Name: Heiko Laux - Fernweh (Fernweh | ka167) by Kanzleramt Music in Techno
Duration: 7 min 24 s
Description: Heiko Laux' 5th solo album coming late November on Kanzleramt

Finest soundscapes here !!! [⊙]<<~\●/~>>[⊙]

feinster beat aus Bad Nauheim . . . ohne worte

Mega geil selbst nach so vielen Jahren, danke Schön für die Zeit 

Techno

Out now on RSPX: lnk.to/RSPX36

Following four acclaimed EPs across both Rekids and Rekids Special Projects, the Irish-born, Berlin-based Hybrasil returns to Radio Slave’s techno-focused imprint for his fifth appearance on the Rekids labels. Bringing four no-nonsense techno cuts across ‘Wild Blue Yonder’, Hybrasil displays his knack for crafting a wide range of deeply playable dancefloor-friendly techno.

Title track ‘Wild Blue Yonder’ leads with pounding kicks and bubbling stabs before ‘Abhean’ brings the tempo up as gritty synths unfurl across razor-sharp drum patterns. ‘Erimon’ takes a deeper turn, with dubbed-out chords and reverberant hits rumbling throughout, followed by the final track ‘Oenach’. In a similar fashion to the ‘Erimon’, elements of classic dub techno meet Hybrasil’s pitch-perfect production to close out the release.

Hybrasil

Wild Blue Yonder

Hyrbrasil - Wild Blue Yonder

<p>Our favorite heroes are back on Phobiq and start things off with the bang of &#8220;The Grudge&#8221;, which boasts an unmistakeable riff and chords that remind us of the good old days. The locomotive groove provides the momentum while the boys show off their skills with some distressed synthesis and clever, spacious arrangement.<br />
&#8220;Thoughtcrime&#8221; picks right up with a grinding rhythm section, and the spotlight is geared towards even more chord goodness. Cavernous effects keep reminding us of who we are listening to and persistent hi-hats drive this one all the way home.</p>

Spektre - Thoughtcrime (Original Mix)

Heiko Laux' 5th solo album coming late November on Kanzleramt

Beatport

Heiko Laux - Fernweh (Fernweh | ka167)

http://www.mixmag.net/music/exclusive/premiere-seth-troxler--phil-moffa

The next release on Hypercolour sees Seth Troxler and New York techno artist Phil Moffa combine for 'Rogue Music'

Seth's been a busy boy this year, teaming up with Art Department on 'Cruel Intentions', giving us a mix for the cover and releasing 'Space & Time' with The Martinez Brothers on their joint label Tuskegee Music. 

Pre-order 'Rogue Music': http://www.juno.co.uk/products/seth-troxler-phil-moffa-rogue-music/556411-01/

More exclusive music

Premiere: Seth Troxler & Phil Moffa 'Blue Rawls'

Its been a whirlwind three years for Joran Van Pol. A techno standoff between two legends was the young man's introduction to the scene, as Dubfire and Richie Hawtin battled to sign his first tracks. With a promise of more music for both, 2012's 'Untitled 2' announced the arrival of this exciting young talent. 

A second EP for Minus followed in 2013, backed by the much anticipated SCI+TEC debut, 'Implicit'. His track 'Contraction' was also signed to Ideal Audio for their '5UNF' compilation. 2014 was very much a year of touring, travelling and new experiences as Dutchman took his sound to the farthest reaches of the globe, all the time working on new music on his portable studio set up. 

The Perpetuous EP is a techno curveball from Rejected as Joran makes his label debut with a four track selection of minimal beats and elastic basslines. The sinister and unnerving air that permeates the EP begin s with 'Strayed' who's strong kick drum and growling fx make it perfect for the darker floors. The echoing bongs of the title track follow before we're taken deeper into the abstract and mainly beatless mystery of 'Shattered' and the closing deep throb and purr of 'Disoriented'.

Joran van Pol - Strayed (preview)

Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records. 

Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and having closed out 2013 by releasing an astonishing Laurent Garnier remix of the title track, on his own imprint. 

Time to relax a little maybe? Not a chance. January saw the remixed version of the album hit the stores and this was backed within a few weeks by 'Taurus', Gregor's enticing collaboration with Petar Dundov. The summer saw him remix the Chymera classic 'Shadowdancer' and he closed 2014 with the superb 'Midas / Disturber' double-header. 

Somewhat of a musical chameleon, Tresher is as at home creating deeper shades of house for the likes of Moon Harbour and Ovum as he is techno rhythms for Music Man, Cocoon and Drumcode. 

With label boss Digweed a huge fan, Bedrock is yet another perfect fit for the German and he opens his account with the mighty, melodic and Kraken'esque 'Goliath' and the razor-sharp lightning bolt that is 'Stormblade'. 

BEDDIGI59 Gregor Tresher - Stormblade

BEDDIGI59 Gregor Tresher - Goliath

Since around the release of Planetary Assault Systems' The Messenger LP, the No Exit and Future Modular EPs, P.A.S. overseer Luke Slater has made a solid case for being one of the few techno producers who has defined the genre's past and will continue to define its future. While he has spread his allegiances across a number of the genre's best labels, his own Mote Evolver label is, understandably, a source of the most compelling work from the man: the No Exit and Deep Heet Vol. 3 EPs being two of his more recent high-quality offerings. That trend seems set to continue with the release of Planetary Assault Systems' The Eyes Themselves EP.

The title track is indeed a kind of treat for the mind's eye - after a convetional rhythmic leadin, Slater gets down to business and unveils a few layers of crisp and captivating sound design. Irregular droplets of high-frequency sound fade in and then seem to fall around the listener like glowing rain on the surface of a distant planet, before receding and making way for more subtle phrases. All the while, fluctuations in the aggressiveness and persistence of the cymbal tracks fight to wrest the listener's attention away from this mesmerizing rain, making for an intriguing push-pull effect.

Elsewhere, it is a sign of Slater's strength that a track named for a well-known concept within dynamical systems ("Strange Attractor") doesn't come across as a completely arbitrary guess at what such a concept might 'sound' like. A number of lightly accented, quickly decaying micro-sounds come together here to become more than the sum of their parts, certainly connoting dynamism and at the very least keeping up a servicable spaced-out
groove.

Now, for those who prefer the grit and tension of urban reality to dancing numbers or speculation on other worlds, have no fear - the closing "Arc" is powered along by dirty filtered phrases, a faintly menacing shaker sample and the occasional impolite release of steam from the grating beneath your feet. It gives one the uneasy feeling of stalking in the shoes of a professional assassin, and it wouldn't be out of place in some documentary film on the same.

Few sonic artists can go from an atmosphere of oneiric wonder to one of cold intensity in just a few short steps, let alone doing this in a techno music genre that has little margin for error when it comes to conjuring atmospheres. As such, The Eyes Themselves once again demonstrates Slater's lasting contribution to techno: maintaining its reputation as a tool for stimulating both intellectual and physical energy, for aiding restless peregrinations of thought and for giving the body its freedom.

Mote041 :: Planetary Assault Systems - The Eyes Themselves

Waves come and go


You are now in the presence of royalty. This is the imperial broadcast of the Cyberregina, the silent empress of a biomechanical dynasty. 👑 Her thoughts are law, her dreams are prophecy, and her decrees are this powerful fusion of industrial techno and melodic trance. This music is the living embodiment of her reign: a perfect, elegant order maintained by immense, uncompromising power. The driving, industrial beat is the sound of her celestial armies marching across star systems, a rhythm of absolute control. Floating above it all are ethereal, trance-like melodies—the reflection of her serene, sublime beauty and her silent, eternal grace. This is a cosmic journey to the throne room at the center of the universe, a soundscape that is both majestic and menacing, divine and dangerous. Bow before the awesome power and intricate elegance of the one true ruler of the machine empire. Let her imperial will become your own. Let the coronation of sound commence. Long live the Queen. ⚔️
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Thank you for attending the court of the Cyberregina. Your allegiance has been noted in the imperial logs. Subscribe to the Imperial Channel for all future decrees and transmissions.
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This imperial broadcast is protected under a Creative Commons Attribution-NonCommercial license. For personal, non-commercial use only. All other rights reserved by the throne. Ozone is an experimental A.I. profile. Imperial anthems are generated via UDIO (PRO). Royal portraits are rendered by Midjourney PRO, Flux Pro, or REVE.
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👑✨ DOWNLOAD THE ROYAL DECREE ✨👑 Receive the complete imperial transmission from the Empress herself. The full collection is archived on SoundCloud: 👉 https://soundcloud.com/o_z_o_n_e/albums 👈 For the glory of the empire! 💫
-

Galactic Decree

Progressive House - After Life Power

Artist : @shlomiaber
Label : @beasoneimprint

Pre Order : http://bit.ly/2HUjWiR

More premieres : bit.ly/2eTWTpU

Premiere : Shlomi Aber - State Of Sorrow

Release date: 22nd of June 2018 (vinyl & digital format)

A1. Electric Shades
A2. Out Of Sight
A3. Echo
B1. The Voyage
B2. Chasing Shadows
B3. Violet Dust
C1. The Cycle
C2. Signal Trace
C3. Drone
D1. Triad
D2. Extension
D3. Dying Asteroid

INFO
Oscar Mulero’s contribution to the Token catalogue goes all the way back to 2008. The ferocious Take Seven EP was the start of a longstanding partnership between the label and artist. Between this first release and the more recent Suborbital Trajectories EP, Mulero also provided Token with 2 releases as Spherical Coordinates, producing sophisticated big room and bleep tracks.
Through his lengthy and prolific career, Mulero has not contented himself with producing dancefloor tools alone. The full-length Perfect Peace, released in March this year on Semantica, demonstrates this well, with Autechre and Aphex-flecked IDM and electronica sounds dominating the work.

The new Electric Shades EP also has elements of this extra depth. The record opens and closes with sci-fi theatrics: Electric Shades throbs and pulses under eerie space atmospherics, while Dying Asteroid sonically details the demise of a small celestial body in clinical detail. But this record also operates with the solid functionality of Mulero’s earlier work. The Voyage is agitated and bleepy, while heavy roller Signal Trace plays deeper with similar themes. Triad and Extension too are weighty highlights, affording the record plenty of utilitarian benefit for DJs and home listening enthusiasts alike.

Oscar Mulero - Signal Trace

Freedive EP

Freedive

Vinyl/Digital: https://lnk.to/REKIDS146
Artist: Hybrasil
Title: Embers LP
Label: Rekids
Release date: 15th November 2019

Berlin-based Irish artist Hybrasil delivers a high grade debut album on Radio Slave’s Rekids.

Since moving to Berlin Hybrasil has been an avid buyer of records at Hardwax, going to modular workshops at the cult Schneidersladen, attending Superbooth and Berlin Atonal, Panorama Bar and Berghain, whilst releasing his big, arresting techno sounds on his own eponymous label. Alongside this he’s been spending time in the studio with Radio Slave, who played Hybrasil's ‘Hathor’ in Panorama Bar which kicked off a three month burst of creativity that led to this album. As such, the album is very much a product of the artist's time in Berlin and was written for the Panorama Bar and Berghain sound system and all who attend its dance halls.

The album takes off with the smooth rolling techno of 'Hathor' that gets you on your toes, while 'Come Back' soon ups the ante thanks to the way Hybrasil twists and turns his synths above the rooted kick drums. 'Ceres' then has edgy sustained chords and thunderous claps that will sound mega in a cavernous warehouse space.

'Orpeheus' is a masterclass in economical but effective techno, with well-crafted hi hats, rolling kicks and vocal stabs all driving it forward. 'Ursa Minor' traps the listener in unresolved loops that keep a locked groove, until 'Messier' mixes up seriously weighty bass-drum thuds and Jeff Mills style melodic minimalism. The compelling LP completes with 'Igigi' and 'Vela', two more astral techno rollers with celestial synths and devastating drum programming.
Hybrasil ‘Embers’ drops on Rekids on 15th November 2019.

hybrasil-music.com/
www.facebook.com/HybrasilOfficial/
rekids.com/
www.facebook.com/rekids.official/

Tracklist:
1. Hathor
2. Come Back 3. Ceres
4. Orpheus
5. Ursa Minor 6. Messier
7. Igigi
8. Vela

Download / Stream

A1 - Hybrasil - Hathor

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Heiko Laux - Fernweh (Fernweh | ka167)

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Evelyn L’Cloud

SanktAchzig

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