Hello, I was always iffy about arranging this track because the melody sounded too fast for an orchestra. My basic self from earlier usually just hands off fast melodies to the violins or some kind of keys instruments and they would just carry the whole thing. That felt wrong for this particular orchestration and wouldn't add much from the original. So my biggest challenge in this arrangement was to preserve the melody in its original form, while being able to hand it off to nearly all the instrument families of the orchestra. It wouldn't be too ridiculous sounding for any section, including brass to have a burst of speed and dexterity right?

In this last year, my master class professor has basically been the Final Fantasy VII Remake soundtrack. The team of composers have arranged 10+ versions of the iconic battle theme, tweaked into many different styles to suit the different locations and contexts of the battles that take place. I kept this in mind and imagined in the full Deltarune game, perhaps there would be many variations of the battle theme. I wasn't going to do 10+ versions of this, so I only explored each of my ideas for a couple measures, then moved on to the next idea. The final track may sound decently cohesive, but the way I utilize the instruments changes from section to section. For example, in one section I may want the piano to support with the syncopated rhythm, and in other places I want it to play like it's baroque period Bach, and have other instruments follow suit or even fight it off.

My orchestral libraries have been able to handle roughly 80% of all articulations, but doing the fast melody while still leaving room for expression really challenged me here. I've always been lazy with the woodwind and brass side, so here I forced myself to utilize samples from 2-3 other libraries for brass and woodwinds, to make them discernable at such high mph, making more use of solo instruments for clarity. I settled at 133 bpm speed for the song (vs 140 in the original track) that I felt is a realistic speed for an orchestra to play that doesn't sound like it's tripping over itself.

The inherent silliness of the arrangement adds to the comedy of the battles that at many times feel more like slapstick hijinks, or even tender character moments. I wanted the instruments to feel like they're goofing off, with none of the intensity of the boss battle tracks I've previously done.

Deltarune Orchestrated will be available on iTunes/Spotify upon completion of the album.

MP3 and FLAC available for Patrons. ► https://www.patreon.com/thesecondnarrator

Arrangement by Jeremiah Sun
Original Theme by toby fox

DELTARUNE Chapter 01 is currently free to download on PC and the Nintendo Switch!

Deltarune Orchestrated

DELTARUNE Orchestrated - Rude Buster

Waiting Game

In honor of the Macross anime's 30th anniversary, I decided to create this special mashup for you.

Fire Bomber - Totsugeki Love Heart Mega Mashup

LIVE VIDEO https://youtu.be/2HztbUNQnCE
https://www.facebook.com/worlds.end.girlfriend.music
http://virginbabylonrecords.bandcamp.com/ 
https://worldsendgirlfriend.bandcamp.com/

world's end girlfriend (feat.Shione Yukawa)
「君をのせて ~ ナウシカ・レクイエム」
作詞：宮崎駿　作曲：久石譲　編曲：world's end girlfriend

Carrying You & Nausicaa Requiem

This is the Symphony of the Goddesses: Master Quest concert, performed by the Royal Philharmonic Orchestra, accompanied by the Capital Voices at the SSE Arena Wembley, on Friday the 17th April 2015.

Track 23 Encore 3 - Ballad Of The Goddess

Bye Bye Love

The Voices has been re-recorded! here it is, rightfully conjoined to Mortality of the Misbegotten.

The Voices:Mortality of the Misbegotten

Joe Hisaishi - Carrying You (Castle in the Sky)

Demo Recording from 1985 featuring  the late Rick Taylor on Trombone

Timescape

15. Kimi Wo Nosete [From Castle In The Sky]

Hi! I'm Patrick from London!

I have been writing music for nearly two decades, and my music, while weaving between styles now and then, will invariably feature some sort of big, washy synth sounds and the odd strange chord progression.

I have used the Waldorf Micro Q Omega Phoenix Edition, the Waldorf Blofeld, and the Roland JV1080, as well as NI Kontakt, FM8 and occasionally Propellerhead Reason.

Track 23 Encore 3 - Ballad Of The Goddess

Kant Predict