SciFiSol (https://soundcloud.com/scifisol) brings her beautiful voice led captivating electronica alongside influences and favourites to today's guest mix. 

Meanwhile we've techno cuts from Anodyne and Primary Node, Mike Davis, Lewis Fautzi, and Phase Fatale, with electro from Radioactive Man, [k]racktonik[k], Gramrcy and De Grandi, Alex Index and Hedchef, being, Inhalt and John Fryer (This Mortal Coil), plus Gojira, Sarah McLachlan, William Orbit, and Ezuri.

playlist → darkfloor.co.uk/mantis-radio-328
support the show → patreon.com/mantisradio

iTunes → tinyurl.com/mantisradioitunes
podcast → feeds.feedburner.com/MANTIS
_

Mantis Radio

Support Mantis Radio

Mantis Radio 328 - SciFiSol

Pressure

Cat. No. BA050
Label: Bass Agenda Recordings
Artist: Various Artists
Release date: Expected 26th September 2016

Available from https://bassagendarecordings.bandcamp.com/ and selected stores (Distributed by MSR Distro. Vienna)

(C) Bass Agenda Recordings 2016 All Rights Reserved
Mastered by Alek Stark at Fundamental Audio

In February 2016 5 people from the Bass Agenda family met in person for the first time at Whip It! - an Electro night hosted by Dave Clarke and held at The Melkweg, Amsterdam.

Inspired by the meeting, the friendship, the music and the experience of the night they set out to make the 50th release on Bass Agenda Recordings - 'Transhumanism.'

As a compilation of Dutch Electro from the deep underground the vinyl is a deep orange pressing and strictly limited to 200 copies.


Transhumanism

TRANSHUMANISM - A compilation of Dutch Electro / Limited Orange Vinyl (BA050)

Versión recreada por mi otro proyecto Década 2
fuerte dosis de electronic body music.
Música y síntesis por Mateo Lafontaine.
Mat Le Mat 2017®

2016

Le broken silence (Década 2 Rework)

Automne Fold

World Within Words

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

02 Mojave

Oslated Premiere 020

Aeris - Wallow in Regret
Visions 010 [KORNARION010 / Kornarion]

Produced by Aeris
Mastered by Giovanni Conti at Artefacts Mastering
Artwork by Manuel Peraud aka FZR Sethi
Released by Kornarion from France
Release Date : September 08th. 2019

Aeris (Easy Morph / Rouen, France)
https://soundcloud.com/aeris-spaceship
https://www.facebook.com/AerisSpaceship
https://www.instagram.com/aeris.techno

Kornarion
https://soundcloud.com/kornarion
https://www.facebook.com/kornarionrecords
https://www.instagram.com/kornarion
https://kornarion.bandcamp.com

Oslated Seoul.
http://www.oslatedseoul.com
https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://oslated.bandcamp.com
https://www.instagram.com/oslated

Visions 010

Wallow in Regret

Support & Buy

PREMIERE : Aeris - Wallow In Regret [Kornarion]

Vault 92

Funck'd

Ampulex Compressa

The Fear Ratio's track "Grey Code" will be released through @skam on 13th of March. More Info: http://bit.ly/thefearratio

Veröffentlicht von:
Skam

Erscheinungsdatum :
13. März 2020

They Can't Be Saved

The Fear Ratio – Grey Code

CS XTRA 001 

01. Jesús Gonsev - Fallen Hero
02. Joton - Ego Death
03. HD Substance - LRG 06
04. Víctor Santana - 12 October

Stream and download by subscribing at https://clubbingspain.bandcamp.com/

CS Xtra 002

SNIPPETS: CS Xtra 001

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.