Retro, simple, atmospheric- quite refreshing

the precision in the electronic elements is impressive each beat and synth feels meticulously placed for maximum impact

Thanks for share :) i Will repost ✨🙏🏻

I enjoyed this clicky little romp through the audisphere, thank you

Okay this is actually making my edm playlist ty

Friday, July 25th, 2025 –
MIDNIGHT SOON / Da House is Burning
🫵🏽*💥*🙇🏻*🔥*⭕️*🎧*🧨*🎏*❤️‍🔥*🙏🏽*🫵🏽*🎧

share, like, repost – speak out

Friday, July 25th 2025 - MIDNIGHT SOON / Da House is Burning 🫵🏽*💥*🙇🏻*🔥*⭕️*🎧*🧨*🎏*❤️‍🔥

South Wind

[POLYRHYTHMIC TECHNO]

16 x 17 x 18 x 19 x 20 x 21 x ... x n

err0r

Listen on Spotify: https://open.spotify.com/track/12ESlL7FlWSKVUD0vQbFCK?si=20a055e42b9e42dc

Composed for BOF:ET (THE BMS OF FIGHTERS EighTeen) -Summer Dream Traveler-

Team: Zenius -I- visionaries https://manbow.nothing.sh/event/page/bofet_YNzM4BcPJHV8eZ7b_summer/teamlist22/kprof.cgi?idx=65

BMS URL: https://manbow.nothing.sh/event/event.cgi?action=More_def&num=171&event=140

Check out Zenius -I- visionaries's other tracks: 
https://soundcloud.com/bvg-music-season-3?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing:  CROSSFIRE×COASTER https://soundcloud.com/bvg-music-season-3/bofetbvg-with-stevie-handbrake-crossfirecoaster?si=9d480602a217427d976ef00a93529e6c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
https://soundcloud.com/megative?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing: Discovery https://soundcloud.com/megative/discovery?si=43dd5d15cd774fdbb3d0b7a8607356d4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
https://soundcloud.com/dj-excuses?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing: Monolithic https://soundcloud.com/dj-excuses/bofet-monolithic?si=09ec3c58750f4ea497b5d06332a61b6b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

【BOF:ET】【#perolist2022】0verfl0w_err0r

Space Race

En el río

Angel share

Angelshare-Azeteck(Original)

Home

Povinicin - YouTube

This is one i done way back in 2011,

Got released as part of Digital Only Vol 1
Get Down Edits

Sly & The Family Stone – If You Want Me To Stay (Daz`s Bootleggin It)

Pulse XVIII

In The Heart Of The Universe

My submission for the LoopDiggers Sunday Roulette #2i2!

fatal decision (LDSR #212)

Karoshi-Obsidian (Master)

𐕣 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟏𝟒 𝐎𝐅 𝐓𝐇𝐄 𝐏𝐑𝐃𝐗:𝐒𝐄𝐑𝐈𝐄𝐒 𝐈𝐒 𝐍𝐎𝐖 𝐀𝐕𝐀𝐈𝐋𝐀𝐁𝐋𝐄  𐕣

Infused by heavy barrel kicks and hard industrial rhythms this release embodies the energetic and trance-like state of a PARA|DØX closing set—with a clear message at its core: MEET ME AT THE RAVE.

I played this one for the first time at the EXIT event on the 2nd of August at Klub Pan (Hannover, Germany) within an extended Closing and instantly matched the energy.
I finished this project just a couple of hours before the set and immediately had to give it a spin - I guess it's one of those gems for very sweaty club sets.

Enjoy and much love to everyone who danced with me
- PARA|DØX

MEET ME AT THE RAVE

Free Download

𝐅𝐑𝐄𝐄 𝐃𝐋 | MEET ME AT THE RAVE 𐕣 𝐏𝐑𝐃𝐗:𝟎𝟏𝟓 𐕣

Sunday Shift

Air Pollution

Real chill song. real nice to just lay back and enjoy the great mood you are in today... Laid Back!!
watch on You Tube https://www.youtube.com/watch?v=nJK5UIbICpk
listen on all major streaming services https://open.spotify.com/artist/1ERiLI8Cf2OrHTBwhUstvP

Laid Back

Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Karl Kim is a man of many musical hats (perhaps too many for his own good, but that's a discussion for another time). 

​​His musical journey started off with piano lessons at age six, and from there he has picked up many other instruments over the years, including but not limited to: violin, guitar, trombone, and various percussion instruments. Karl was also just as quick to branch out to styles of music other than classical; most significant of these styles is rock and metal (especially of the progressive variety), but jazz, EDM, experimental music, and folk music from various parts of the world have also played a role in shaping him as a musician. 

As a concert music composer, these musical experiences, especially those as a metal guitarist, are what make up the voice that he projects into his compositions, especially in recent times. Pieces like "The Jury is Sleepless", "Without a Minute to Spare", and "So Cold, So Dark, So Chaotic" exist at a crossroads between music for the concert hall and music for the mosh pit. His music has been performed by ensembles such as the Rhythm Method, S.E.M., and Bearthoven, and he holds a B.M. in Music Theory and Composition from New York University. 

"Karl with a K" is an alter ego of Karl Kim. Karl with a K, while having the same musical background as Karl Kim, draws upon a fascination for rhythm game music that started with Dance Dance Revolution at the age of eight, and grew considerably to encompass games including, but not limited to, Sound Voltex, In the Groove, beatmania IIDX, Voez, and Arcaea. Karl with a K brings his background in metal and 20th century classical music into rhythm game original tracks such as "!CAUTION! small but deadly", "BELLUM", and "rudimentary methods of overkill", which can be characterized by plenty of guitars, unusual rhythms, and sometimes non-instruments being used as instruments. Much of his output as Karl with a K is written for the purposes of Stepmania simfile creation (though as of BMS of Fighters: EighTeen's "0verfl0w_err0r" this is no longer exclusively the case).

Karl Kim currently resides in Bloomington, Indiana where he is pursuing an M.M. in Music Scoring for Visual Media at the Jacobs School of Music at Indiana University. Karl with a K can be seen lurking around the internet (especially specific Discord servers), occasionally not being above a good meme from time to time. In addition, Karl with a K is working on his first project as a game developer, a typing meets rhythm gaming fusion titled "glyph;".

【BOF:ET】【#perolist2022】0verfl0w_err0r

Karl with a K

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