Name: La Reveuse - Marin Marais by Karel van Steenhoven
Duration: 5 min 42 s
Description: bass recorder version of the original composition for viola da gamba by Marin Marais

Beautiful. Would it be possible to you purchase the sheet music arrangement from you?

if you were ever foolish enough to wonder what nymphs bathing sounded like ....this im CERTAIN is it.

Thank you for sharing this. It's very beautiful.

I composed "Tour De Pyrénées” after a trip through them in 2012. The tour lasted five days and nights and I saw some unbelievable, beautiful ‘lost places’. The music represents the ups and downs of driving the car through the mountain pass, the voices of the people, and the landscape. 

Bjorn Rohde - Tour De Pyrénées

We are happy to announce that we are in the planning stages of an album with this wonderful Dub Techno and ambient artist, Takuya Morita. We are really looking forward to releasing the album: “Place of Solitude”.
While we are waiting for the album , Takuya has been so nice and provided us with this track, "Moment", to showcase on the compilation.  (not from the forthcoming album)
Will be releasing a full length album (CD/Digital) on UAE Records in 2016. Stay tuned!

Takuya Morita - Moment

bass recorder version of the original composition for viola da gamba by Marin Marais

La Reveuse

La Reveuse - Marin Marais

Pre-order 'Golden Times 1' on EP/DL here: http://phonofile.link/golden-times-1

Electronic producer Max Cooper and ambient master Tim Hecker rework Ben Lukas Boysen on his new EP 'Golden Times 1' – out on Erased Tapes, June 30th 2017.

Championed by many including BBC Radio DJ Mary Anne Hobbs as the standout track from his most recent album 'Spells', Boysen’s 'Golden Times 1' forms the very heart of his new EP with the same name. Boysen entrusted none other than Max Cooper and Tim Hecker to meticulously shape and lure the title track plus second single 'Nocturne 4' into two entirely separate territories, yet never drifting too far away from their original soundscapes. With 'Evensong' the composer himself contributes a previously unreleased piece. It is yet another example that Boysen is still opening new and unexplored doors in a bid to challenge the existing realm of contemporary music he is very much a part of.

Words from Ben and Max, May 2017:

“Spells was somewhat of a conceptual release for me, so the choice of the remixing artists and where the original material could be taken was very important. Max and Tim, both being role models for me ever since I began listening to their work and who delivered this incredible abstraction, I felt were spot on for this release and were dream candidates to work with. Their ability to re-direct and even re-invent the original material, partially subtle, and with an almost brutish sense of imagination, honors the originals deeply.” — Ben Lukas Boysen

“Ben has been one of my most listened to artists of the past year or so. His last two albums in particular, have meant a lot to me, and provided me with focus when I needed it. So I was excited to have a chance to remix his work. I felt like I couldn't improve on his idea, but what I could do was take what was the core for me, and expand it. It was just a matter of running with the feeling I got from his original, sticking with his melodic forms and original instrumentation, and letting the growing intensity continue along it's established path to the only possible end point of total annihilation in chaos and distortion. My version is almost a continuation of his original if it was allowed to blossom into percussive format, rather than a traditional remix.” — Max Cooper

The golden EP cover art was created by Torsten Posselt at FELD as an extension from the initial album artwork he also created for 'Spells'.

TRACK LISTING

1. Golden Times 1	
2. Evensong 
3. Golden Times 1 (Max Cooper Remix)
4. Nocturne 4 (Tim Hecker Remix)

Ben Lukas Boysen - Nocturne 4 (Tim Hecker Remix)

In 2016 ATLAS Arts, in partnership with Artangel, brought Bethan Huws’ film Singing for the Sea (1993) to the Isle of Skye. Huws’ film documents a group of eight Bulgarian women, the Bistrista Babi, who Huws invited to travel from their home in the heart of Eastern Europe to the edge of an island, to the north east coast of England. She then asked the women to sing to the North Sea.

This film installation marked the start of A Work for the North Atlantic, a year-long programme of commissions, exhibitions and workshops exploring singing and the sea. As part of this ATLAS commissioned a new piece of work by Richard Skelton.

Skelton has created a multi-channel composition that evokes Huws’ work and its re-sited presentation in the Scorrybreac boathouse, Portree. He has turned his attention to the west, from the North Sea to the North Atlantic. Exploring traditional songs, field recordings, and inspiration from the landscape of Skye, its seascape and the stories that accompany them, Eilean Fuinn suggests that the sea and the landscape are "endlessly singing to each other" over the vastness of geological time.

Richard Skelton - Eilean Fuinn exceprt

Shida Shahabi is an Iranian-Swedish pianist and composer, with a background in sound art.  Early Autumn is timed to coincide with the release of Homes, Shahabi's debut album. Mainly featuring an old Swedish upright piano as its sole instrument, Homes delves deep into explorations of intimate piano tones, assured in its imperfections and sparse arrangements. This mix brings together old favorites with new releases in honor of her debut solo release. 

Read more at www.acloserlisten.com

Shida Shahabi presents Early Autumn

Rhucle / Fade In (Snippets)

The lead track from the new album from Francesco Giannico, entitled "Les Mondes Imaginaires"...

Francesco Giannico "Les Mondes Imaginaires"  Primum

For today’s exclusive track premiere, we are honoured to share with you James Murray‘s slow-burner, titled “In Your Head” which is literally a half of his brand new album, titled "Embrace Storms" [the other half, being another long-player, “In Your Heart”], released as a multi-format split between his very own Slowcraft and KrysaliSound labels. The two pieces sonically capture the weather patterns which are rising and subsiding, rising and subsiding, all on their own, in the caverns of your mind, body and soul, where, instead of fighting, or even worse, identifying with this uncontrollable climate, you can notice, use soft focus, and then let it pass. Let it all pass… The music serves as a perfect meditative accompaniment to your daily routine, in order drown out all of that hum, and accept things as they are…

"James Murray’s new solo work takes the form of two carefully constructed long-form sound collages; twin formations gradually unfolding in continuous, ever-evolving streams of delicately controlled chaos."

The release is out in just a few days, on November 9th, 2019, and is available as a CD from Slowcraft and a beautifully pressed limited edition vinyl from Milan-based KrysaliSound imprint. Highly recommended for the seekers of their inner peace…

Embrace Storms

TRACK PREMIERE : James Murray - In Your Head

Music Inspired by the book "The Outlaw Ocean" by Ian Urbina.

"Music can express the unknown, like feelings beyond words. This music reflects the mystery and magnitude of the ocean, but below the surface of the sound is a story of heartbreak and healing. For me, this music is about grieving problems beyond our control while inspiring change within ourselves in order to make a difference." - Christopher Willits

The book, "The Outlaw Ocean", reveals the dark secrets of the high seas and, in doing so, illuminates hope for change. Author Ian Urbina listens to the voices of the unknown, salvaging stories and mapping their ethical murmurs for others to discover.

Download: https://shop.christopherwillits.com/track/the-unknown-sea
Spotify: https://open.spotify.com/album/7iZrVACezmJTAP5BF3tSbD?si=t8XKUvKKTIuaaXeh_7JMfg
Website: 
https://www.christopherwillits.com/

Viola - Charith Premawardhana
Guitar - Christopher Willits
Production - Christopher Willits
Mixing and mastering - Christopher Willits
Produced at Overlap Studio in Oakland, CA
Inspired by The Outlaw Ocean by Ian Urbina

The Unknown Sea

Dragon’s Eye Recordings is pleased to welcome back Kamran Sadeghi for his first release on the label since 2008. On BETWEEN US, Sadeghi explores life in quarantine by directing his listening attention towards the element of our homes that is both sheltering us and giving us a glimpse of the outside world—the window.

BETWEEN US was created using field recordings captured with DIY contact microphones attached to the glass window of Sadeghi’s home in Brooklyn. These protective barriers in the buildings we inhabit operate as a filter from the outside elements. Sadeghi describes the impulse of "wanting to hear the sound outside as it was being transformed to what I was hearing inside." Each recording's tonal slips due to the presence of sonic artifacts such as resonance, noise, low rumble, feedback, and cyclical hum (caused, in part, by the microphones' excessive gain) suggests a gauzy, shifting passage of time at a distance.

Between Us

Kamran Sadeghi - Morning

*1958.  Studied Recorder and Composition in Amsterdam with Kees Boeke, Tristan Keuris and Robert Heppener. Professor at the University of Music Karlsruhe. Music Published by Schott and Moeck editions. See also: https://orcid.org/0000-0003-2939-0869

La Reveuse - Marin Marais

Karel van Steenhoven

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