Elliot Slide is a Hungarian Progressive Trance project. The members already worked together and produced several Electronic and Psytrance tracks under the name Tribal Earth in the early 2000s. Now they are back!


Oberon is a project by Stathis T. from Corfu, Greece.
Started getting involved professionally with music in the 1980's, studied sound engineering and worked in several studios and live concerts.
Same time, he got into djing, playing new and dark wave music.
After a magic trip to Goa in 1991 he started playing psychedelic trance and in 1995 
he was organizing indoors and outdoors events under the name Uforica and Space Alchemy.
In 2007 he started producing his own sounds, mixing his Goa/old school influences 
with fresh psytrance elements and modern production. 
Since December 2009 he has been playing for Neurotrance records
and in February 2012 he established Space Alchemy Lab.
Same time was invited to participate Purple Hexagon records (www.purplehexagon.com)
while keep doing mastering and cover artwork for several artists too.

It all just started in 1984 when I bought a C64. I used this computer to play games and to write little BASIC-programs. But I also found the music pieces great and so I began to be more and more interested in making music.
In 1989 I bought the Amiga 500 and it doesn't took much time to finish some cool songs. The Amiga was a great allrounder but the quality of the sound wasn't good enough for me.
In 1991 I stopped my activities as a musician on the computer.
In 1995 I bought my first PC, a Pentium 133 with a Terratec-soundcard and sequencer-software. Now I was starting to compose again and founded the music-project 'Synchronic Beat' in 1997.
In October 1998 I went online with my homepage. After 2002 I didn't finished any more songs and stopped composing again in 2005.
Since 2010 I am back for a new start with new equipment and new ideas.

//

Angefangen hat eigentlich alles 1984 mit dem Kauf eines C64. Den 'Brotkasten' nutzte ich zunächst nur zum Spielen und zum Programmieren von kleinen BASIC-Programmen. Aber ich fand auch die Musikstücke sehr gut und entwickelte deshalb dann mehr und mehr Interesse für das Komponieren von Musik.
1989 kaufte ich mir den Amiga 500, hier kamen auch schnell ein paar tolle Musikstücke zustande. Obwohl der Amiga ein wahrer Alleskönner war, genügte mir die Soundqualität nicht.
1991 unterbrach ich deshalb zunächst meine musikalischen Aktivitäten am Computer.
1995 kaufte ich mir meinen ersten PC, einen Pentium 133 mit einer Terratec-Soundkarte und Sequenzer-Software. Nun komponierte ich wieder und gründete 1997 das Projekt 'Synchronic Beat'.
Im Oktober 1998 ging meine Homepage online.
Nach 2002 stellte ich keinen weiteren Song mehr fertig und unterbrach 2005 erneut meine musikalischen Aktivitäten.
Seit 2010 bin ich zurück für einen Neustart, mit neuem Equipment und neuen Ideen.

Latest Releases:
Oliver Lieb - Atomo on Respekt Recordings
Beatport: www.beatport.com/release/atomo/2865185
Apple Music: music.apple.com/de/album/atomo-single/1499842994
Spotify: open.spotify.com/album/47cfh0rxRO…PsSp6TQh6vsOYtZg

Oliver Lieb - Artemis EP on Gem Rec.
Beatport: https://www.beatport.com/release/artemis-ep/2764181
Spotify: https://open.spotify.com/album/6dhINUG1j0jL92uVaQW9mG?si=FpeSM88xQZqOmmAX790gjg
Apple Music: https://music.apple.com/de/album/artemis-ep/1486148864

BIOGRAPHY:

With 13 LPs and over 300 EPs released on iconic labels such as Harthouse, Superstition, Data Records, Hooj Choons, and Yoshitoshi, Oliver Lieb has been a driving force in electronic music for more than three decades.
He has remixed a wide range of artists—from globally recognized acts like Faithless, The Human League, Moby, and Yello to rising talents shaping the future of the scene.

Under influential aliases including L.S.G., Paragliders, S.O.L., The Ambush, and others—as well as under his own name—Oliver has explored and defined a broad spectrum of underground electronic genres.
His work spans techno, trance, house, and ambient, all while developing a signature sound that is instantly recognizable and deeply respected.

With his releases, DJ sets and guest mixes on shows like Transitions, Tronic Radio and GEM FM he continues to cement his position at the cutting edge of contemporary music remaining a true original, a creative force and an inspiration to many.

In addition to his studio and stage work, Oliver now offers in studio and online courses and mentoring as well as professional mastering services, applying his decades of technical expertise to help other artists achieve polished, release-ready tracks.

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Astor Bell is a netlabel based in Stockholm that freely releases exclusive and original electronic music in the minimal, IDM and techno genres. As we are open-minded, the above genres mean nothing and only act as a starting point; creative and forward-thinking artists will find a home on Astor Bell regardless of the immediate label put on them. Our mission is to offer smart, electronic-based music freely to the masses via the internet and the occasional physical release.

Astor Bell is run by Don Simon and Esa Axel. We float around in space but sort of have our office in Vasastan, Stockholm, Sweden.

...fluffige Soundtüfteleien ....
...von hier & aus der Gegend..

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