Copy of Chilltrance de mukke

Kangding Ray . Solens Arc
Release : January 2014 on raster-noton
www.raster-noton.net
www.kangdingray.com

A stone thrown, just to watch it fly. A projectile launched for the sole purpose of drawing a ballistic trajectory in the sky.
The Solens arc is what remains after the subtraction of the goal; a simple parabolic curve defined by gravity, impulse and starting angle. No target to hit, no catharsis to wait for, just the beauty of the flight.

The Arc as the purpose, in the form of four variations, constructed from disintegrated melodic textures and dismantled beats. Each sequences are assembled seamlessly into dense, evolving compositions, while keeping their autonomy, and their role in the global dramaturgy.

Pointillist serial loops morph into abrasive rave anthems, broken club rhythms are refitted into uneven patterns, like deconstructivist sound architectures. Industrial techno stompers dissolve into granular sound waves and filtered space pads, before being overtaken by cinematic drums and rising arpeggios.

Solens Arc is Kangding Ray’s fourth Album for raster-noton.


TRACKLIST

A : 
Serendipity March
The river 
Evento

B : 
The river ( reprise )
Blank Empire
L’envol

C :
Amber decay
Apogee
History of obscurity

D :
Crystal
Transitional Ballistics
Son

Crystal

Transitional Ballistics

Wilkie

B1 - Azu Tiwaline -  Reptilian Waves (Kangding Ray Remix)

Pampa 026B Isolée - Favouride

DJ Koze exists both above and beyond club culture as we know it – his albums and remixes flying free from genre and trend – and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.

Thus he could create an enduring club tune like 2015's “XTC” that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the knock knock album, which melts a million genres and none into one another, can comfortably include “Seeing Aliens”.

“Seeing Aliens” unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.

The exclusive b-side track, “Nein König Nein” (“No King No”!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

Pampa030

DJ Koze - Seeing Aliens (Pampa030)

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.