wake up in the detroit social security administration
north end fatha I just might be 
but unless it green no relevancy 
what i can light and what i can spend all I see
keep the bitches beneath my eye line 
so i can continue a scribe for our ineffable divine 
Effn what I had in mind 
just let me get thru these lines
Damn baby them legs are fine
Let me see if i can keep it in and keep in time
You cant catch me on no zine 
Look for my cadaver online 
i drink rice by the bottle when i drink wine
honey on the shelf bourbon in my mouth
Ya I haven’t even made it out 
All alone im still a crowd 
Consume until the room don’t smell so foul
Blunts on the wake up - no doubt. why ask?
If she free of family Ill eat that ass 
On everyone with a good childhood ill have to pass
Moralist make me laugh 
If you call your dad you’re a fag 
i keep all my relatives in a bag 
smoke that smoke that smoke that 
All my blood is ash 
youth I ran thru too fast
But I want this cash and it’s mine that’s fax 
Call ya self a rival you a fad 
Call it a war i call it a blast
watch yo head go thru the dash
Glass convert gums to gashes 
ya you a unlucky talentless bastard
Learn what strength is in action 
Ignore that responsibility meet disaster 
You a has been that hasn’t been
Faster than a 15
Don’t meet me out side 
Fuck ya whip fuck ya ride
i can fuck yo bitch an better wih no clothing line
Pussy don’t want a pretty boy she want a master 
So I’ll bag her keep your designer glasses 
Come to in the detroit social security office
damn these lines are awful
North end fatha I just might be 
But unless it green no relevancy 
What I can light and what I can spend all I see
Keep the bitches beneath my eye line 
So I can continue a scribe for our ineffable divine 
Effn what I have in mind 
Just let me get thru these lines
Damn baby them legs are fine
Let me see if I can keep it in and keep in time
You cant catch me on no zine 
Look for my cadaver online 
I drink rice by the bottle when i drink wine
I drink rice by the bottle when I drink wine
I keep all my relatives in a bag 
smoke that smoke that

ay ay 
produced by https://soundcloud.com/cogicogi

Zzzs @ a DT, MI SSA [P. Cogi]

187 GOTHVILLE

https://soundcloud.com/ztb2

The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics, instead, are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers.
In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, most rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.

Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. At such a time, rock critics will study their rock history and understand which artists accomplished which musical feat, and which simply exploited it commercially.

Beatles' "Aryan" music removed any trace of black music from rock and roll. It replaced syncopated African rhythm with linear Western melody, and lusty negro attitudes with cute white-kid smiles.

Contemporary musicians never spoke highly of the Beatles, and for good reason. They could never figure out why the Beatles' songs should be regarded more highly than their own. They knew that the Beatles were simply lucky to become a folk phenomenon (thanks to "Beatlemania", which had nothing to do with their musical merits). That phenomenon kept alive interest in their (mediocre) musical endeavours to this day. Nothing else grants the Beatles more attention than, say, the Kinks or the Rolling Stones. There was nothing intrinsically better in the Beatles' music. Ray Davies of the Kinks was certainly a far better songwriter than Lennon & McCartney. The Stones were certainly much more skilled musicians than the 'Fab Four'. And Pete Townshend was a far more accomplished composer, capable of entire operas such as "Tommy" and "Quadrophenia"; not to mention the far greater British musicians who followed them in subsequent decades or the US musicians themselves who initially spearheaded what the Beatles merely later repackaged to the masses.

The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth. They wrote a bunch of catchy 3-minute ditties and they were photogenic. If somebody had not invented "Beatlemania" in 1963, you would not have wasted five minutes of your time reading these pages about such a trivial band.

if u dont eat muff get lost
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подлецов:
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https://soundcloud.com/cogicogi
https://soundcloud.com/fendiblood
https://soundcloud.com/ytyeet

53327

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ˢᶜʰᵃʳᶠᵉ ᵃᵐ ᵏᵒᵖᶠ ᵃᵘᶠ ᵈᵉʳ ˢᵘᶜʰᵉ ⁿᵃᶜʰ ʰᵃʳᵐᵒⁿⁱᵉ

Zzzs @ a DT, MI SSA [P. Cogi]

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