Name: Shamanic Journey by karen chrappa
Duration: 23 min 33 s
Description: The purpose of the Shamanic Journey is to meet a Spirit Ally for wisdom and guidance. The journey will take about 20 minutes. Create a time and space that is free from distraction.

This is my first original single. I have very deep relationships with the 
OCEAN. It helps me to get rid of my negative thoughts and anxiety, pain and sadness.

OCEAN

JASM - OCEAN (DEMO)

BAMBOGOU N'TJI

The purpose of the Shamanic Journey is to meet a Spirit Ally for wisdom and guidance. The journey will take about 20 minutes. Create a time and space that is free from distraction. 

Shamanic Journey

“Aldea Mundial” está pensado como una respuesta a la globalización, mostrando alternativas de cómo podemos relacionarnos, desde una escala local hacia una escala mundial. Cada pueblo tiene su propia voz, su propia música, y lo que se busca es amplificar eso con el poder de la música electrónica, inspirandose en la gran riqueza de ritmos que tiene América Latina, incluyendo el Son Jarocho, Changui, Son Guatemalteco, la Cumbia, música Garifuna, música Prehispánica, y los cantos de Yagé.

REG047 
Producción: Michael Alfred Wagner
Mezcla: Christian Castagno y Michael Alfred Wagner
Masterización: Christian Castagno
Arte: Ronald Feghali
Producción Ejecutiva: Colectivo Regional 
Sello Regional, Septiembre 2016.

Aldea Mundial

Free Download

Biomigrant & Fingia ft Samuel Wexler - Amaru

Sophie Rampa's song "The Painting" played live by the HangBrothers at "Le Moulin".

Sophie Rampa : Vocals
Julien Aho : Kalimba & Handpan
Baptiste Bieri : Guitar
David Millioud : Cajon

Live au Moulin

The Painting (Live @ Le Moulin)

Andrés Oddone - Aura LP - Shika Shika 2017

Músic, production and mix: Andrés Oddone

Matering: Sebastián Cordovés (https://www.facebook.com/sebastiancordoves)

Design: Treska (@treskaDG)

Bajada completa: https://shikashika.bandcamp.com/album/aura

"Aura" was born from two trips to India.
In 2011 I was able to meet several artists, journalists and members of the Bangalore music world, in the state of Karnataka, India. In that first opportunity I made recordings randomly, without knowing why. 
In 2013 I was invited by bangaloREsidency, of the Goethe Institut Bangalore, to serve in a residency together with a group of artists of different nationalities. That last time I traveled accompanied by Iohanna, my wife, and we were again in Bangalore, but also in several cities in the state of Kerala: Fort Kochi, Alleppey (Alappuzha) and Trivandrum (Thiruvananthapuram).

Both times, I captured a large number of recordings of different spaces. Of TV programs, of what played on the radio, what I heard on the streets while on walks, which I captured as a spectator in various concerts. I took samples delving into complete discographies of artists from India, some well known and others who I came across by luck, in an archive of music ranging from religion-based to more popular music: what plays from the stereo systems of the tuk-tuk, songs from the movies. I also used several layers extracted from sound collections.

After searching and searching for a place from which to begin composing, I found three axis lines that intersect today in the "Aura" tracks:

A - Dreams as a playing field: since it is impossible to mentally hold the information collected in India linearly, not even involving my own experiences, I decided to lay out the music with the same logic as that of the world of dreams. 
Many of the central ideas of "Aura" were born from this conception of a "dreamscape"; such as the overall sound of the album, generally very low in tone, with few highs, dub, acuatic and atmospheric.

B - Trance as an organic composition: avoiding the obvious analogy (from a Western perspective) that occurs between "Indian music" and "trance", the notion of a hypnotic sound revealed itself as an opportunity that is much more, giving me the opportunity to explore and add different stylistic and sound worlds to the tracks. Thus, the pieces slowly began to be dressed in very distant elements but that take force from the same energy: acid, IDM, ambient, noise, minimalism, progressive sequences, climates of tension, etc.

C - Individuality and unity, all in one body: emphasizing the idea of "unity and multiplicity in a single entity" present in different visions of India, the tracks are composed by lots of sounds, sometimes touching on saturation . But within that complexity, an interlacing emerges that presents a double vision in which music can be read as a whole, or in which it is also possible to differentiate between different threads.
In that sense, a sound created with a synthesizer is as equally important as a sitar or car horn, and they can be heard separately. But together they shape a whole that has its own voice, the body of a new entity. Collage leaves its seams in plain sight.

"Aura" was created from various random ideas and from playing with the sensuality of the sounds. It is not at all intended to truthfully emulate the rhythmic or compositional forms of India. I am far from being familiar enough to propose something like that. 
Regardless, I hope that something from those trips shows itself playing in the music. That the wonderful people that I was able to meet can be found between these distorted pictures, and that they can enjoy the image.

Seres Y Ciclos

TOSODA Projekt was founded in 2017 by Tamás Kácser - guitar (Toma=TO), Patrik Szombathelyi - handpan (SO) y Áron Dankowsky - cajon (DA). They got the break trough by the Szimpla Music contest (Lemming Program) in May 2018. Since that time they have played at several festivals (Mediawave, Everness, Journey to Tarab, Ozora, Babel Sound, HUG- Hungarian Handpan & Worldmusic Gathering) and concerts in different countries (Austria, Germany, Poland,  Romania, Serbia, Spain). Summer 2019 they have started to record their first album with this song, called the “Gato Negro” (black cat).

Gato Negro

This compilation is growing a forest. One tree at a time.
Each Euro spent on this compilation will fund a tree that will be planted in Portugal by "Primal Gathering".

The second edition of IN SPIRIT Holistic Music Production Retreat took place at Aterra in Portugal in the summer of 2019. Aspiring artists, passionate musicians, and experienced music producers met with the mutual intention to learn about music production, co-create music and reconnect with their essence by surrounding themselves with beautiful nature and listening deep within through meditation, breathwork, and sacred rituals. You can experience the result of this deeply transformative, inspirational, and healing journey AND directly support your Mother Earth with this compilation. Since we have received countless blessings from the sacred lands of Portugal we are grateful for the opportunity to give something back. All the income from the compilation will be donated to fund an organization that is planting trees. For every single Euro that you spent, 1 tree in Portugal will be planted by our friends from Primal Gathering.

Primal Gathering is an environmentally, socially and psychologically regenerative gathering. They intend to restore forests and ecosystems all over the world, planting seeds to a more sustainable future.

"WE BELIEVE that when we merge tribes from all walks of life and aim to build, not destroy, we serve as an example to the world as a model of Conscious Living and Regeneration."
(Primal Gathering)

We could not agree more on this and hope that listening to this compilation will support YOU to reconnect with your essence and open your heart for more compassion and (self-)love

Your IN SPIRIT Tribe

About IN SPIRIT:

www.inspirit.love

About Primal:

www.primalcreaturebeings.com

Cover by: Baptiste Sejourne

Mastering by: Joe DeFaria

Shamanic Journey

karen chrappa

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