One thing I used to love doing is improvising on an instrument. This is one of the results of that.

Improvisation No. 4

Christiane Hommelsheim sings and plays on sound objects, Ralf Haarmann electronics and mandoline. With a central interest in loops, they create intertwined acoustic layers. Through the looper all sounds loose their corporality, they resolve within themselves, they appear and
disappear, they become soundfields, and soundshadows. Ocassionally a sentences might appear out of nowhere, and lingers unfinished in the space, like a piece of thought-furniture, that might develop within the ear of the listener before it retreats back out of focus. HAARMANNHOMMELSHEIM create poetics of absence, poetics of nothing.

https://www.australiancomposers.com.au/pages/rachel-hocking?_pos=1&_sid=2887cbd6f&_ss=r

https://www.australianmusiccentre.com.au/artist/hocking-rachel

Rachel’s compositional style draws upon classical idioms, combined with jazz and contemporary harmonic and rhythmic influences. She enjoys writing for piano as well as choral/sacred styles and some of her sacred works have been performed and recorded in the UK, USA and Australia. Rachel loves exploring texture and colour within a piece as well as using harmonic language to evoke imagery and emotion.

I don`t have such resources to promote and distribute this, so if you found it interesting - please, share it as far as you can.

Also, I`m very grateful for your comments. these are helping me in dark times!

Experimental music, mostly ambient and electronic. Enjoy!

Depeche Mode meets dark soundtrack music with a bit of EDM & dark ambient thrown in for good measure.
80's & 90's remixes done in a darker and more modern fashion.
I love layered vocals and music that always has something going on in the background.  Bored of cookie-cutter electronic music, I strive to build soundscapes that are deep and complicated.

Seeking collaborations and remix opportunities.

“Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” ― Plato

dalaitom, is an enigmatic artist whose musical journey began at the tender age of 5 when he first laid hands on the piano keys. Hailing from a lineage of musicians, dalaitom's innate passion for music was nurtured from an early age. His formative years were marked by rigorous training and exploration, leading him to pursue formal studies in music at the college level. It was during this time that dalaitom's artistic identity began to crystallize, as he delved deep into the realms of composition and sonic experimentation. In a world inundated with noise, dalaitom's music serves as a beacon of clarity and beauty, reminding us of the transformative power of art in all its myriad forms.

With little to no experience of making music before Summer 2020, Stopyral armed nothing more with an iPad, imagination and desire decided to experiment in creating sound textures & blending beats in a variety of interesting & unique ways. 
 
With over 140k plays on SoundCloud since January 2021 and hitting the top 20 RepostExchange Underground Charts on a consistent basis suggests this was not a bad idea after all😉
 
If you like what you hear - feel free to follow me on the links below:

Music expresses everything that I cannot say

klangmœbel label - You find us on many streaming platforms.
haarmann / hommelsheim / Igden Daledrop / Aldo Tamarind
Electronic music.


#alternative #soundtrack #downtempo #indie

Karl Kim is a man of many musical hats (perhaps too many for his own good, but that's a discussion for another time). 

​​His musical journey started off with piano lessons at age six, and from there he has picked up many other instruments over the years, including but not limited to: violin, guitar, trombone, and various percussion instruments. Karl was also just as quick to branch out to styles of music other than classical; most significant of these styles is rock and metal (especially of the progressive variety), but jazz, EDM, experimental music, and folk music from various parts of the world have also played a role in shaping him as a musician. 

As a concert music composer, these musical experiences, especially those as a metal guitarist, are what make up the voice that he projects into his compositions, especially in recent times. Pieces like "The Jury is Sleepless", "Without a Minute to Spare", and "So Cold, So Dark, So Chaotic" exist at a crossroads between music for the concert hall and music for the mosh pit. His music has been performed by ensembles such as the Rhythm Method, S.E.M., and Bearthoven, and he holds a B.M. in Music Theory and Composition from New York University. 

"Karl with a K" is an alter ego of Karl Kim. Karl with a K, while having the same musical background as Karl Kim, draws upon a fascination for rhythm game music that started with Dance Dance Revolution at the age of eight, and grew considerably to encompass games including, but not limited to, Sound Voltex, In the Groove, beatmania IIDX, Voez, and Arcaea. Karl with a K brings his background in metal and 20th century classical music into rhythm game original tracks such as "!CAUTION! small but deadly", "BELLUM", and "rudimentary methods of overkill", which can be characterized by plenty of guitars, unusual rhythms, and sometimes non-instruments being used as instruments. Much of his output as Karl with a K is written for the purposes of Stepmania simfile creation (though as of BMS of Fighters: EighTeen's "0verfl0w_err0r" this is no longer exclusively the case).

Karl Kim currently resides in Bloomington, Indiana where he is pursuing an M.M. in Music Scoring for Visual Media at the Jacobs School of Music at Indiana University. Karl with a K can be seen lurking around the internet (especially specific Discord servers), occasionally not being above a good meme from time to time. In addition, Karl with a K is working on his first project as a game developer, a typing meets rhythm gaming fusion titled "glyph;".