Hyper Opal Mantis . 2017 ( Stroboscopic Artefacts )

Songs

Techno

Steady Note

Joris Voorn - Homeland Feat. Matthew Dear (&ME Remix)

For The Very First Time

Proto-Rhyt (Black Version)

HYPER OPAL MANTIS . Forthcoming on Stroboscopic Artefacts
Release early 2017 

Triptych : 3x 12”
-------------------
# 12 “ HYPER 

A1 : RUBI
B1 : LONE PYRAMIDS
B2 : EPSILON

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#12” OPAL

C1 : PURPLE PHASE
C2 : DUNE
D1 : SOUL SURFING
D2 : OUTREMER

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12” MANTIS

E1 : ONDE MANTIS
E2 : SAUDADE
F1 : LANIAKEA

HYPER OPAL MANTIS (MASTER)

PURPLE PHASE

EPSILON

LONE PYRAMIDS

RUBI

Marco Resmann - Babylon Side featuring remixes from Oliver Huntemann & Marco Resmann will be out on December 11th on Watergate Records. 

Watergate Records:  https://soundcloud.com/watergaterecords
Marco Resmann: https://soundcloud.com/marco-resmann

Vinyl: https://goo.gl/3ZL5sw
Digital: https://goo.gl/pFRhKQ

Marco Resmann returns to Watergate after a productive stint at the Red Bull Music Studios in Cape Town with two stellar cuts featuring local heroes Deep Aztec and Black Soda. Tack on a remix from the one and only Oliver Huntemann and another revision from Resmann himself and you have the ‘Babylon Side’ EP.
Teaming up to kick things off, Resmann, Black Soda and Deep Aztec embrace the cultural sounds of Africa's organic percussion and vocal prowess to create a tour de force tune perfectly balance between flashing club lights and vast open skies. Following suit, ‘Abadala’ sees Marco again with Deep Aztec for a lush ride into deep emotional spaces by applying mesmerizing syncopated rhythms and spellbinding vocals ideal for deeper or more sentimental dance floor moments.

Up next is Techno legend Oliver Huntemann who, playing after Resmann earlier this year at the 15 years of Watergate event at Warung Beach Club in Brazil enjoyed his set and the two hit it off, so logically he was asked to lend his trademark sound for a revision of ‘Babylon Side’ and he twists the original into a heavy Techno belter complete with sinister sonics and fever inducing sirens. Wrapping things up is Marco Resmann himself with his own take on ‘Babylon Sides’ and delivers a wild and twisted version of gargantuan low end and psychedelic shimmers of the original vocal resulting in a killer tune with a ton of attitude.

Marco Resmann - Babylon Side Feat. Deep Aztec & Black Soda (Oliver Huntemann Remix)

"Each one has its own paradise where we gather every night to organize and re-energize ourselves."

Somoz joined the Prisma family with his track 'Fluorita', released on the compilation 'Evolution'. This time the São Paulo based artist presents us with 'Paradise' and 'Dreams', two stories that demonstrate the power of music to heal us. Deep, emotional and meaningful, both tracks combine a true journey through shining timbres, epic breaks and cinematic atmospheres.

Besides the originals, the excellent title track 'Paradise' is reworked by three great artists. The first of these is Sonic Future, which has a solid reputation around the world with releases in major label such as Suara, Noir, Toolroom, Crossfrontier Audio and Stil Vor Talent. In his debut in Prisma Techno, the producer achieves immaculate levels of brilliance in his version of 'Paradise', bringing to the original melody an even more hypnotic atmosphere.

Following, Paulo Foltz is making his return to Prisma Techno after the release of his formidable album 'Pineal Connection'. Here, Foltz adds his trademark: a pulsating groove sets the scene before the electrifying climax that promises to ignite the dance floors for a long time.

Finally, we have TouchTalk in his first participation in Prisma Techno. The duo, which has acquired an enviable reputation for its productions on labels such as Natura Viva, Dear Deer and Jannowitz Records, offers us an absolutely innovative version of ‘Paradise’, effortlessly blending a combination of electronic styles. Smart drums join a massive bass line and analog synth stabs that ensure groove on the dance floor.

Follow Prisma Techno:
Website: http://www.prismatechno.com
Facebook: http://www.facebook.com/prismatechno
Soundcloud: http://www.soundcloud.com/prismatechno
Instagram: http://www.instagram.com/prismatechno

Additional release info: 
LABEL: Prisma Techno
ARTIST: Somoz
TITLE: Paradise
GENRES: Techno
CAT: PRSM011
RELEASE DATE: 2018-05-29
TRACKS: 5

Tracks on this release:
01.  Somoz - Paradise
02.  Somoz - Paradise (Sonic Future Remix)
03.  Somoz - Paradise (Paulo Foltz Remix)
04.  Somoz - Paradise (Touchtalk Remix)
05.  Somoz - Dreams

Paradise

Paradise (Paulo Foltz Remix)

Official Site

PRSM011 - Somoz - Paradise (Paulo Foltz Remix)

IV38 - www.innercityvisions.com

22.05. Vinyl record with MP3 code available at MTN (www.mutingthenoise.com) 
18.06. Record store & digital release date

For the past two years, we have been playing almost every production by Matthew Dekay & Lee Burridge. Now we're very happy to welcome both of them on Innervisions IV38. "Lost In A Moment" is a track that has given us goosebumps when playing it out in the clubs. A Dixon Mix on the flipside takes a different approach and shows that the summer season is just around the corner.

__

Written and produced by Matthew D. Kerkhoff & Lee Burridge.
Published by Smart Songs Publishing/Copyright Control.

Mastering by Bo Kondren at Calyx.
Design by Innervisions.

IV38 / Matthew Dekay & Lee Burridge - Lost In A Moment

In  many  ways,  it’s  difficult  to  believe  Wehbba  only  dropped  his  first  full-length  EP  on  Drumcode  this  year.  Released  in  February,  the  four-tracker  ‘Eclipse’  was  a  monster  statement  piece  of  the  Brazilian’s  talents  and  followed  on  superbly  from  ‘Fake’,  his  contribution  to  last  year’s  A-Sides  Vol.6  –  inarguably  one  of  the  biggest  tracks  on  the  compilation.  With  the  confirmation  that  Wehbba  will  take  part  in  Drumcode’s  Off  Week  party  in  Barcelona,  followed  by  the  brand’s  takeover  of  Resistance  in  Ibiza,  it’s  indisputable  proof  that  his  crisp,  chord-driven  take  on  techno  has  become  a  vital  component  to  the  expansive  palette  of  sound  Adam  Beyer  has  drawn  for  the  label  in  2018  and  beyond.    

‘Catarse’  marks  the  rapid-fire  follow-up  from  the  prolific  producer.  Opening  with  the  eerie  ‘She  Lost  Control’,  Wehbba  says  he  took  inspiration  from  the  Joy  Division  track  of  almost  the  same  name  (‘She’s  Lost  Control’),  but  instead  of  crafting  the  dense  sonic  atmosphere  with  vocals,  he  employs  an  analogue  kick  drum  and  stealth-like  moog  bass  with  dramatic  results.  ‘Process’  follows,  a  cut  which  begun  as  a  cover  jam  of  Laurent  Garnier’s  ‘Crispy  Bacon’and  ends  up  incorporating  the  cut-up  vocals  of  legendary  minimal  composer  Steve  Reich,  who  is  one  of  Wehbba’s  chief  inspirators.  The  resulting  track  is  an  ice-cool  percussive  work  that’s  rich  in  dancefloor  functionalism.  The  title  track  will  befamiliar  to  many  who  follow  Drumcode  Radio,  a  goose-bump  inducing  highlight  of  Beyer’s  DCR392  at  Awakenings  in  Eindhoven,  ‘Catarse’  is  driven  by  a  memorable  melodic  riff  resplendent  in  90’s  techno  euphoria.  The  EP  concludes  with  the  terrific  ‘Mind  Awake’,  a  powerful  concoction  of  reverb  heavy  basslines  and  glitchy  effects,  that’s  been  thoroughly  road  tested  by  both  Beyer  and  Wehbba  and  kicks  like  a  rodeo  bull.

Wehbba - Process - Drumcode - DC192

Read more here: https://www.insomniac.com/music/victor-ruiz-reveals-the-dark-beauty-that-lies-in-the-eye-of-the-beholder

Available July 13 via Noir Music.

Buy Victor Ruiz’s “The Eye of the Beholder” here: http://bit.ly/VictorRuiz_EOTB

Follow https://soundcloud.com/victorruiz
Facebook: facebook.com/victorruizofficial
Twitter: twitter.com/victorruizdj

Follow https://soundcloud.com/noir
Facebook: facebook.com/noirmusicofficial
Twitter: twitter.com/noirmusic

Track of the Day: Victor Ruiz “The Eye of the Beholder”

HOLDING ON (ORIGINAL SHORT) - MATTHEW DEKAY AND LEE BURRIDGE

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.