Easily my favourite on 'Needs Cont'...love it when the MicroKorg comes in around here, the way it builds.

drksd2

Track 4 on Lapsed, Tidy Kid's second full length album, March 2024.

Grab it here ~ https://mrtidykid.bandcamp.com/album/lapsed

Pigeonhole

London-based keyboardist/producer Dan Nicholls (of Y-OTIS) introduces a new album project ‘Mattering And Meaning’ to be released by We Jazz Records on August 13th. Nicholls' music uses acoustic piano as its key element, transporting the instrument into new territories that sound remarkably natural and organic, whilst displaying a strong kinship with the world of abstract electronic music. The music utilises piano loops and field recordings as its key elements, forming what might be described on the surface as a fascinating ambient jazz record – but at the same time there's so much more at play here on deeper levels. Dan's music sounds at once otherworldly and immensely inviting.

With its uncanny landscape of fine sand drifts, juniper fields and pine, the ancient Beerze forest in the North-East of the Netherlands is a site of many unusual convergences of human and other than human stories. 'Papa' continues to unravel the threads of a deep artistic collaboration and kinship between pianist and producer Dan Nicholls and the Dutch filmmaker and anthropologist Louise Boer. These fuzzily collaged images and sounds represent a common love for finding the in-between places in which ideas can find deeper roots, channeled here through a dreamlike world which holds within it the location in which Louise’s father, Henk Boer, found his final resting place.

Mattering and Meaning

Exclusive Premiere: Dan Nicholls "Papa" (We Jazz Records)

Purchase: bit.ly/3ZkQcnk
Catalog #: GN70
February 17, 2023
CASS+DIGI

Over the past few years, Andrew Osterhoudt has quietly curated a slew of comforting kosmische musik that gazes deep into the stars while peering just as deeply inward. Now, the Brooklyn-based composer sets their sights on more tangible artifacts and nearby nuance with 'Out Together', an earthbound fit of maniacal mindfulness mixed with calm chaos.
 
Constructed on a scaffold of juxtaposed symmetry, the two sides of 'Out Together' foil and compliment each other in delicate harmony. Live collaborations with Ka Baird and John Also Bennett (JAB) colligate with manipulated found sounds from records and digital audio files from old broadcasting sound libraries, recontextualized into moments of ambient turntablism. The search for harmony shines throughout. Take the final tones of A-side closer “Runoff” drifting downstream with bubbly textures and arpeggiated bliss, trying to reach harmony with the initial tones of B-side opener “Frequency.” The latter ultimately spotlights a fortuitous flute duet from Baird and JAB born from Osterhoudt’s own graphic score.
 
The patient pointillism and avant assurance of “Crowds” balances out the opposite side’s “Everyone Arriving, Eventually,” a tone poem of sand-like textures flowing through melodic reeds and other sonic detritus. “Undergrowth” awakens in a steam-drenched run of modulated meditation, focusing on Ka Baird’s singularly enraptured vocal exorcisms which perfectly reflect its B-side counterpart “The Breathing Green,” engaged in a din of rustic psychedelia with waves of buzzing, ember-like tones and unseen fauna.
 
As a whole, 'Out Together' presents a vibrant spectrum of feelings ranging from magnified isolation to zoomed-out, wide-angled euphoria.

Andrew Osterhoudt - "Everyone Arriving, Eventually"

Liquidity

Why?

Why? (feat. Evicshen)

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

NECRONOMICON DREAMS No58 ASCRAEUS MONS

Buy here : https://lesyndicatdesscorpions.bandcamp.com/album/s-t-2

B2 - Les Jardins Du Mepris

Release date: September 29th
Pre-order: https://lullabiesforinsomniacslabel.bandcamp.com/album/l-szl-hortob-gyi-transreplica-meccano

Hungarian composer and musicologist László Hortobágyi, took his first expedition to North India in the late 1960's to record music, study philosophy and learn traditional instruments such as the rudra-vina, sitar, surbahar and tabla. These ongoing trips heavily influenced his musical style and much of his recorded work. LFI is happy to announce the reincarnation of one of his most illustrious works, Transreplica Meccano originally released by Hungaropop in 1988. 

As a child László fantasised about interacting with otherworldly muses and imploring them for the hope and guidance he yearned to escape the intellectual bareness of his surroundings. His early feelings of alienation combined with the almost sensual pleasure he remembers from these interactions, influenced and helped shape his life long musical journey.  In 1980 he established the musical society called Gáyan Uttejak Mandal. It was named after the Hindu-Moslem musician's society founded by Navraojí Kabrají in 1870 (it was the school of the great musicologist, V.N Bhátkhánde).
The society expanded throughout the 1980’s with an archive of oriental music, to be considered unique and unrivalled in Eastern Europe, which has operated parallel to the Gáyan Uttejak Studio and the Gáyan Uttejak Orchestra. The members have made it their duty to practice and study the world heritage of traditional cultures. 

The remastered and revised edition of Transreplica Meccano is reborn after 31 years.     László weaves a tapestry of sample based magic, transcribed from travels across the orient, transporting the listener to a fascinating world of archaic musicality. His sound palette is rebuilt and restructured using PCM morphology and FFT spectrum analysis as well as virtual overtone, processing synthesis software he developed in 1988. 
The new live program's repertoire is based on the classical Indian instrumental technique of the Gáyaki-Ang and the Tablá-tárang polyrhythmic structure and is mixed with his developed sound morphology of the granular systhesis technique according to his original 'computed memesis of music' concept. The result is an incredible amalgamation of musical worlds, allow yourself to be immersed in a truly unique dialect.


L. Hortobagyi : ibm-pc, sampler, been, synths, tabla, sitar, vocoder
Nora Hortobagyi : voice, strings

P. Radvanyi : Sygnus modular-synth (on Cathedral of Reptiles)
Toto : bass
Goezi : pozauna 
Chipy : flute
(on Nono-bol)

Recorded in the Gayan Uttejak Studio, Budpest. 1986 
Remastered and revised by L.Hortobagyi in 2006

László Hortobágyi – Transreplica Meccano (LFI009) Preview

All music and production by: In Atlas

Painting: Michael Kvium

Perseids

Waukon

'6 Nomads' cassette available @ www.strangerules.com

Yosuke Tokunaga - N Omads

Lazer

From The Vinyl 7"  Sloboda Kretanja b/w Umorna Lica
Katalogue Number: fett048

Sloboda Kretanja / Umorna Lica

Sloboda Kretanja

Iv/An - Sloboda Kretanja

Recorded with Korg Poly 61 in Scheveningen, The Hague.

Dim Garden - Biothèque 61

sound of sky

Sea Blue

Ya Zabyla Tebe Skazat’

Labels:
Joko Bomp
Don't Be Afraid
Alien Jams
Nous Disques
Opal Tapes

Former host of #nerdlove on CHRW 94.9 FM/CHRWRadio.ca. Hellbound.ca writer, SWO event promoter. #CKFRNT co-conspirator. Rants, raves & everything in between. Artists/labels/PR flacks: send me your sounds.

Waukon

Karen Gwyer

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