Nenia (2025)

Live opname door Klara tijdens de creatie op het Klarafestival in Flagey, Brussel (23/03/2025)

Met:
Ensemble Revue Blanche: Lore Binon, sopraan; Caroline Peeters, (bas)fluit; Kris Hellemans, altviool; Anouk Sturtewagen, harp
Audio, stem, tekst: Katharina Smets
Video: Lise Bruyneel
Dramaturgie: Katherina Lindekens
Technische ondersteuning: Jannes Dierynck, Brecht Beuselinck
Compositie: Frederik Neyrinck
Kostuums: RE Antwerp
Boventiteling: Liesbet Termont 
Audiomix: Wederik De Backer  
Outside eye: Jurgen Delnaet 

Coproductie:
LOD, Klarafestival, CC De Factorij, Flagey
Met de steun van de Vlaamse Gemeenschap

Meer info: www.revueblanche.be

Met dank aan Klara voor de opname

Nenia Fragment 3 (Act 3)

Nenia Fragment 4 (Act 4)

Nenia Fragment 2 (Act 2)

for Bb clarinet & piano (no electronics)

Lauriane Maudry, clar.
Bastien Dollinger, pno. 

rec & mix: Rémi Le Taillandier

much better with headphones or good loudspeakers

Only step (2022-25) | Clarinet & piano

Brodeck (2021-2023) 
Opera in two parts after Le rapport de Brodeck by Philippe Claudel

Recorded live at Opera Antwerpen

Damien Pass (Brodeck)
Elisa Soster (Emélia)
Helena Rasker (Fédorine)
Werner Van Mechelen (Orschwir)
Thomas Blondelle (Göbbler/Peiper)
Kris Belligh (Schloss)
Tijl Faveyts (Ulli/Buller)
Josse De Pauw (Anderer)

Chorus, children’s chorus and orchestra of OperaBallet Vlaanderen conducted by Marit Strindlund
Jan Schweiger & Hendrik Derolez (chorus masters)

Staging by Fabrice Murgia
Photo by Annemie Augustijns (OBV)

Recorded by VRT

0'30": Introduction
4'10": Scène 12 (Göbbler, Brodeck, Chorus, Children's chorus, Orschwir, Anderer)
9'52": Scène 13 (Brodeck, Göbbler)
13'52": Scène 14 (Tutti)
21'05": Scène 15 (Buller, Oschwir)
26'30": Scène 16 (Chorus, Emélia, Fédorine)
28'00": Scène 17 (Diodème enregistré, Children's Chorus, Emélia)
34'12": Scène 18 (Anderer, Brodeck, later Fédorine, Woman's Chorus)
47'00": Scène 19 (Anderer, Orschwir, Brodeck)
52'38": Scène 20 (Orschwir, Anderer)
55'47": Scène 21 (Emélia, Anderer, Fédorine, Brodeck)
59'14": Scène 22 (Orschwir, Brodeck, Chorus)

Brodeck (2021-2023) - Part 2

Brodeck (2021-2023)

Opera in two parts after Le rapport de Brodeck by Philippe Claudel

Recorded live at Opera Antwerpen

Damien Pass (Brodeck)
Elisa Soster (Emélia)
Helena Rasker (Fédorine)
Werner Van Mechelen (Orschwir)
Thomas Blondelle (Göbbler/Peiper) 
Kris Beligh (Schloss)
Tijl Faveyts (Ulli/Buller)
Josse De Pauw (Anderer)

Chorus, children's chorus and orchestra of OperaBallet Vlaanderen conducted by Marit Strindlund
Jan Schweiger & Hendrik Derolez (chorus masters)

Staging by Fabrice Murgia

Recorded by VRT
Photo by Annemie Augustijns (OBV)

0'29: Introduction
2'50": Scène 1 (Oschwir, Brodeck, Schloss)
7'12": Scène 2 (Emélia, Fédorine, Brodeck)
12': Scène 3 (Chorus)
14'35": Scène 4 (Brodeck, later Göbbler)
20'18": Scène 5 (Brodeck, Orschwir)
27'40": Scène 6 (Chorus, later Göbbler)
31'09": Scène 7 (Anderer, Brodeck)
33'07": Scène 8 (Chorus, Göbbler, Schloss) 
35'48": Scène 9 (Chorus & Children's chorus, later Peiper - Brodeck)
47'30": Scène 10 (Brodeck - Schloss)
54'11": Scène 11 (Emélia, Ulli, Brodeck, Chorus, Children's chorus

Brodeck (2021-2023) - Part 1

MALCHUT [shir hama’alot] (2024)
for large ensemble and electronics (1.1.1.1./1.1.1.1/2perc/pno/keyboard/1.1.1.1.1.+electr)
WP: 29.6.2024, WDR Köln; 
Ensemble Musikfabrik, Friederike Scheunchen (conductor)
Duration: ca. 22′ - Excerpt: part towards the ending
*
image: excerpt from a water color work by Elisabeth Naomi Reuter (Mondblumen, 1982)

MALCHUT (2024) excerpt

SAMMLUNG for 6 voices, ensemble & electronic

SAMMLUNG -1rst Part (2025)

Nebulae for harpsichord and electronics (2024/2025)
Recorded live at Muziekcentrum De Bijloke Ghent 04/10/2025

Goska Isphording (harpsichord) - Patrick Delges (Centre Henri Pousseur) & Daan Janssens (electronics)

Nebulae was commissioned by Centre Henri Pousseur

(...to be listened to with speakers or headphones...)

Nebulae for harpsichord and electronics (2024/2025) live at De Bijloke - Goska Isphording & CHP

iPhone Ensemble is a Performance-Lecture focused on the tendency and phenomenon of Neue Musik. The New Music-field can be seen as an independent genre that relies on definite characteristics and stereotypes. And as in any genre; stereotypes can be sampled.
By creating a feedback-loop of it’s own existence, iPhone Ensemble is a literal and adaptive guide - for the performing ensemble - to create endless (new) music based on stereotypes. In thus creating every technical well-made piece of Neue Musik, possible.
written for The Interstring Project. Premiered at Crossroads International Contemporary Music Festival 2019.

iPhone Ensemble (audio only) - The Interstring Project

Karel Stulens