip.me/ASIP015

Download all Places Series releases: http://asip.me/PlacesSeries

ASIP015 Yeter - Dart (1)

01 Athem

02 Mojave

03 Odd Sympathy

04 Pruitt Igoe (or version)

05 Or

09 Leavaila Scheme

10 Monsters

The tale of the mythic pentaki mountain has been engraved on a two-sided circular piece of wax.

the north face of the peak is steep, abrasive, and has been the subject of many legends in the region. it is said that whoever would manage to climb it would find a plateau, leading to a place called “the single source of truth”.

considered as the ultimate goal by both psychedelic gurus and database o
ptimization corporations, and as an ideal retirement destination for a couple of lost souls in search for coherence and objectivity, the source diffuses endless loops of haunted voices, apparently sampled from a discarded call center, running low on power, encouraging listeners to shorten cycles, deliver requests and improve user experience.

it is also said that anyone climbing from the south side would never reach the summit or find his way to the plateau, and would always end up on a lower altitude than where he started.

this topographical anomaly is probably the reason why the south face of the pentaki has always been favorited by locals, with its sunny weather and its luxurious vegetation flourishing along the soft downward slope, leading to a slow and peaceful end.

Kangding Ray . The Pentaki Slopes . 12" E.P
r-n 145 . raster-noton

A1 : North
A2 : Plateau ( a single source of truth )
B1 : South

North

Plateau ( a single source of truth )

South

My friends! This is my special gift for you. HAPPY NEW YEAR!

Asaga - Trip Through Myself (Original Mix) - Free Download - Happy 2013 Year

Glimpse - True South - Aus (sample)

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.