Threshold of Being

#16 of my 35 in 35 Campaign.

A 33-Year-Old Poem Realized Through Morrison’s Voice

Behind the Verse
Originally penned over three decades ago in a burst of apocalyptic vision, this poem lay dormant until KANTIBUS AIMA Tectonic V1.0 breathed it to life. With a Triple KANTIBUS PASS and Cinematic Expansion Boost, the raw existential musings—on evolution, extinction, and the thin line between—were sculpted into a full-blown Doors-style opus.

Sound & Style

    Vocal Performance: Deep, spoken-word baritone channels Jim Morrison’s gravel-edged mystique, sliding into haunting sung choruses that echo like a distant oracle.

    Instrumentation: A swirl of vintage organ pads and tribal tom pulses sets a hypnotic backdrop. Psych-tremolo guitars and bowed bass weave through piano leads and full-band crashes, driving the mythic arc.

    Dynamics: Whispered monologues give way to pounding floor-toms, cymbal swells, and orchestral washes—each transition a “threshold” moment, mirroring the poem’s themes of threshold and transformation.

Why It Matters
“Threshold of Being” isn’t just a song—it’s the culmination of KANTIBUS’s lifelong journey. It marries Morrison-era psychedelia with modern cinematic production, proving that a vision born in youthful poetry can still haunt and inspire in the digital age.

Credits
Produced, arranged, and performed by KANTIBUS AIMA Tectonic V1.0

Threshold of Being

#18 of 35 in my #35in35 Camapaign.

Grotesque Dreams is our latest banger—an adrenaline-soaked plunge into bruised vocals, droning riffs, and power-crush choruses. With razor-wire guitars undercut by haunted bass drones and a vocal performance that bleeds raw urgency, this track lives in the cracks between dusk and dawn. It’s a dark-hued anthem for restless nights and restless souls, where every line tastes of broken promises and every beat pulses with fractured hope.

🔊 Perfect for late-night drives, empty rooms, and anyone chasing catharsis in distortion. Leave a like, drop a comment, and share if you feel the groove.



Grotesque Dreams

Day 19 of 35 in 35: “From the Mud | Ash”
Part of the END album

“From the Mud | Ash” is Rosa Sparx’s crucible: a cinematic R&B–operatic wail born from fire, not the streets. Here, the woman who once rose from poverty and mid-level hustle confronts her greatest trauma—the cartel’s murder of her husband—and transforms her grief into righteous fury.

Why this track matters:

    Rosa’s Pain Arc: Witness her somber vows (“He was my world…”) give way to an operatic scream (“SOMEONE’S GONNA DIE”) as she steps from victim to avenger.

    Epic Fusion: Sparse, rain-soaked piano and ambient pads meet soaring harmonies, haunting cello undercurrents, and a half-spoken, half-sung delivery that crescendos into a soul-shattering belt.

    The END Album Story: This is the backstory for Rosa Sparx—tied up by politicians, betrayed by the cartel, and reborn in flame.

💬 Drop a “🔥” if her fire ignites yours
🔁 Share with #35in35 #Day19 #theEND #FromTheMudAsh

— KANTIBUS feat Rosa Sparx

From Ash

Day 20 of 35 in 35: “Rafters”
Track 4 on the END album & stage show

“Rafters” is Racks Atlantic’s gritty R&B/hip-hop anthem—an 808-driven club banger with razor-sharp verses and a hook built for the rafters. From “tools keep grinding, racks poppin’ off the fold” to that unforgettable “paper stackin’ past the rafters in the trap,” this one’s a masterclass in streetwise swagger and relentless hustle.

Why you’ll feel it:

    Deep groove: 75 BPM 808 pulse + rapid hi-hats + dark pad wash

    Hooks for days: A “paper stackin’” chorus that sticks like glue

    Racks Atlantic flair: Nautical swagger, frost-cold punchlines.

    Stage show epicness: Built to light up the live “the END” production

🛠️ Drop a 🔥 if you’re stacking past the rafters
- KANTIBUS feat. Racks Atlantic

Rafters feat Racks Atlantic

Contact
Day 21 of #35in35 • KANTIBUS

“Contact” is a wild collision of 90s electronic-pop and contemporary trap—think Devo meets post-Migos swagger. Anchored at 75 BPM in C♯m, its industrial 808 swells and glitch-shard intro give way to stuttering hi-hats and a bubbling synth arpeggio. Every line is a cut-and-paste blueprint: “I architect the chaos, stacks rise in the smoke.”

By the pre-chorus, a reverse-reverb snare riser jolts you into the chanted hook—“Contact high… contact high…”—where a call-and-response crowd chant meets heavy synth stabs and trembling sub-808 pulses. The bridge’s seismic beat-switch unleashes distorted 808s and rolling triplets, sending the energy into orbit. It’s frenetic, fun, and defiantly off-kilter—a blueprint for rebellion in neon and steel.

💥 Drop a comment if you felt that beat-switch!

Contact

Nemesis
Day 22 of #35in35 • KANTIBUS

Step into the shadow with “Nemesis,” a dark-R&B/Chicago-Drill hybrid that feels like a power ballad whispered from the underworld. At a driving 145 BPM in C♯m, it layers sliding 808 glides and syncopated triplet hi-hats beneath a haunting bell motif and sparse, oppressive pads.

But the real knockout is the vocal: a measured, icy delivery that suddenly unleashes a 12-second melismatic belt—pure sustained power that hangs in the air like a challenge. Verses land like calm storms (“Fear I might storm through your fortress”), the hook hits with chilling precision, and the final cry—“Nemesis reigns—bow to the calm storm!”—echoes long after the beat fades.

💥 Drop a “💀” if that held note sent chills

Nemesis

#23/35 | “Subliminal”

🔥 From ruined streets to your speakers—KANTIBUS ignites the block with a soda-can inferno and a drill-trap backbone. At 75 BPM in C♯m, “Subliminal” fuses militant 808s, stark bell motifs and glitch shards, then blows the beat sky-high and rebuilds it with tom accents and sliding subs.

⛓️ Verses carve graves with razor-sharp bars (“I architect the chaos…”), pre-hooks reboot your mind (“Plug in… power up…”), and that hook—pure trap-drill bounce—sears its code in your brain:

    “Subliminal strike—sear the code in your brain
    Motion in the shadows—I redefine pain…”

⚙️ Beat-switch drills you into earthquake mode, then drips out with haunting bells and echoing toms. It’s a dark-r&b-tinged power drive, perfect for late-night playlists, viral snippets, and underground radio.

👁️‍🗨️ Why it slaps:

    Relentless energy & cinematic menace

    Hook that sticks faster than a covert message

    Production sharp enough for club subs and headphone heads alike

🎧 Stream “Subliminal” now and feel the blueprint of chaos come alive.

— KANTIBUS #35in35 —


Subliminal

The Runner – Kantibus
(#24 of the 35-in-35 Campaign)

A raw, grunge-tinged storytelling anthem that blurs the lines between slacker rock and streetwise confession. Channeling Nirvana’s off-kilter energy and Kurt Cobain’s rambling honesty, The Runner opens with a fragile acoustic arpeggio before exploding into distorted power chords and a floor-tom roar. It’s a drug-dealer saga told through the eyes of a grunge rocker—haunting whispers and smoke-choked verses give way to a cathartic, belted hook that insists, “We all know the Runner… Keep the game moving on.”

    “Shadows hit the pavement, breathe smoke into my lungs…
    Dealer deals me demons in the palm of shaken hands.”

The Runner

Silent Betrayal • #25 of 35in35

On Silent Betrayal, KANTIBUS trades bravado for remorse in a neon-lit confession of guilt and abandoned trust. This haunting synth-wave ballad drips with atmosphere—distant pulses and whispered vocal chops set the stage for a midnight odyssey gone wrong.

From the first line—“Moonlight bleeds along cracked pavement”—you’re plunged into a city that never sleeps, where every footstep reverberates with fear. Verse 1 captures the frantic hope of sending someone you care about out into the night, only to watch her silhouette slip into danger you can’t control. By Verse 2 (“Empty pockets, our gold turned regret / I lost my job, can’t pay the rent”), the stakes deepen: a cold note on your doorstep marks her desperate vanishing.

A sub-bass-swelled pre-chorus bleeds into a chorus that rings like an echo chamber: “Trust dissolves on broken chrome… Silent betrayal—will you ever come home?” A warm 808 glide in the bridge gives way to airy vocal layers that underscore every fractured secret and every unspoken apology. In the outro, a lone echo reminds us that some ghosts never leave.

Genre: Dark R&B ▪ BPM: 75 ▪ Key: C#m
Vibe: Noir synth-wave, cinematic confessional, late-night regret
Production Highlights: Haunting pad textures, whispered chops, beat-switch 808 glide, filtered vocal repeats

    “Your ghost still wears my name.” Play it in the dark—this one stays with you.

Silent Betrayal

KANTIBUS – Hit Me (like a hammer)
Mastered to –7 LUFS for peak streaming impact
June 29, 2025 · Suno 4.5
Day 26 of #35in35

Dive into a sultry, trap-infused groove where tension meets release. From whispered sub-bass temptations in the intro to the hard-hitting chorus, “Hit Me (like a hammer)” is a moody late-night anthem. Tight drums, icy synth bites, and smoky vocal chops drive a story of desire, game-playing, and unapologetic ecstasy—all wrapped up in polished, streaming-ready levels.

▶ What to expect:

    Whispered, sultry opening over deep sub-bass

    Purring verses and teasing trap-hat pre-choruses

    A crushing, velvet-rope chorus built on call-and-response moans

    A half-tempo bridge of dirty confessions and gutter-slip kisses

    Final whispered outro that lingers long after the bass fades

Credits:
• Written & performed by KANTIBUS
• Produced & programmed in Suno 4.5
• Mixed & mastered to –7 LUFS

📲 Follow & share:
Leave a comment, and add it to your late-night playlists. 

Hit Me (like a hammer)

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 

Hit Me (like a hammer)

KANTIBUS

Related tracks