Oliver Coates cover of Bryce Hackford's Another Fantasy. all played on Cello

Oliver Coates - Another Fantasy (Bryce Hackford)

Everybody Gets Their 15 (remastered)

The Kid

A Kid

Until I Remember

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Information

Galcher Lustwerk - Left in the Dark

Sueños Contigo - Discos de los Tianguis

The Work

Work

Jazzdination Summertapes - Altroy Jerome(www.minimalsoul.com )

Gene Russel - My Favorite Things(US version)
Painted Pictures - Woody (minimalsoul.com/)*
Rudolph Johnson - The Highest Pleasure
Innerzone Orchestra - Basic Math
Alice Coltrane - Blue Nile 
John Coltrane - Summertime
Malik Alston Trio - Sweet Melody (minimalsoul.com/)*
Gene Russel - My Favorite Things (Japan version)
Roland Hanna Trio - Double Intentions
Phil Owen - Phil's Tune
Archie Shepp - The Girl From Ipanema
Julian Cannonball Adderly & John Coltrane - The Sleeper
Roy Eldridge -  Wrap Your Troubles In Dreams
Ramsey Lewis Trio - Black Orpheus Medley
The Awakening (Ari Brown, Arlington Davis, Jr., Frank Gordon, Ken Chaney, Reggie Willis, Steve Galloway) - Prologue Spring Thing
Lionel Hampton - But Beautiful
Roy Eldridge - Sweet Georgia Brown
Gene Russell - If You Could See Me Now
Rick Holmes & Roy Ayers - Remember To Remember
Tony Allen & Jeff Mills - Locked And Loaded
Amp Fiddler - Seven Mile
Lonnie Liston Smith - Mardis Gras

*exclusively distributed by MSR Distro

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jazzdination-summer-selection-2020

Jazzdination Summertapes - Altroy Jerome(Minimalsoul Recordings)

Ode To Jazzman John Clarke

Freak Terrains is back! This week's show celebrates a new reissue release on Anthology from Australian wave/jazz funk group, The Cigarettes. A homespun concoction of effects-laden guitar, rudimentary rhythm boxes, and primitive synthesizer, vibed straight to tape and left abandoned for over thirty years in favor of future legend.

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Freak Terrains @ The Lot Radio 09 - 04 - 2020

Frozen in time over four decades this 1984 “cyclic incantation” combines electroacoustics, grazed euphoria, industrial aesthetics, sampled salvage and recycled mechanic folk to score a widely revered dystopian physical theatre performance from the UK’s hugely influential Impact Theatre Co-Operative. From a seminal post-punk art-action faction (formed in a Leeds warehouse space alongside Gang Of Four and The Mekons), this apocalyptic prophecy not only cracked avant-garde stage boundaries but provided a captive audience with stunning set design and an incredible broken-music soundtrack before its swan song amidst Poland’s 1986 power plant panic. From the sonic workbench of the very same bedsit-Situationists that created the haunting 1983 music to The Moomins TV animation comes the eventual isolated music release to this pioneering theatrical spectacle of truly mythical status.

The Carrier Frequency (1984) was a legendary stage work that emerged from the collaboration between the influential performance company Impact Theatre Co-Operative and cult novelist Russel Hoban. The incantation of Hoban’s text voiced in the broken verbiage of a post-apocalyptic broken language and the entranced physicality of Impact’s ritualistic performance in a pool of cold dark water printed deeply on those who witnessed it. It reached an impassioned crescendo on the rising score by Graeme Miller and Steve Shill who also performed in the work. The music exploited samples from Hoban’s own recordings of the shortwave radio broadcasts which he tuned in as he wrote, helping him order the green phosphorescent letters on the screen of his Apple computer. Shill and Miller mirrored Hoban’s channelling in their approach to making the score, following the notion that this was the broadcast of some Central Eurasian radio station doomed forever to circulate fragments of static interlaced with desultory public information broadcasts and “The Record”, its only surviving fragment of a lost culture. The score was forged on an 8-track tape recorder sandwiching harmonium and accordion with the output of a digital delay machine that could trap and fragments of audio to be triggered and manually pitched. It is a knowingly crude montage where samples denote fragmentation itself and their reassembly, like Frankenstein’s monster, shows the stitches that join the stolen body parts.

More info: https://smarturl.it/thecarrierfrequency

Work

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