Personality borderline - hold up buttercup

persono bordolo

Clap cues + drill-lite bounce. Happy on repeat.

Hands Up Happy (And You Know It)

High-energy, 808-driven kid trap anthem about pocket treasures and counting. Big, bouncy beat; crisp Atl-trap delivery; tons of repeatable hooks so kids can chant along while parents don’t go nuts. No filler, just pocket checks, zip-zip stashes, and count-ups from 1 to 10.

Hoody Wit Da Goody

Honse Galactic

Hop on the ride! 🚍
“Wheel On Tha Block” flips the classic Wheels on the Bus into a playful ATL trap adventure through the neighborhood.
Built for kids who love rhythm and parents who love good production, this one’s all bounce, teamwork, and big smiles.

👟 From the creators of “Hoodie Wit Da Goody”, “Farm Flex”, and “Hands Up Happy”,
Juice Box Jams brings another clean banger straight from the block to the backseat.

Perfect for: car rides, classrooms, snack time, or your kid’s first playlist drop.

🎶 Produced by KANTIBUS - ATL Trap Edition
🧃 Juice Box Jams 2025

“Keep it rolling. Same sky, same ride.”

WHEEL ON THA BLOCK

Lunchroom legends only 🍫💼
“Snack Trader” flips the lunch table into Wall Street with pure ATL trap swagger. The ultimate story of one kid hustling PB&Js into pudding cups, cookies, and juice boxes.
Heavy 808s, a hype choir shouting “AHH!”, and that Juice Box Jams humor kids love.
From the creators of “Hoodie with the Goodie” and “Wheels on Tha Block,” this one’s all about smart trades, sweet wins, and playground grind.

💡 Lesson in disguise: every snack’s got value when you share it right.

🎶 A Juice Box Jams Original | Produced by KANTIBUS
🧃 Clean Trap For Bright Minds™ | © 2025

Snack Trader

High-energy Atlanta-trap bounce for the after-haul ritual: dump the sweets, sort by color/shape/size, count by tens, sip water, zip it up. Big 808s, crisp delivery, tons of repeatable call-and-response so kids can shout along while adults keep their sanity. Timeless (no holiday refs), purely about sharing, sorting, and counting.

Good for: classroom clean-ups, party breaks, car-ride hype, PE/movement minutes.
Clean content: kid-safe lyrics, no scary SFX, no sirens.
BPM: ~142 • Vibe: punchy, playful, repeatable.
If you use it in a short, tag KANTIBUS / Juice Box Jams so we can repost 🧥🍬

SWEET SORT!

808-forward reggaeton-trap flip of the classic chant; call-and-response moves, counting 1–10, and a sunny dembow bounce. Male lead with light island accent; crisp, kid-safe bars and a giant hook parents can tolerate on loop. Perfect for classroom movement, party breaks, and car-ride energy.

Vibe: punchy, playful, repeatable • BPM: 140 • Lane: JBJ trap with dembow spice
If you use it in a short, tag KANTIBUS / Juice Box Jams so we can repost. 🟡🧃

KNICK-KNACK DEMBOW TRAP

“The Slip” drops into a neon-noir night where leverage is currency. Harriet moves like a ledger; quiet rooms, tidy exits. And walks out of Room 103 with a future tucked in her pocket. 

On Floor 32, she collides with the city’s velvet hammer: a queenpin fixer who keeps the powerful breathing and the scandal contained. 

Their first conversation isn’t words so much as math; matchbook, camera code, a price named with perfect calm. 

The chorus keeps score (“Harriet one… two… three… World zero”) while the verses trade pressure for patience: the microSD peeking from a folded slip, the elevator hum swallowed by carpet, a phone call that ends a war before it starts. 

Funk-jazz bed, trap-tight drums, and a hybrid of contrasts. Sleek Miami smoke/Operatic Atlanta grit, turn a handoff into a heist you can dance to. 

It’s a chapter in a larger musical: two women testing each other’s rules and finding the line between mercy, access, and control.

the END

The Slip

ATL triplet kid-trap adventure inspired by the classic dream tale: three friends in a walnut boat riding a star river. Big 808s, bell sparkle, chantable names, and repeatable call and response that kids echo instantly while parents can live with it on loop. No spooky stuff, no sirens. Steady bounce with a giant hook.

Vibe: bold, cinematic, repeatable. Lane: ATL trap (kid safe).
 🌙⭐️

Wink It Blink It

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 