New Music (Listed)

Tube space II for trumpet and trombone (2014)
performed by Elision ensemble (Tristram Williams, trumpet, Benjamin Marks, trombone)

!!! NOT FOR SHARE !!!

Dmitri Kourliandski - Tube Space II

Nosferatu Suite, SWR Orchestra, Teodor Currentzis

Nosferatu Suite

Les Objets Impossibles I-V
for large ensemble
2010/2013

Objet 1 - 00:00
Objet 2 - 13:25
Objet 3 - 27:05
Objet 4 - 40:32
Objet 5 - 54:00

performed by MCME + eNsemble + NoName ensemble
conducted by Fyodor Lednev
recorded live from NCCA Arsenal (Nizhni Novgorod), 2013

Les Objets Impossibles 1 - 5

Stockholm New Chamber Orchestra, Susanna Malkki, cond.

Maps of non-existent cities. Stockholm

Binaural recording of the toy piano concerto "under wood", performed by Isabel Ettenauer (toy pianos) and Ensemble Reconscil Vienna (dir. Antanina Kalechyts) on OCt 7th, 2020 at REAKTOR Wien (A).
Listen with headphones!
http://www.essl.at/works/underwood.html

under wood

Info

under wood (2012) for toy piano and ensemble - BINAURAL

for two voices, flute, harp, piano, violin and live electronics (2013)
patch programming - Alexei Nadjarov
performed by Nadar Ensemble

The little match girls (unsung Candlejack's songs)

Born 1960 in Vienna. Austrian composer, improviser and performer. He studied composition with Friedrich Cerha and musicology in Vienna. Besides writing experimental instrumental music, he performs on his own electronic instrument m@ze°2, develops software environments for computer-aided composition and creates generative sound and video environments. Since 2007 professor of composition for electro-acoustic and experimental music at the University of Music in Vienna.

Karlheinz Essl performs on a laptop computer that he has transformed into a live electronic musical instrument. The result is exciting and musical. You just won't hear these sounds anywhere else. He performs solo and in duets and trios, responding with sensitivity to fellow musicians, producing fascinating sound transformations, creating spontaneous surprises, and moving quickly from loops to cacophony to tiny clips of vocal sounds to all kinds of textures and ideas. He does all this with his m@ze°2(Modular Algorithmic Zound Environment) performance software. (Joel Chadabe, CDeMusic, Januar 2002)
