ATL triplet kid-trap about backpack mastery: zip, clip, stack, snap. Big 808s, bell “tetris” motif, zipper flicks, and chantable call and response so kids move while you keep your sanity. Fun first; the organization lesson sneaks in. No sirens or scary SFX. Pure bounce with a giant hook.

PACK ATTACK!

LOVE ON TRIAL is a story album told through two sides of the same breakup - and the third side that always shows up: everybody online.

An up-and-coming singer meets the woman he swears is the one. The chemistry is real, the timing isn’t. The calls get missed, the pride gets loud, and the relationship never fully lands. So he does what he knows how to do: he turns the ache into records.

Then one track hits. It goes viral, and suddenly the pain isn’t private anymore.

She hears herself turned into a headline and refuses to be a character in somebody else’s chorus. She links with a producer and fires back with her own response songs; calm, cutting, honest. Until the whole situation detonates across the timeline like a pipe bomb.

From the first missed signal… to the witnesses who saw it up close… to Reddit dissecting it line by line… this album plays like a late-night thread you can’t stop scrolling. 
Except it’s sung, stacked, and scored in Dark R&B / Neo-Soul.

The finale, “Am I the Asshole?”, is the public verdict in stereo.
And the epilogue, “6 Months Later…”, is the part the internet never gets: the quiet moment where two people finally speak like humans again.

Headphones on. Start at track 1. Let the court hear the case.

Buy on BandCamp

I Still Know Your Number

Last Exit Call

Six Months Later...

Before the Missed Calls

Am I the Asshole

Streetlight Witnesses

I Deleted Your Number

Missed Your Exit

Rain on concrete. 
Siren-wail opener. 
Off-beat snares and long 808s under a cold, procedural narrative.
Dead-drops, plate swaps, ledgers that move crews. 
Same war, different dialect; this is the UK drill dialect of my playbook. 
Run it first in the playlist and let the pipes pump.

Thread Count

A hook-first Trap Nursery Rhyme flip for families and classrooms. “Mary Had a Lil Jam” turns the classic melody into a groove with long 808s, crisp hats, and playful found-sound percussion; taps, snaps, claps, zippers, pencil ticks. 

Clean lyrics, call-and-response moments, and a chantable hook make it perfect for movement time, car rides, and short-form clips. 

Part of the JUICE BOX JAMS series: sing, move, create.

Juice Box Jams

Mary Had a Lil Jam

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 