I’ve been revisiting an old recording technique I named - “Dragged Mics” - it is what it’s called! I drag two dynamic mics behind me on various surfaces. This one is from my lawn this morning, where the grass was frosty. No edits to the recording. Works great with headphones so you get the full effect of the crazy stereo perspective.

Dragged Mics Frozen Grass

Hard 2 C

a video here:
https://www.instagram.com/p/B9WsdM1IMA4/
or:
https://youtu.be/DbJJ7sI0YE0

short radio preamble

A reworking of "Eine kleine elektronische Meditation" by Marco Lucchi for his "Elektronische Meditationen" project. Marco is a music friend from Modena in Italy. Marco has many fellow Soundcloud and music friends and his music output is immense and  truly wonderful.

https://soundcloud.com/marcolucchi
https://soundcloud.com/musichevirtuali

The Oxford Ambient Collective and Marco Lucchi - Eine Kleine Elektronische Meditation

irkalla

MACARENA ROSMANICH
Dunst (2019)

for harp and double bass

Constantin Herzog, double bass
Mirjam Schröder, harp


Live Recording. 19.02.2020
Alte Feuerwache, Cologne, Germany.

DUNST (2019)for harp and double bass

Back To The Fields

A new version of my ambient-drone soundscape "Alternate Reality" (Rework by Mean Flow)
Original track (single) on bandcamp: https://astrofaros.bandcamp.com/track/alternate-reality-single
Mean Flow (Theofil Tsiolakakis) soundcloud music page: https://soundcloud.com/theofil-tsiolakakis
Artwork-photo-cover by Asterios (Aktina)

Aktina - Alternate Reality (Mean Flow remake)

This is based on my piano solo deconstructing the Rodgers and Hammerstein song, My Favorite Things. It is further deconstructed using U&I Software's program, Metasynth. Enjoy!

My Favorite Deconstruction

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 06

"There are things one can only achieve by a deliberate leap in the opposite direction" (F Kafka)

Back To The Fields

Orange Crush