Francesco Adornetto is a neoclassical and ambient pianist and composer who believes music is a form of breath.
His pieces unfold slowly, like a mindful exhale — offering space, silence, and a sense of emotional truth.

🧘‍♂️ Deeply inspired by yoga, inner stillness, and the quiet power of presence,
his music invites you to pause, soften, and reconnect with the moment.

Blending calm piano, neoclassical minimalism, and ambient textures with occasional ethereal vocals, Francesco Adornetto creates soundscapes for yoga, meditation, slow mornings, study, and reflection.
His sound resonates with fans of Ólafur Arnalds, Ludovico Einaudi Yann Tiersen, Max Richter, and Joep Beving and more...

Since beginning his neoclassical journey in 2024, his work has gained recognition for emotional depth, introspective tone, and a delicate yet expressive language.
He has collaborated with Jessica Bains Brown, Francess Harris, Alessandra Celletti, Mauricio De Los Santos, Araceli Parra, Roberto Guerra, Dawn Walters, and others.

Francesco composes with a handcrafted approach, guided by touch, attentive listening, and the inspiration of the moment — creating music not as a product, but as a deeply human act.

🌲 ʀᴀᴡ, ᴇᴇʀɪᴇ ᴍᴜsɪᴄᴀʟ ʟᴀɴᴅsᴄᴀᴘᴇs 🌲 

𝐀𝐁𝐎𝐔𝐓 𝐔𝐒
Kalandra is a Norwegian/Swedish quartet that blends melancholic Nordic influences with gritty guitars and ethereal melodies, crafting haunting musical landscapes rooted in raw emotion and cinematic depth.

Formed in 2011, the band has spent over a decade shaping a sound that is uniquely their own—building a dedicated studio space, refining their musical identity, and supporting acts such as Leprous, Gåte, Wardruna, Heilung and Eivør.

Following the success of their 2020 debut album The Line and their atmospheric soundtrack for the video game Kingdom Two Crowns: Norse Lands, Kalandra returned in 2024 with their second album A Frame of Mind. Drawing from their years of growth and collaboration, the new record is their most expansive to date—showcasing versatility while staying true to the immersive soundscape that defines them.

A Frame of Mind invites listeners on an introspective journey, reflecting on how life’s experiences shape our perception of the world. The album explores what we choose to include—and exclude—within the frame of our everyday lives, revisiting memories of hardship, childhood, and the growing uncertainty of the future.

With performances at major festivals like Hellfest, Kalandra continues to expand their audience across Europe. In 2025, the band is set to play their first Australia tour this November!

Roberto Cacciapaglia  protagonist of the most innovative Italian music scene, in Italy and abroad, for his musical research ranging between classicism and electronic experimentation. For many years he has been researching the powers of sound, in the direction of a music without borders, beyond any division. His music draws inspiration from these experiences and expresses itself through emotions rather than through rules and structures. 

Roberto Cacciapaglia has huge successes with his live performances in Italy and abroad. A testimony is his tour in Russia in 2013, with concerts in Moscow and San Petersburg which received an extraordinary reception by the Russian public. Other concerts followed in Barcelona, Bratislava and Istanbul, where he taught several seminars and workshops at the Turkish Music State Conservatory. The longstanding artistic partnership undertaken with the Royal Philharmonic Orchestra, gave life to hree CDs: “QUARTO TEMPO” (Universal Music-2007); “CANONE DEGLI SPAZI” (Universal Music-2009) and “TEN DIRECTIONS” (2010).


Ludovico Einaudi is known the world over through films and TV. His music has featured in titles including Black Swan, Doctor Zhivago, This is England and many more. In 2011 his track I Giorni was played on Radio 1, and his haunting melodies are timeless in their beauty.

Follow me for new and bespoke recordings straight from the label.

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

ENG:
Blending live acoustic instruments with electronic our music is grounded in earthly tribal sounds and ethnic influences.
Organic sound with psychedelic atmospheres and ambient soundscapes through the use of mostly ancient and shamanic instruments where organic meets digital to create a live tribal music set.

OCO are: Alban Hall | Pedro Soares | Rui Martins | Jorge Machado | Sérgio Walgood

PT:

"Formados em 2004, têm criado sonoridades experimentais, ritualistas e intemporais dos quatro cantos do mundo. A quantidade de referências e a mistura de sons é tão particular que não se encaixa num género ou numa área geográfica. No ano em que comemoraram 10 anos de existência, editaram o seu 3º álbum “Beyond Dust and Bones”, uma expedição sonora que une o ancestral e o moderno, o Ocidente e o Oriente".

Os OCO são: Alban Hall | Pedro Soares | Rui Martins | Jorge Machado | Sérgio Walgood

My musical Journey, begin earlier at school, and passed trough an Light Orchest, a tradicional folk band and some other projects. 
All of them have given me the experience in some of the most played instruments in a band (Drums, Bass, Guitar and piano).
With this projects, I also have learn, that even when you love music
above all, sometimes is dificult to keep some projects, there must be
among the members a big affinity.
No one is equal, and that makes all the diference.
In "Submersus" there are no external factors, excuses and wills. The ideas start to flow, getting form, and when finished, they are putted
here, to everybody listen, and share.
It's true that some of them, still sound a little rough, but it is only because I'm starting now to manage my homestudio, and what seems to be easy it's converting to a big headache.
 "Submersus" in similarity with the name, intend to be something submerion,
occult, hidden to be found.
The fantasy world and the Esoterism are the main subjects of the lirycs. 
The gotic, melancolic and sometimes meditative sound, reveal subtly images and  hidden feelings locked in the Soul.
Limited to the one and only musician composer, this project has no structure to
live shows, but that's how intent to be.
I hope you enjoy, like me, but if you don't, friends anyway.
No one is forced to hear something that doesn't like.

Submersus is following