Cafeteria anthem with real classroom utility. Chicago trap drums, bell sparkle, and a chanty hook that turns tray balance, spacing, and please and thank you into a bounce routine. Kind swaps, clean tables, lunch crew strong.

LUNCH LINE FLEX

Trap-powered SEL anthem. Bell motif and clean 808s under a chant that teaches kids to name a feeling and shrink it. Verse story follows a “bubble backpack” getting lighter as the singer labels emotions and uses simple tools like breathe slow, sip, and stretch. Teacher friendly, parent approved, easy to loop.

Mini-lyrics (Hook)
Name it, tame it, big feelings bounce,
Say what it is, count that count.
Angry, worried, sad or tight,
Speak the word, make it light.
Name it, tame it, big feelings bounce,
Word in the open, ounce by ounce.
Hands on heart, voice steady sound,
I got me now, rooted to ground.

BIG FEELINGS BOUNCE

Japanese-flavored trap with real 808 weight. Koto-style plucks and shamisen-like stabs carry a female lead on the hooks and a male verse that tells the crane string story. Shoes by the door, bows of respect, one good action becomes many. Kindness first, classroom friendly, easy to loop.

Mini-lyrics (Hook)
Sakura spark, petals in air,
Pink paper wishes, kindness to share.
Sakura spark, friends side by side,
Fold one crane, hearts open wide.

Sakura Spark

the END is a front-to-back crime saga built like a stage show and mixed like a blockbuster. We open in 2030; masked performers, a smoke-eyed watcher in the wings. Then snap back to 2025 to watch a crew form the hard way: Flip Game shining, Racks counting quiet, a woman who plays sweet until the world burns, and another who moves like a general. Vegas becomes the arena. Two floods change the weather. Pride breaks into fracture, then policy: stop shooting inward, aim at the streets that feed the snitch lines.

Raids come. Rooms go dark. Interrogations knot up until no RICO can hold. Oaths are taken. A door opens on the life they might have lived, and the ring closes where it began.

Listen twice and the angle shifts: some voices shadow each other; some scenes read one way, then another. The Mary-Sue charmer and the iron-voiced madam, watch their footprints. What looks like four becomes three, then maybe two. By the curtain call, the city hasn’t changed, only your understanding of who was really on stage.

Play it in order. Windows down at night. Volume up.

the END

26 When Truth Dies Lies Travel

28 Pillow Talk

24 Witness Statements

29 The Dragons Alley

30 Curtain Call - On the Pond Reprise

25 Tourniquet Raid

27 My Family

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 