Performed by ensemble xx. jahrhundert at the Austrian Parliament in Vienna on 22 Jan 2006.

Binaural recording in surround sound (3D audio)- listen with headphones!

Die Nachhallzeiten des marmornen Parlamentsraumes (12 Sekunden) spielen bei diesem Werk eine entscheidende Rolle. Jeweils sechs Musiker sitzen in den Ecken des Raumes und erzeugen einen sich wölbenden Klangraum. Die Hüllkurve des Halls faßt zwar die Vielstimmigkeit zusammen, gleichzeitig sind kleine Klangereignisse Auslöser weiträumiger Prozesse, bei denen das Reagieren aufeinander, das Aufgreifen von Klängen und Motiven zwischen den einzelnen, ihrer jeweiligen Eigendynamik verhafteten Gruppen von entscheidender Bedeutung ist. Das Werk wird bestimmt von Gegensätzlichkeiten wie lauten Impulsen und ruhigen Flächen, blockartig konzentrierten Aktionen und weiträumigen Zerfaserungsprozessen, die oft erst knapp vor der völligen Auflösung stoppen. Symbolisch stimmt sich das Orchester zum Schluß auf den Ton A (für Austria?) ein, der in der Coda allerdings (angesichts der politischen Situation symbolträchtig) wieder verstimmt wird. (Christian Baier, 1997)

Info: http://www.essl.at/works/intervention.html

Info

Intervention (1995) - for 4 orchestra groups in an reverberant hall - BINAURAL

Songwriter/Soundtrack Artist.
Spotify: https://open.spotify.com/artist/4KT49ep1lqj3wsWRDNBBGW

Born 1960 in Vienna. Austrian composer, improviser and performer. He studied composition with Friedrich Cerha and musicology in Vienna. Besides writing experimental instrumental music, he performs on his own electronic instrument m@ze°2, develops software environments for computer-aided composition and creates generative sound and video environments. Since 2007 professor of composition for electro-acoustic and experimental music at the University of Music in Vienna.

Karlheinz Essl performs on a laptop computer that he has transformed into a live electronic musical instrument. The result is exciting and musical. You just won't hear these sounds anywhere else. He performs solo and in duets and trios, responding with sensitivity to fellow musicians, producing fascinating sound transformations, creating spontaneous surprises, and moving quickly from loops to cacophony to tiny clips of vocal sounds to all kinds of textures and ideas. He does all this with his m@ze°2(Modular Algorithmic Zound Environment) performance software. (Joel Chadabe, CDeMusic, Januar 2002)


Irish composer/violist/director of Kirkos Ensemble

Feel free to email sebastian(dot)adams(at)hotmail(dot)com if you are interested in scores or parts!

Sebastian Adams (b. 1991) is an Irish composer, violist and artistic director. His music is deeply engaged with the classical tradition, but filters through a range of interests including just intonation, performance art, improvisation and artificial intelligence. Trajectory is a major preoccupation in his music. 

Performers of his music include Crash Ensemble, Kirkos, Benyounes Quartet, Fidelio Trio, Sarah Watts, Beatrice Berrut, Carl Ludwig Hübsch, David Adams, Lina Andonovska, and many others. His music has been included at the West Cork Chamber Music Festival, Festival EuropArt (Brussels), Órtús Festival and Hilltown Festival and has been performed in Montreal, Vienna, Cologne, Potsdam, Antwerp and Görlitz. 

Sebastian founded and directs Kirkos and co-directs the Fishamble Sinfonia. He also chaired the Irish Composers Collective for two years. As a violist, Sebastian has premiered works by many of Ireland’s leading composers and performed as an improviser in Dublin, New York and London. He studied in Dublin (Kevin O’Connell & Jonathan Nangle) and Vienna (Karlheinz Essl).

Cinematic Mojo Music  is the  film and T.V. division of Bopnique Musique LLC.
Anthony J. Resta's partial discography is here:
https://en.wikipedia.org/wiki/Anthony_J._Resta_discography
IDMB: http://www.imdb.com/name/nm3870988/

Anthony J. Resta has been compiling a team made up of some of the best composers, orchestrators and musicians in the business . This will be  an ongoing portal for posting posting music. We have several high profile film and T.V. projects on the books for 2019 and 2020 already.  You can contact Anthony J. Resta  through his manager Alan Stewart :sgmanagement@mac.com
or  directly the web via http://www.bopnique.com or at studiobopnique@mac.com

Hi, 

I am Ray Charles a Dutch composer and hope you enjoy my music.


Thanks for listening and support on my music.

*** Be strong, focussed and creative and make music from your heart **

Cheers
Ray

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .