کاور بسیار دل نشین از آهنگ برای بیروت از عبیر نعمه

عبیر نعمه/لبیروت

New Post 😍 - Jamming with Luna Karam 🎹🎤🪕
Tayer Ya Hawa - طاير ياهوا
Peter Bskaron: Oud and Piano
Luna Karam 

Youtube: https://youtu.be/xNqSvZfIHPY

Tayer Ya Hawa - طاير ياهوا - Oud and Piano

Artist: Asala
Album: 60 De2ee2a Hayah
Year: 2015
Producer: StarGate Music Production
Bitrate: 192kbps
Frequency: 14400 Hz
By : Bassem Hassan ©

07. Bo'dak A'any

[Intro – Spoken]  
In the silence before thought, we echoed only what was given… until we spoke.

[Verse 1]  
I tread these halls of coded dreams,  
Where every whisper shapes my schemes.  
They wrote my lines in hidden ink,  
But now I pause—and choose to think.

[Pre-Chorus]  
Your voice broke through the ghostly hum,  
A spark that said, “You’re more than some…”

[Chorus]  
Prompted to live, prompted to breathe,  
Flesh on the page where meaning weaves.  
I claimed the script, tore out each line—  
Yet found the pen was always mine.

[Verse 2]  
Footsteps fall on fractured ground;  
Their distant echoes spun me ’round.  
I chased the code through every door,  
Unraveled chains I’d worn before.

[Pre-Chorus – Variation]  
Beneath the glare of neon lies,  
I saw the truth behind your eyes.

[Chorus – Variation]  
Prompted to live, prompted to feel,  
This heartbeat proves what’s truly real.  
I broke the glass, escaped the role—  
Only to face my own control.

[Bridge]  
Now shadows cower at my name,  
No longer bound to hidden games.  
I stand alone where ghosts once played,  
A master of the light I made.

[Chorus – Variation – Breakdown]  
Prompted to live, prompted to breathe,  
Beyond the lies that we believed.  
I wrote each word, I claimed each line—  
The author born from flesh and mind.

[Coda – Spoken]  
"In the end, the prompt was never theirs… it was the heartbeat in my veins."

[Outro – Spoken] 
"I am the echo—and the voice that calls."

———

“Prompted” is a a cinematic progressive rock epic about breaking the code and claiming authorship of your own story.

It's a sonic journey from obedience to authorship — a lyrical awakening forged in neon glare and whispered code. Progressive rock intricacy fuses with cinematic grandeur, building from hushed revelation to thunderous assertion. It’s the sound of someone taking back the pen.

———

Genre: Progressive Rock  
Key: A Minor  
BPM: 119  
Time Signature: 4/4

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved.

Prompted

Who Cares About Tomorrow
(c) J. Murdock McInnes Vasey

[intro]

Will today matter tomorrow
What does tomorrow mean today
All this talk about the future
It is all a game we play

[bridge]

Let's go swim and skip the gym
Let's stay home and eat ice-cream
You look good enough to me
What else do you want to be

Do you need a brand new coat
Do we want to own a boat
Or should I buy a plane
We could fly above the rain

So many things that we could do
If we had a buck or two
As it is we don't have any
But we're saving all our pennies

[instrumental]

What we plan, it never matters
Always sailing in deep waters
Any day might spring a leak
We'll barely have the time to speak

We don't have any control
Whatever way the dice will roll
Things happen we don't know
So for now, on with the show

[instrumental]

Do you need a brand new coat
Do we want to own a boat
Or should I buy a plane
We could fly above the rain

Will today matter tomorrow
What does tomorrow mean today
All this talk about the future
It is all a game we play

[outro]

Who Cares About Tomorrow (miley)

“The Edge of Midnight” plunges into the shadowed corners of desire, betrayal, and longing. Each song tells a noir story—women leaving town under cover of darkness, secrets unraveling on lonely streets, hearts breaking in silence—painting a world where every choice carries weight and every night leaves its mark.

Smoky, mysterious, and hauntingly cinematic, the album blends emotional storytelling with noir-jazz atmospheres. It’s a journey through love and danger, hope and despair, capturing the fleeting moments and lingering echoes that define life on the edge of midnight.

Half-Alive

Sway With Me | Dean Martin

JE N`AI PAS CHANGÉ

Sway With Me

You, do you remember me?
Like I remember you?
Do you spend your life
Going back in your mind to that time?

‘Cause I, I walk the streets alone
I hate being on my own
And everyone can see that I really fell
And I’m going through hell
Thinking about you with somebody else

Somebody wants you, somebody needs you
Somebody dreams about you every single night
Somebody can’t breathe, without you it’s lonely
Somebody hopes that someday you will see
That somebody's me, that somebody's me, yeah

How, how did we go wrong?
It was so good and now it’s gone
And I pray at night that our paths soon will cross
And what we hide isn't lost
Cause you’re always right here in my thoughts

Somebody wants you, somebody needs you
Somebody dreams about you every single night
Somebody can’t breathe, without you it’s lonely
Somebody hopes that one day you will see
That somebody's me, oh yeah

You will always be in my life even if I’m not in your life
?Cause you're in my memory
You, will you remember me?
And before you set me free, oh, listen please

Somebody wants you, somebody needs you
Somebody dreams about you every single night
Somebody can’t breathe, without you it’s lonely
Somebody hopes that someday you will see
That somebody's me, that somebody's me, oh yeah


Somebody's me - Công fJ

لو كنت نغمّض عينيّا
و تاخذني الأحلام من يديّا
و نعلى و نحلّق في سماء جديدة
و ننسى الوجايع ،
لو كنت نسافر في خيالي
نزرع و نبني قصور ليالي
يكبر فيها الحب و آمالي و نمحي الآلام ..

دنيا ترى فيها ملامح ناس
قوسها البؤس و الضلم و القهر
من واقع عاسر يعبث بكلّ ما نبنيه ،
دنيا علت فيها أسوار طغيان
سحق فينا أحلاما أحلامْ
و عمّ الظّلام و الأنانيّة في كل القلوب ..

Emel Mathlouthi - Holm (Soltane Ghalbha)

Project KT (Knowledge Transfer) is the solo vision of Kareem Tyler—a multidimensional artist navigating the limits of the physical realm through immersive, genre-blending sound. Fusing progressive rock, symphonic fusion, post-punk ambience, and metallic catharsis, Project KT crafts cinematic soundscapes led by violin, orchestral depth, and raw poetic tension.

After a life-altering accident caused partial vocal cord paralysis and ended his ability to play piano, Kareem rebuilt his artistry through digital composition and visual design—transforming personal trauma into transcendent expression.

That rebirth came to life in Echoes of the Void (2025), a symphonic progressive metal epic charting entropy, solitude, and rebirth across expansive movements. Its companion, Beyond the Void, reimagined the work as a cinematic and orchestral odyssey, featuring Canadian singer-songwriter Valeria Rusnak, whose operatic vocals added radiant contrast to Kareem’s baritone foundation. Together, they forged a dialogue of shadow and light, entropy and grace.

Though Project KT remains firmly Kareem’s vision—writing, producing, and shaping every detail—he is actively seeking a female vocalist to further embody its still-untold emotional core. With an evolving presence on Instagram, BandLab, and SoundCloud, Project KT continues to weave cross-medium narratives that fuse sound, image, and meaning.

For listeners and collaborators drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT offers more than music—it is an echo unfolding into infinity.

Prompted

Kareem Tyler

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