ouvi este som no elevador do hotel mundial 

e tive que andar de elevador CINCO vezes, arrasou 

Async Figure is the ultimate alliance of UK based artists MM & Suda. The project was first unveiled with a live show at 2018’s Unsound Festival, inside a gutted industrial kitchen in Krakow. Their debut release Figure I features three high-intensity, melody-first club statements and marks the first in a trifecta of releases for Sea Cucumber.

Photo by xiaopeng_yuan

Pre-Order: https://asyncfigure.bandcamp.com/album/figure-i-2

Figure I

Async Figure - Panic FM

Stone Coaster

Ovid, Doubt & Tension - The Palace

Seven years, seven tracks, seven seas.
 
To celebrate our 7th anniversary as a label, we're entering 2022 with 22:20 minutes long (for real) compilation !

Entitled "Seven Seas", this compilation welcomes several mermaids from across the continents (USA, UK, Japan, Sweden & France), freshly arriving on the HTS isle.

W/ @mystictearz, @gipsytrax, @rrrrr22, @ruminaa, @wrack90, @bapari & @solturamusic.

Artwork by Manon Bachelier @nonassistance
Mastering by Simon-Luc Laporte @sim_mtl

Seven Seas

Buy all

Rumina - bgai

'affection 143' is the first track out in advance of our beloved resident @sashatheft debut album 'Amphibian Intermission' coming out in full on the 18th of March in our Bandcamp, Soundcloud and in all other streaming platforms.

while clubs and parties were opening across Europe in the summer of 2021, the Lisbon rave scene slept like there was no tomorrow to wake up to: @sashatheft stood awake reminiscing on the times that gatherings brought nothing but pure joy to their spirit. with the aid of an old and heavy laptop, ‘Amphibian Intermission’ was born by symbiotically joining these feelings to the need for self-expression in less physical strategies twined with rookie playfulness.

‘Amphibian Intermission’ is the manifestation of a sentimental rave; a hybrid between blissful sounds that transport you to the 90s and a construction that could only result from our current days. a 40-minutes experience that seem to go by in a blink of an eye, with each track materializing a different sonic landscape that cohabit the same ecosound-system. willingly refusing to abide to genres, ‘Amphibian Intermission’ stands as a paraphernalia of rave music.

pre-order: https://kaptchafail.bandcamp.com/album/amphibian-intermission
support: @sashatheft

artist: SASHA THEFT
title: affection143
LP: Amphibian Intermission
label: kaptcha
catalog number: KPT003
release date: 18th March 2022
master: @jitterrr
artwork: postmodern_b0t [IG: instagram.com/postmodern_b0t]

pre-order

[premiere] SASHA THEFT - affection143

Loods

La compilation a pour but de réunir pleins d'artistes bretons (et d'ailleurs) de musique électronique contre la répression envers les Free party en Bretagne.

"Dans les rues où résonnent les accords,
Sous le poids de la répression, notre art se tord.
Les notes muselées par des lois sévères,
Nos instruments saisis, nos voix en colères.
Dans l'ombre des régimes qui oppriment,
La musique devient un cri qui s'anime.
Mais même sous la menace et la peur,
Notre passion pour elle demeure.
Contre les saisies, les interdictions,
Nous danserons, encore avec passion.
Car la musique est libre, elle est vie,
Elle triomphera malgré l'ennemi.
Paroles étouffées, notre Matériel confisqué,
Nous refusons de nous laisser dompter.
Dans chaque accord, dans chaque refrain,
Nous défendrons notre art, main dans la main."

Texte : La Mo Niak
Pochette : Agatou

Tous droits réservés aux artistes.

3-  Heol (Briec) - Wake And Bake

Artist: @galtier
Catalogue Number: IM079
Album: Dancing On Ruins
Release Date: July 31st, 2020
Format: Digital
Artwork by @benfikaa
Mastered by Kamil Sarcowicz

Making his return to the Infinite Machine catalog is Nostro Hood System boss Galtier with his 3 track EP ‘Dancing On Ruins’; a relentless slug of driving percussion and discordant atmospheres. Taking quite a step from his 2018 ‘Terran’ EP released on IM, Galtier abandons the hopeful, up-lifting, sometimes euphoric mood that has characterized much of his sound for the last few years and flexes his ability to handle anxious, hard-hitting techno-influenced material – a healthy departure from the purposeful, existential theme evident in earlier works.

‘Dancing On Ruins’ is characterized by its dusty, weather-beaten sound palette, as if such music was created and played in a desolate, lifeless world to provide solitude for the stoic beings that reside there. It is fast and aggressive, utilising techno-esque sonics as its base, yet it avoids being scary or oppressive or too stereotypical in nature.
‘
Scuffed Souls’ leads into the chaos with the pounding force of its 909 kick that thumps over the ever-evolving, fundamentally gothic sequence of melody. It is menacing and daunting to say the least, and gets straight to the point. Rhythmically it is reminiscent of classic rave-inclined techno but draws for quick transitions evident in contemporary club music. Crisp, pointed hi hats play gracefully amongst the angry soundscape and are quickly scared off by the growling Moog bassline that rumbles in to occupy the decrescendo.

The rhythm is broken and far more syncopated on ‘Precious Quartz (To Reave), which likewise increases in BPM from 140 to 148. Being the most stripped back, percussively oriented track on the whole release, Galtier flexes his capacity to execute myriad shifts in rhythm and pace as the majority of the track chugs along, the vessel made up of a its short but monstrous kick, sharp hi hat slashes, restrained 909 rides and a mutated bell call – warning others of its approach.

Finally the namesake of the EP, ‘Dancing On Ruins’, takes place, leaving the zenith of the release’s unnerving energy for last. Galtier combines elements of UK Techno rhythm with loose UK Funky instrumentation and meshes the two and speeds things up significantly. Though the rhythm returns to a more pulsing, simply structured state, the hollow lead is pulverising and raw throughout the whole track. This, accompanied by the blistering 150 BPM tempo, makes it a vicious, restless beast.

Tracklist:

1. Scuffed Souls
2. Precious Quartz (To Reave)
3. Dancing On Ruins

Dancing On Ruins

Galtier - Dancing On Ruins (IM079)

"BALA" BY SUKUBRATZ & XAKALELE
MASTER BY MEDIX CIELX AKA SKY PARNES
ARTWORK BY BLAHBLAHBLASFEMIA

2020 AGVA RECORDS ALL RIGHTS RESERVED

DOWNLOAD/BUY

SUKUBRATZ x XAKALELE - BALA

Single from @yungadultxx's debut self-titled EP, forthcoming 18/12/20 on @hi_nrg.

Mastering: @morair
Artwork: Ryan Huff

Pre-order: https://hi-nrg.bandcamp.com/album/hard-fantasy-ep

Hard Fantasy EP

PREMIERE: Hard Fantasy - Hard Relate [Hi-NRG]

Ani Klang - Call The Doctor

https://soundcloud.com/amorsatyr
https://soundcloud.com/siumata

Hailing from Paris, duo Amor Satyr & Siu Mata make their debut on NHS with two mutated dance hall inspired cuts laden with manic energy and seriously hard drum work. Following up their debut collaboration on Hiedrah Club de Baile comprised of two tracks focused on the 150bpm range, the pair slow down things to around the 100bpm mark. This has no effect on the frantic energy however, as both releases maintain a level of madness through the double time percussion programming and warped melodic aesthetics; an offering of truly innovative club tracks from these two fine producers.

Mastering by Doug Shearer
Artwork by Hamza Robati

Nahash - EP

Amor Satyr & Siu Mata - Ash

non-binary
demos & inquiries info@kaptcha.fail

a bunch of cybersluts kinky towards the inability to ✴**.:｡.✿ tell humans and computers apart✴**.:｡.✿ 

fails:
@ketia
@keroxxx
@sashatheft
@quendera

holding space to send and receive vibrations

✴**.:｡.kit ket✴**.:｡.
a subversive crossover between a rave and a house party in a non consistent sonic narrative

kitket@kaptcha.fail

[premiere] SASHA THEFT - affection143

kaptcha

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